Þrymskviða (the name can be anglicized as Thrymskviða, Thrymskvitha, Thrymskvidha or Thrymskvida) is one of the best known poems from the Poetic Edda. The Norse myth had enduring popularity in Scandinavia and continued to be told and sung in several forms until the 19th century.
The giant Þrymr steals Thor's hammer Mjölnir and demands Freyja as payment for it, desiring the goddess as his own wife. Instead of Freyja, the Æsir dress Thor as the bride and Loki as the bridesmaid, and the two travel to Jötunheimr for the "wedding." Thor's identity is comically hinted at throughout the reception (the god eats an entire ox on his own), with Loki providing weak explanations that the giants somehow accept for the odd behavior (he claims that the bride's immense hunger stems from her not having eaten for the last seven days for her excitement). Mjölnir is eventually placed into Thor's hands as part of the wedding ceremony, allowing the god to strike down the giants and return home.
There is no agreement among scholars on the age of Þrymskviða. Some have seen it as thoroughly heathen and among the oldest of the Eddaic poems. Others have seen it as a young Christian parody of the heathen gods.
In other tales, Loki's explanations for Thor's behavior has its clearest analogies in the tale Little Red Riding Hood, where the wolf provides equally odd explanations for its differences from the grandmother than Little Red Riding Hood was expecting.
Parts of the story related in Þrymskviða remained in the Thor song, a song which is known from Scandinavia and of which there are Swedish accounts from the 17th century to the 19th century. In this song, Thor is called Torkar, Loki is called Locke Lewe, Freyja is called Miss Frojenborg and Þrymr is called Trolletrams.
A seated bronze statue of Thor (about 6.4 cm) known as the Eyrarland statue from about AD 1000 was recovered at a farm near Akureyri, Iceland and is a featured display at the National Museum of Iceland. Thor is holding Mjöllnir, sculpted in the typically Icelandic cross-like shape. It has been suggested that the statue is related to a scene from Þrymskviða where Thor recovers his hammer while seated by grasping it with both hands during the wedding ceremony.
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