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|Black and Blue|
|Studio album by The Rolling Stones|
|Released||23 April 1976|
|Recorded||7–15 December 1974,
22 January – 9 February 1975,
25 March – 4 April 1975, (overdub work 19–30 October 1975, 3–16 December 1975, 18 January – February 1976)
|Genre||Hard rock, blues rock, funk rock, reggae rock|
|Producer||The Glimmer Twins|
|The Rolling Stones chronology|
|Singles from Black and Blue|
Black and Blue is the 13th British and 15th American studio album by the band the Rolling Stones, released in 1976.
It was the band's first studio album released with Ronnie Wood as the replacement for Mick Taylor. Wood had played twelve-string acoustic guitar on the track "It's Only Rock 'n Roll (But I Like It)" from the It's Only Rock 'n Roll album and appears on half of the Black and Blue album tracks (mostly backing vocals) with Wayne Perkins and Harvey Mandel playing guitar on the remaining titles. Keith Richards would later comment "Rehearsing guitar players, that's what that one was about".
The album showed the band incorporating its traditional rock and roll style with heavy influences from reggae and funk music. Though recorded at a transitional moment for the band, the release has received mixed to positive retrospective reviews from publications such as AllMusic, with critic Stephen Thomas Erlewine stating that the album's "being longer on grooves and jams than songs" ended up being "what's good about it".
In December 1974, the Rolling Stones returned to Munich, Germany —where they had recorded their previous album It's Only Rock 'n' Roll—and began the recording of their new album at Musicland Studios, with Mick Jagger and Keith Richards (as the Glimmer Twins) producing again. With a view to releasing it in time for the summer 1975 Tour of the Americas, the band broke for the holidays and returned in January in Rotterdam, Netherlands, to continue working—all the while auditioning new guitarists as they recorded. Among the hopefuls were Steve Marriott, Harvey Mandel, Wayne Perkins, Peter Frampton, and Ronnie Wood (although only Mandel, Perkins and Wood's guitar work would appear on the finished album). Guitar-heroes Rory Gallagher and Jeff Beck both went over for a jam with the band "just to see what was going on," but both declined interest in joining the group, happy with their solo careers. Jeff Beck stated that, "in two hours I got to play three chords – I need a little more energy than that." With much work to follow, it was decided to delay the album for the following year and release the Made in the Shade compilation instead. "Cherry Oh Baby" (which was a cover version of Eric Donaldson's 1971 reggae song) would be the only song from the upcoming album sporadically played on the 1975 Tour of the Americas.
Following the conclusion of the tour, the band went to Montreux, Switzerland, in October for some overdub work, returning to Musicland Studios in Munich in December to perform similar work. After some final touch-ups, Black and Blue was completed in New York City in February 1976.
Stylistically, Black and Blue embraces hard rock with "Hand of Fate" and "Crazy Mama"; funk with "Hot Stuff"; reggae with their cover of "Cherry Oh Baby"; and jazz with "Melody", featuring the talents of Billy Preston – a heavy contributor to the album. Musical and thematic styles were merged on the seven-minute "Memory Motel", with both Jagger and Richards contributing lead vocals to a love song embedded within a life-on-the-road tale.
|The Rolling Stone Album Guide|||
Released in April 1976 – with "Fool to Cry", a worldwide Top 10 hit, as its lead single – Black and Blue reached number 2 in the UK and spent an interrupted four-week spell at number 1 in the US, going platinum there. Critical view was polarised: Lester Bangs wrote in Creem that "the heat's off, because it's all over, they really don't matter anymore or stand for anything" and "This is the first meaningless Rolling Stones album, and thank God"; but in the 1976 Creem Consumer Guide Robert Christgau rated the album an A–.
While all the album's songs except "Cherry Oh Baby" were officially credited to Jagger/Richards as authors, the credit for "Hey Negrita" specifies "Inspiration by Ron Wood" and "Melody" lists "Inspiration by Billy Preston". Bill Wyman would later release a version of "Melody" with his Rhythm Kings, crediting Preston as author.
The album was promoted with a controversial billboard on Sunset Boulevard in Hollywood that depicted the model Anita Russell, bound by Jagger under the phrase "I'm Black and Blue from the Rolling Stones – and I love it!" The billboard was removed after protests by the feminist group Women Against Violence Against Women, although it earned the band widespread press coverage.
In 1994, Black and Blue was remastered and reissued by Virgin Records, again in 2009 by Universal Music, and once more in 2011 by Universal Music Enterprises in a Japanese-only SHM-SACD version. The 1994 remaster was initially released in a Collector's Edition CD, which replicated in miniature many elements of the original gatefold album packaging.
All tracks written by Mick Jagger and Keith Richards, except where noted.
|2.||"Hand of Fate"||4:28|
|3.||"Cherry Oh Baby"||Eric Donaldson||3:57|
|5.||"Hey Negrita"||inspiration by Ron Wood||4:59|
|6.||"Melody"||inspiration by Billy Preston||5:47|
|7.||"Fool to Cry"||5:03|
The Rolling Stones
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