The Billboard 200 is a record chart ranking the 200 highest-selling music albums and EPs in the United States, published weekly by Billboard magazine. It is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its "number ones", those of their albums that outsold all others during at least one week.
The chart is based solely on sales (both at retail and digitally) of albums in the United States. The sales tracking week begins on Monday and ends on Sunday. A new chart is published the following Thursday with an issue date of the Saturday of the following week.
Monday January 1 – sales tracking week begins
Sunday January 7 – sales tracking week ends
Thursday January 11 – new chart published, with issue date of Saturday January 20.
Normally new products are released to the American market on Tuesdays. Digital downloads are included in Billboard 200 tabulation, as long as the entire album is purchased as a whole. Albums that are not licensed for retail sale in the United States (yet purchased in the U.S. as imports) are not eligible to chart. A long-standing policy which made titles that are sold exclusively by specific retail outlets (such as Wal-Mart and Starbucks) ineligible for charting, was reversed on November 7, 2007, and took effect in the issue dated November 17.
Billboard began an album chart in 1945. Initially only five positions long, the album chart was not published on a weekly basis, sometimes three to seven weeks passing before it was updated. A biweekly (though with a few gaps), 15-position Best-Selling Popular Albums chart appeared in 1955. With the explosion of rock and roll music, Billboard premiered a weekly Best-Selling Popular Albums chart on March 24, 1956. The position count varied anywhere from 10 to 30 albums. The first number-one album on the new weekly list was Belafonte by Harry Belafonte. The chart was renamed to Best-Selling Pop Albums later in 1956, and then to Best-Selling Pop LPs in 1957.
Beginning on May 25, 1959, Billboard split the ranking into two charts Best-Selling Stereophonic LPs for stereo albums (30 positions) and Best-Selling Monophonic LPs for mono albums (50 positions). These were renamed to Stereo Action Charts (30 positions) and Mono Action Charts (40 positions) in 1960. In January 1961, they became Action Albums—Stereophonic (15 positions) and Action Albums—Monophonic (25 positions). Three months later, they became Top LPs—Stereo (50 positions) and Top LPs—Monaural (150 positions).
On August 17, 1963 the stereo and mono charts were combined into a 150-position chart called Top LPs. On April 1, 1967, the chart was expanded to 175 positions, then finally to 200 positions on May 13, 1967. In February 1972, the album chart's title was changed to Top LPs & Tape; in 1984 it was retitled Top 200 Albums; in 1985 it was retitled again to Top Pop Albums; in 1991 it became The Billboard 200 Top Albums; and it was given its current title of The Billboard 200 on March 14, 1992.
In 1960, Billboard began concurrently publishing album charts which ranked sales of older or mid-priced titles. These Essential Inventory charts were divided by stereo and mono albums, and featured titles that had already appeared on the main stereo and mono album charts. Mono albums were moved to the Essential Inventory—Mono chart (25 positions) after spending 40 weeks on the Mono Action Chart, and stereo albums were moved to the Essential Inventory—Stereo chart (20 positions) after 20 weeks on the Stereo Action Chart.
In January 1961, the Action Charts became Action Albums—Monophonic (24 positions), and Action Albums—Stereophonic (15 positions). Albums appeared on either chart for up to nine weeks, then were moved to an Essential Inventory list of approximately 200 titles, with no numerical ranking. This list continued to be published until the consolidated Top LPs chart debuted in 1963.
In 1982, Billboard began publishing a Midline Albums chart (alternatively titled Midline LPs) which ranked older or mid-priced titles. The chart held 50 positions and was published on a bi-weekly (and later tri-weekly) basis.
On May 25, 1991, Billboard premiered the Top Pop Catalog Albums chart. The criteria for this chart were albums that were more than 18 months old and had fallen below position 100 on the Billboard 200. An album needed not have charted on the Billboard 20' at all to qualify for catalog status.
Starting with the issue dated December 5, 2009, however, the catalog limitations which removed albums over 18 months old, that have dropped below position 100 and have no currently-running single, from the Billboard 200 was lifted, turning the chart into an all-inclusive list of the 200 highest-selling albums in the country (essentially changing Top Comprehensive Albums into the Billboard 200). A new chart that keeps the previous criteria for the Billboard 200 (dubbed Top Current Albums) was also introduced in the same issue.
Billboard has adjusted its policies for Christmas and holiday albums several times. The albums were eligible for the main album charts until 1963, when a Christmas Albums list was created. Albums appearing here were not listed on the Top LPs chart. In 1974, this rule was reverted and holiday albums again appeared within the main list.
In 1983, the Christmas Albums chart was resurrected, but a title's appearance here did not disqualify it from appearing on the Top Pop Albums chart. In 1994 the chart was retitled Top Holiday Albums. As of 2009 the chart holds 50 positions and is run for several weeks during the end-of-calendar-year holiday season. Its current policy allows holiday albums to concurrently chart on the Top Holiday Albums list and the Billboard 200.
Billboard’s "chart year" runs from the first week of December to the final week in November. This altered calendar allows for Billboard to calculate year-end charts and release them in time for its final print issue in the last week of December. Prior to Nielsen SoundScan, year-end charts were calculated by an inverse-point system based solely on an album's performance on the Billboard 200 (for example, an album would be given one point for a week spent at position 200, two points for a week spent at position 199… up to 200 points for each week spent at number one). Other factors including the total weeks on the chart and at its peak position were calculated into an album's year-end total.
After Billboard began obtaining sales information from Nielsen SoundScan, the year-end charts are now calculated by a very straightforward cumulative total of yearlong sales. This gives a more accurate picture of any given year’s best-selling albums, as a title that hypothetically spent nine weeks at number one in March could possibly have sold fewer copies than one spending six weeks at number three in January. Interestingly, albums at the peak of their popularity at the time of the November/December chart-year cutoff many times end up ranked lower than one would expect on a year-end tally, yet are ranked on the following year's chart as well, as their cumulative points are split between the two chart-years.
The Billboard 200 can be helpful to radio stations as an indication of the types of music listeners are interested in hearing. Retailers can also find it useful as a way to determine which recordings should be given the most prominent display in a store. Other outlets, such as airline music services, also employ the Billboard charts to determine their programming.
The chart omits unit sales for listed albums and total recorded sales, making it impossible to determine, for example, if the number-one album this week sold as well as the number-one from the same period in the prior year. It is also impossible to determine the relative success of albums on a single chart; there is no indication of whether the number-one album sold thousands more copies than number 50, or only dozens more. All music genres are combined, but there are separate Billboard charts for individual market segments. The complete sales data broken down by location is made available, but only in the form of separate SoundScan subscriptions.
As a musician, Paul McCartney has the most number-one albums, with 26. This includes 19 albums from his work with The Beatles (referenced earlier in this article), 2 solo albums, and 5 albums as a part of his 1970s group Wings. John Lennon is in second place with 22, including 19 albums with The Beatles, 2 solo albums, and 1 album credited to him and his wife Yoko Ono.
McCartney also has the most top 10 albums, with 48. This includes 30 with The Beatles (referenced earlier in this article), 8 albums with the group Wings, 1 album credited to him and his first wife Linda McCartney, and 9 solo albums.
As of 2008, Pink Floyd's The Dark Side of the Moon has been on the charts for over 1,630 weeks, or approximately 31 years. Consecutively, the album spent a record 773 weeks on the Billboard 200. The other weeks were spent on the Top Pop Catalog Albums chart. Its closest rival is Bob Marley's Legend, checking in at over 975 weeks (Billboard 200 and Top Pop Catalog Albums combined).
Tapestry by Carole King holds the record for the longest time for an album by a female solo artist to remain on the Billboard albums chart, with nearly six years. King also holds the record for most consecutive weeks at number one on the Billboard 200 for any one album by a female solo artist with 15 weeks, also by Tapestry.
Forever Your Girl by Paula Abdul spent 64 consecutive weeks on the Billboard 200 before hitting number one, making it the longest time for an album to reach the number-one spot, while the soundtrack to O Brother, Where Art Thou took 63 weeks to reach number one in 2001 making it the longest run since Nielsen SoundScan began tracking sales.
For two weeks in late 1979 (27 October and 3 November), all nine albums (8 studio and 1 live soundtrack) released to that date by Led Zeppelin were on the Billboard top albums chart.
In 2001, Britney Spears became the first female artist in the chart's history to have her first three albums debut at number one. She broke this record two years later with a fourth number-one debut. With the number-one debut of her Circus album in 2008, Spears also became the youngest female artist in history to have five number-one albums. She later beat the record when her 7th studio album, Femme Fatale debuted at number one on April, 2011.
The first UK solo artist to debut at number one with a debut album is Leona Lewis on April 26, 2008 with the album Spirit. The first UK group to debut at number one with a debut album is One Direction on March 31, 2012 with the album Up All Night.
Oldest male to debut at number one: Tony Bennett on October 8, 2011 (700185000000000000085 years, 700166000000000000066 days old) with the album Duets II. He was born August 3, 1926. Later, he surpassed his own record when his collaborative album with Lady Gaga, Cheek to Cheek debuted at number one on October 11, 2014 (700188000000000000088 years, 700169000000000000069 days old).
Oldest female to debut at number one: Barbra Streisand on September 24, 2014 (700172000000000000072 years, 7002153000000000000153 days old) with the album Partners. She was born April 24, 1942.
With 24 weeks at number one for her album 21, Adele holds the record for the longest time for a solo album by a female to remain at the top of the Billboard 200. This run was concurrent with her three number-one singles on the Hot 100.
^Gael Fashingbauer Cooper (June 15, 2014). Casey Kasem's 'American Top 40' reached for the stars. NBC News. Retrieved June 15, 2014. "An unparalleled storyteller, Kasem loved to drop a teasing question about a song or a band, then cut to commercial, making his trivia so tantalizing that listeners just had to stay tuned to find out the answer. (…) Who had the most No. 1 albums without a Top 40 single? (Comic and mood-music expert Jackie Gleason, at least at the time.)"