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|Adventures of Superman|
|Also known as||
|Theme music composer||Leon Klatzkin|
|Opening theme||Adventures of Superman Theme (Superman March)|
|Country of origin||United States|
|No. of seasons||6|
|No. of episodes||104 (list of episodes)|
|Running time||22–25 minutes|
|Distributor||Warner Bros. Television Distribution|
|Original release||September 19, 1952– April 28, 1958|
Adventures of Superman is an American television series based on comic book characters and concepts created in 1938 by Jerry Siegel and Joe Shuster. The show was the first television series to feature Superman and began filming in 1951 in California on RKO-Pathé stages and the RKO Forty Acres back lot. It was sponsored by cereal manufacturer Kellogg's. The show, which was produced for first-run television syndication rather than a network, has disputed first and last air dates, but they are generally accepted as September 19, 1952 and April 28, 1958. The show's first two seasons (episodes 1–52, 26 titles per season) were filmed in black-and-white; seasons three through six (episodes 53–104, 13 titles per season) were filmed in color but originally telecast in black and white. Superman was not shown in color until 1965 when the series was syndicated to local stations.
George Reeves played Clark Kent/Superman, with Jack Larson as Jimmy Olsen, John Hamilton as Perry White, and Robert Shayne as Inspector Henderson. Phyllis Coates played Lois Lane in the first season, with Noel Neill stepping into the role in the second (1953) and later seasons. Superman battles crooks, gangsters, and other villains in the fictional city of Metropolis while masquerading "off-duty" as Daily Planet reporter Clark Kent. Lois Lane and Jimmy Olsen, Clark's colleagues at the office, often find themselves in dangerous situations which can only be resolved with Superman's timely intervention.
Its opening theme is known as The Superman March. In 1987, selected episodes of the show were released to video. In 2006, the series became available in its entirety on DVD. The feature film Hollywoodland was released in 2006, dramatizing the show's production and the death of its star George Reeves.
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In 1951, California exhibitor and B-movie producer Robert L. Lippert released a 58-minute black-and-white feature starring George Reeves and Phyllis Coates called Superman and the Mole Men with a script by Robert Maxwell (as Richard Fielding) and direction by Lee Sholem. The film prompted the first television season to go into production in August/September of the same year. The series discontinued production, however, and remained unaired until September 1952, when cereal manufacturer Kellogg's agreed to sponsor the show, as the company had previously done with the Superman radio series. The success of the series came as a complete surprise to the cast. The initial feature film, Superman and the Mole Men, was subsequently edited into a two-part story called "The Unknown People" and was televised late in the first season, the only multi-part story of the series.
After the first season's filming was completed, actress Phyllis Coates made other commitments and did not return as Lois Lane for the second season. Noel Neill (who had played the character in both Columbia theatrical serials) stepped into the role, and remained until the series' cancellation. The core cast thereafter remained intact with Phillips Tead occasionally joining the regulars in the last seasons as the eccentric recurring character Professor Pepperwinkle. To promote and advertise the show, cast members Reeves, Hamilton, and Larson were able to gain extra money by appearing in Kellogg's commercials during the second season. However, Noel Neill was never approached for these because sponsors worried that scenes of Clark Kent having breakfast with Lois Lane would be too suggestive.
From the beginning, the series was filmed like a movie serial with principals wearing the same costumes throughout the show to expedite out-of-sequence shooting schedules and save budgetary costs. For instance, all scenes that took place in the "Perry White Office" set would be filmed back to back, for future placement in various episodes, which was often confusing to the actors. Money was further saved by using Clark's office as Lois's office with a simple change of wall hangings, thus dispensing with additional set construction. Other scenic short-cuts were employed. In the last seasons, for example, few exterior location shoots were conducted, with episodes being filmed almost entirely in the studio. Reeves's red-blue-and-yellow Superman costume was originally brown-gray-and-white so that it would photograph in appropriate gray tones on black-and-white film. After two seasons the producers began filming the show in color, a rarity for the time. Filming of the color episodes began in late 1954 and were broadcast in monochrome starting in early 1955. Because of the added cost of filming in color, the producers cut the number of episodes per season in half. Each 26-week season would feature 13 new episodes and 13 reruns of the older black-and-white shows. The monochrome prints of the color episodes also had to be treated so that there would be a somewhat similar contrast in the colors of Reeves's new costume to the one from the earlier seasons (with the contrast increasing each season), as the gray tones of the blue and red colors would otherwise have been rendered nearly indistinguishable.
Throughout the last 50 episodes, a lackadaisical attitude toward flubbed lines prevailed, ascribed to morale deterioration among cast and crew with the added expense of color filming and salary disputes. Producer Whitney Ellsworth later admitted: "Sometimes there was just garbage in the rushes, but we were often forced to use what we had, rather than relight the set and go again."
Phyllis Coates, like George Reeves, was a popular lead in B features of the period. For the TV series, Reeves asked that Coates receive equal star billing. Coates created a sharp, strong-willed Lois Lane, an enterprising reporter who tries to out-scoop Clark Kent. Jack Larson's Jimmy Olsen is a Daily Planet intern, often investigating some wrongdoing and usually being caught by the villains. He usually receives help from Superman in the nick of time. In the noir-like early episodes, Superman himself is seen as a semi-mysterious presence, unknown to many of the crooks ("Who's the guy in the circus suit?" asks a villain in "The Riddle of the Chinese Jade"). Eventually, all the crooks knew exactly who he was (often with the bug-eyed exclamation "SOOPAH-man!" when he first appeared). The first season's episodes usually featured action-packed, dark, gritty, and often violent story lines in which Superman fought gangsters and crime lords. Many characters met their deaths in these episodes, some of them shown on screen.
When it came time to reassemble the cast and crew for filming the second season, Phyllis Coates was no longer available, having committed herself to another project. The producers then hired Noel Neill and gave her secondary billing with Larson, Hamilton, and Shayne. Neill's portrayal was more accessible to the younger television audience, sweeter and more sympathetic than the efficient, hard-as-nails Coates characterization. Bob Maxwell, whose episodes in the first season verged on the macabre, left the show (going on to produce Lassie in 1954). Whitney Ellsworth, already working on the show as an uncredited associate producer and story editor during the initial season, became Superman producer in 1953 and would remain so for the duration of the series. The second-season shows were still fairly serious in nature, retaining the film-noir/crime drama qualities while steering more in a science fiction direction, with Ellsworth tempering the violence significantly. With most of the villains becoming comic bunglers less likely to frighten the show's juvenile viewers and only some occasional deaths, usually off-screen, Kellogg's gave its full approval to Ellsworth's approach and the show remained a success. Sentimental or humorous stories were more in evidence than in the first season. A large portion of the stories, however, dealt with Superman's personal issues, such as his memory loss in "Panic in the Sky".
With the color seasons, the show began to take on the lighthearted, whimsical tone of the Superman comic books of the 1950s. The villains were often caricatured, Runyonesque gangsters played with tongue in cheek. Violence on the show was toned down further. The only gunfire that occurred was aimed at Superman, and of course the bullets bounced off. Superman was less likely to engage in fisticuffs with the villains. On occasions when Superman did use physical force, he would take crooks out in a single karate-style chop or, if he happened to have two criminals in hand, banging their heads together. More often than not, the villains were likely to knock themselves out fleeing Superman. Now very popular with viewers, Jimmy was being played as the show's comic foil to Superman. Many of these plots had Jimmy and Lois being captured, only to get rescued at the last minute by Superman.
Scripts for the final, sixth season re-established a bit of the seriousness of the show, often with science fiction elements like a Kryptonite-powered robot, atomic explosions, and impregnable metal cubes. In one of the last episodes, "The Perils of Superman" (a takeoff on The Perils of Pauline), there was indeed deadly peril straight out of the movie serials: Lois tied to a set of railroad tracks with a speeding train bearing down on her, Perry White nearly sawed in half while tied to a log, Jimmy in a runaway car headed for a cliff, and Clark Kent immersed in a vat of acid. This was one of three episodes directed by George Reeves himself. Noel Neill's hair was dyed a bright red for this season, though the color change was not apparent in the initial black-and-white broadcasts. ABC-TV aired episodes in its "Fun At Five" series during the 1957-58 season.
Reeves appeared as Superman on an episode of I Love Lucy which aired on January 14, 1957. In the episode, his character is only called "Superman". No mention of George Reeves's real name is ever made until the credit roll. The announcement "Our guest star tonight was George Reeves, star of the Superman series" was deleted from the episode after its first network broadcast. The film was later colorized and rebroadcast as part of an hour long Lucy special on the CBS network on May 17, 2015.
At the request of the US Treasury Department, the production company made a special truncated film (17m, 32s) to promote school savings-stamp plans to children. Shown in grade schools during the 1950s, this is the only "episode" of the series that has entered the public domain. It features Clark Kent/Superman, Jimmy Olsen and Lois Lane and plays like a normal black-and-white episode of the second season, with series semi-regulars Tristram Coffin (as a government spokesman) and Billy Nelson (as a criminal). It was directed by Thomas Carr. The episode was released on the Season Two DVD box set of The Adventures of Superman. A link below gives a free download of the episode.
Adventures of Superman began filming at the RKO-Pathe Studios (later, Desilu Studios) in Culver City, California, in August–September 1951. Episodes cost roughly $15,000 apiece, a low-budget program by the standards of the day. In 1953–54, the show was filmed at California Studios and, in 1955, at Chaplin Studios. In 1956–57, the show was filmed at Ziv Studios.
The establishing shot of The Daily Planet building in the first season was the E. Clem Wilson Building in Los Angeles, California, on Wilshire Boulevard, for decades famous as the headquarters of Mutual of Omaha, its brilliant white globe atop a tall pillar a familiar landmark to local residents, while the Carnation Milk Company Building a few blocks east on Wilshire served as The Daily Planet's front door. From the second season onward, stock shots of the 32-story Los Angeles City Hall were used as the Planet building and the sidewalk entrance to the Planet was a studio-bound "exterior."
Many exteriors in the first season were shot at the RKO Pictures backlot (called "Forty Acres"), a facility later used for the fictional, idealized small town of Mayberry, North Carolina, on The Andy Griffith Show. Hillsides in Culver City, city streets of downtown Los Angeles, or residential areas of the San Fernando Valley were sometimes used for exteriors during all six seasons. In later seasons, filming occurred on soundstages, with exterior shots, such as cars driving along roadways, shot as second-unit material, often with doubles at the wheel. Establishing shots of Queen of Angels Hospital in the Echo Park section of Los Angeles were often used in episodes (such as "The Face and the Voice") during the second season although the hospital was identified as "Mercy General". Another Los Angeles stock-footage landmark was the Griffith Observatory, which had several different "cameos" in the series, first serving as Jor-El's home/laboratory. Aside from a few clips of New York City in "Superman on Earth", most, if not all, of the stock clips used to depict Metropolis are of the Los Angeles area.
The show's title card (see infobox above right) imitated the three-dimensional lettering of the comic book covers. Occasional confusion arises about the article "the," since it was spoken by narrators in voice-overs. Some references title the show "The Adventures of Superman"; other books (as well as TV Guide listings) simply label the show "Superman". The onscreen title of the show is Adventures of Superman with no article preceding "Adventures."
The opening narration of the show, expanded from that of the 1940s radio show and the Superman cartoons, was voiced by Bill Kennedy, framed by the show's theme music, and set the stage for each program:
Kellogg, 'The Greatest Name In Cereals', presents the Adventures of Superman!
Faster than a speeding bullet! More powerful than a locomotive! Able to leap tall buildings in a single bound!
("Look! Up in the sky!" "It's a bird!" "It's a plane!" "It's Superman!")
Yes, it's Superman... strange visitor from another planet, who came to Earth with powers and abilities far beyond those of mortal men! Superman... who can change the course of mighty rivers, bend steel in his bare hands, and who, disguised as Clark Kent, mild-mannered reporter for a great metropolitan newspaper, fights a never-ending battle for truth, justice, and the American way!
And now, another exciting episode in the Adventures of Superman!
From the second season onward, the final sentence ("another exciting episode") was dropped. In later syndication when Kellogg's was no longer the sponsor, the episode openings were re-edited to remove the opening line for the cereal company.
The score for the series was taken from stock music libraries, often adaptations of music from B-movies. For example, one cue used in the episode "Peril by Sea" also appears in Plan 9 from Outer Space. Apparently the only original music written for the series was the March heard primarily during the credits. The theme is ascribed to studio music arranger Leon Klatzkin, although it may have been adapted from an earlier unrelated (and now lost) theme. The main theme, based on a triad, matched the three syllables in the character's name, as has been the case with nearly all Superman music. With the exception of the title theme, musical cues ranged from the serious to the light-hearted and were different for each of the seasons, except for the third season, where some cues from the previous season would be reused in a number of episodes. Each season's cues tended to be used repeatedly from episode to episode, in similarly appropriate "mood" moments such as apprehension, humor or fast action. The opening credits theme, Superman's "leitmotif", was often (though not always) used whenever Superman was depicted flying or taking action.
The show's sponsor was Kellogg's, maker of corn flakes and other breakfast cereals. The characters from the TV series (except Superman himself) made a number of TV commercials promoting their cereal products (usually shown as "integrated commercials" at the end of the program), some of which are preserved in the DVD series. Some versions of the show contained a vocal introduction, "Kellogg's, 'The Greatest Name In Cereals', presents...The Adventures of Superman." The sponsor originally requested to have this line placed (at the intro's start) on every single episode of the series, as well as (from second season onward) the company's logo on the intro and the end of the closing credits. When Kellogg's ceased being the show's sponsor, the logo and the intro line were removed from some prints, especially when Warner Bros. Television received distribution rights.
While considered simple by today's standards, the "flying" effects on Adventures of Superman were advanced for the period, although during season one it was apparent that, for distance flight shots, Superman was lying on a flat surface, his torso and thighs noticeably flattened between elbows and knees. Beginning with season two, Superman's "flying" involved three phases: take-off, flight, and landing. Cables and wires were used for Superman’s take-offs early in filming. In early episodes, stuntmen sometimes replaced Reeves for Superman’s wire-assisted take-offs. When Reeves came close to suffering a concussion in the episode "Ghost Wolf" (the supporting wires snapped and he fell to the studio floor), cables and wires were discarded and a springboard was brought in, designed by Thol "Si" Simonson, who remained with the series until its end. Reeves would run into frame and hit the out-of-frame springboard, which would boost him out of frame (sometimes over the camera) and onto padding. The springboard had enough force, along with subtle camera manipulation, to make it look as though he was actually taking off. The flying scenes were accomplished through a relatively few number of repeated shots. The typical technique had footage of Reeves stretched out on a spatula-like device formed to his torso and leg, operated on a counterweight like a boom microphone, allowing him to bank as if in flight. In a couple of later episodes, such as "The Atomic Secret", Reeves simulated flying, opting to lie on the device without the molded form to support his legs, which are seen to hang from the waist in those episodes in marked contrast to the stock footage of Superman in flight.
In the two monochrome seasons, Reeves was occasionally filmed in front of aerial footage on back-projection screen, or against a neutral background which would provide a matte which would be optically combined with a swish-pan or aerial shot. That footage was matted onto various backgrounds depending on the needs of the episode: clouds, buildings, the ocean, mountain forests, etc., which he would appear to fly by. For the color episodes, the simpler and cheaper technique of a neutral cyclorama backing was used, usually sky-blue, or black for night shots. Techniques for landings involved Reeves jumping off a ladder or holding an off-camera horizontal bar and swinging down into frame.
Tris Coffin, Herb Vigran, John Eldredge, best known as Harry Archer on Meet Corliss Archer (1954), Philip Van Zandt, and Ben Welden made multiple appearances over the course of the show, always as different villains.
Actors who landed Superman guest appearances early in their careers include:
Other veteran film and television actors making appearances on the show included George E. Stone, James Craven, Dan Seymour, Victor Sen Yung, Maudie Prickett, John Doucette, Norma Varden, Roy Barcroft, Elizabeth Patterson, and George Chandler.
Director Tommy Carr's brother Steve appeared as an unbilled extra in nearly every one of the first 26 shows, and frequently in more substantial character roles. He was also the show's dialog director, and was the man pointing "up in the sky" in the introductions of the black-and-white shows.
|First aired||Last aired|
|1||26||September 19, 1952||February 27, 1953|
|2||26||September 18, 1953||March 13, 1954|
|3||13||April 23, 1955||October 15, 1955|
|4||13||February 18, 1956||June 16, 1956|
|5||13||March 8, 1957||May 31, 1957|
|6||13||February 3, 1958||April 28, 1958|
Episodes follow Superman as he battles gangsters, thugs, mad scientists and non-human dangers like asteroids, robots, and malfunctioning radioactive machines. In the first episode (the "origin" episode), Superman's infant life on the planet Krypton, his arrival on Earth, and his nurturing by a farm couple are dramatized. In succeeding episodes, he conceals his super-identity by posing as mild-mannered Daily Planet reporter Clark Kent who, in times of crisis, dashes into the Daily Planet's storeroom, or alley, sheds his street clothes, and reappears in superhero tights and trunks (all at super-speed) to rescue hapless folk from the clutches of evildoers. According to Gary Grossman's "Superman: Serial To Cereal" book, 5 movies were made in 1953 from 15 episodes. Each movie contained two one-minute "bridges" for the transition of episodes. These were filmed at the end of the 1953 season. This footage can only be seen in the movies, which are: "Superman's Peril" ("The Golden Vulture", "Semi-Private Eye", "Defeat Of Superman"); "Superman Flies Again" ("Jet Ace", "The Dog Who Knew Superman", "The Clown Who Cried"); "Superman In Exile" ("Superman In Exile", "The Face And The Voice", "The Whistling Bird"); "Superman And Scotland Yard" ("A Ghost For Scotland Yard", "The Lady In Black", "Panic In The Sky"); and "Superman And The Jungle Devil" ("Jungle Devil", "The Machine That Could Plot Crimes", "Shot In The Dark"). The movie versions have never been released on home video, so the new footage in them remains unseen by most fans.
Superman arrived on television in 1952 with a mythology established through comic books, a novel, a radio series, two theatrical serials, and seventeen Max Fleischer animated shorts. None of Superman's established foes like Lex Luthor or super villains appeared in the TV series; and the most potent element incorporated into the show from the established mythology was the superhero's vulnerability to green Kryptonite (the other colored versions didn't appear (i.e. red, white, blue, gold, etc.). Several episodes during the course of the show's run featured the substance as a plot device. Another element appropriated from the mythology for the television series was Lois Lane's suspicions regarding Clark Kent's true identity and her romantic infatuation with Superman. Also, unlike the comic book version, Superman was never shown to be vulnerable to magic, as real magic (as opposed to stage or performance magic) was considered non-existent in the series.
In 1958, producer Whitney Ellsworth created Superpup, a never-aired-on-TV spin-off pilot that placed the Superman mythos in a fictional world populated by dogs. Featuring live-action actors in dog-suits portraying canine versions of Superman and other characters, the pilot was filmed on Adventures of Superman sets and was intended to capitalize on the success of its parent series.
Producers planned to continue Adventures of Superman in 1959 with two more years' worth of episodes, to begin airing in the 1960 season. The death of actor John Hamilton threw the plan into disarray. Actor Pierre Watkin was hired to replace Hamilton as "Perry White's brother" (Watkin had played Perry White himself in the two Columbia serials, and had guested on the series before).
The sudden death of the show's star George Reeves in June 1959 was not the end of the series either, in the producers' eyes. When Jack Larson returned from Europe after the death of Reeves, producers suggested the series could continue as "Superman's Pal, Jimmy Olsen," with more focus on Larson continuing his character, playing opposite a "Superman" who would be a composite of stock shots of George Reeves and a look-alike stunt double to be filmed from behind. Larson rejected the distasteful idea out of hand, and the series was truly over.
Another spin-off idea was a pilot produced by Whitney Ellsworth in 1961: The Adventures of Superboy. Johnny Rockwell starred as a young Clark Kent in Smallville, and as Superboy wore a suit similar in design to George Reeves' suit. Although thirteen scripts had been written, only the pilot was filmed.
Neill and her original 1948 Superman serial co-star, Kirk Alyn, enjoyed cameos in the 1978 film Superman as Lois Lane's parents. Their dialog scene was cut for theatrical release, but played in its entirety when the film was broadcast on TV, and later in the 2000 director's cut restoration. Neill and Jack Larson both made guest appearance on the TV series Superboy in the episode "Paranoia" during the show's fourth season.
Larson was cast as a man-on-the-street in an American Express ad called The Adventures of Seinfeld and Superman, featuring Superman fan Jerry Seinfeld. Patrick Warburton voiced the animated Superman. Larson also had a guest appearance on Lois & Clark, playing an elder Jimmy Olsen. Like Neill, Larson has participated in various conventions connected with Superman, also donated his time to provide commentaries for some of the episodes on the DVD releases during 2005 and 2006, and the 2006 documentary history of the Superman character, Look, Up in the Sky, and had small speaking roles in the 2006 film Superman Returns.
Robert Shayne received a recurring role as "Reggie," the blind newspaper vendor in The Flash in 1990–91 because the producers were aware of his Superman connection. Shayne was, in fact, legally blind by that time.
Phyllis Coates played the part of Lois Lane's mother in a 1993 episode of Lois & Clark: The New Adventures of Superman at the suggestion of Lois & Clark guest star (and George Reeves biographer) Jim Beaver. The Coates Orphanage in Metropolis, which appears in the Lois and Clark episode "Season's Greedings", is named for her.
Episode copyright dates are confusing. When the series went into syndicated reruns, Kellogg's ceased being the show's sponsor and its name had to be removed from the opening titles. During the first decade of reruns, when all episodes were still shown in black and white, each episode's opening had the Kellogg's reference noticeably, and often not very well, edited out, sometimes leaving portions of "the greatest name in cereals, presents" in the finished product. Nothing else being done to the openings, the different years' flying sequences and year of release remained intact.
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In 1987 and 1988, coinciding with the 50th anniversary celebrations of the Superman comic book character that year, Warner Home Video released selected episodes of the series to VHS and LaserDisc, under the TV's Best Adventures of Superman title, with four volumes released in total. Each volume contained one black-and-white episode and one color episode, plus a Max Fleischer Superman animated short. These videos were later re-released during the mid-1990s under new packaging artwork. Columbia House released 20 VHS volumes of the series under their Adventures of Superman: The Collector's Edition series, with each videotape containing three episodes, which was only available through mail order subscriptions during the 1990s. In 2003, Truth, Justice, & The American Way: The Life And Times Of Noel Neill, The Original Lois Lane was published, and, in 2007, the film Hollywoodland was released to DVD.
Warner Home Video has released all 6 seasons of the Adventures of Superman on DVD in Region 1. Warner has also released Seasons 1–4 in Region 2 & 4.
|DVD Name||Ep #||Release Dates|
|Region 1||Region 2||Region 4|
|The Complete First Season||26||October 18, 2005||January 23, 2006||April 5, 2007|
|The Complete Second Season||26||January 17, 2006||March 27, 2006||June 14, 2006|
|The Complete Third and Fourth Seasons||26||June 20, 2006||July 31, 2005||November 2, 2006|
|The Complete Fifth and Sixth Seasons||26||November 14, 2006||TBA||TBA|
On April 8, 1953, Variety reviewed the April 1 New York premiere, writing, "It's to National Comics credit that its television version is restrained on the scripting side and well done technically ... Filming is top-notch, with no expense spared to get those special effects. George Reeves, who acts Superman, doesn't have too much of a role in the initial pix, since most of it deals with boyhood of the hero, but he registered nicely as the meek reporter and as the hero. Phyllis Coates was okay as Lois Lane, the girl reporter, while John Hamilton fits the fictitious concept of the editor. Other roles were well handled."
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The show received a proclamation in July 2001 on its 50th Anniversary from the Los Angeles County Board of Supervisors in a ceremony attended by Jack Larson, Noel Neill, Robert Rockwell (Jor-El), Jeff Corey (from the pilot), Mrs. Robert Shayne and Mrs. Jerome Siegel. The proclamation scroll was accepted by DC Comics Vice President Paul Levitz.
In 2006, the show's first season received a Saturn Award nomination for "Best Retro Television Release on DVD". In 2007, the show's complete six seasons received the Saturn Award from the Academy of Science Fiction, Fantasy, and Horror Films for "Best Retro Television Series Release on DVD".
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