Guy interacting with the audience in a live performance
|Birth name||George Guy|
July 30, 1936 |
Lettsworth, Louisiana, US
|Genres||Blues, Chicago blues, electric blues, blues rock|
|Labels||RCA, Cobra, Chess, Delmark, Silvertone, MCA, Atlantic, MPS, Charly, Zomba Group, Jive, Vanguard, JSP, Rhino, Purple Pyramid, Flyright, AIM Recording, Alligator, Blues Ball Records|
|Fender Buddy Guy Signature Stratocaster|
George "Buddy" Guy (born July 30, 1936) is an American blues guitarist and singer. He is an exponent of Chicago blues and has influenced guitarists including Jimi Hendrix, Eric Clapton, Jimmy Page, Keith Richards, Jeff Beck, John Mayer and Stevie Ray Vaughan. In the 1960s, Guy played with Muddy Waters as a house guitarist at Chess Records and began a musical partnership with the harmonica player Junior Wells.
Guy was ranked 30th in Rolling Stone magazine's 100 Greatest Guitarists of All Time. His song "Stone Crazy" was ranked 78th in Rolling Stone's list of the 100 Greatest Guitar Songs of All Time. Clapton once described him as "the best guitar player alive".
In 1999 Guy wrote the book Damn Right I've Got the Blues, with Donald Wilcock.
Guy's autobiography, When I Left Home: My Story, was published in 2012.
Guy was born and raised in Lettsworth, Louisiana. He began learning to play the guitar using a two-string diddley bow he made. Later he was given a Harmony acoustic guitar, which, decades later in Guy's lengthy career, was donated to the Rock and Roll Hall of Fame.
Soon after moving to Chicago on September 25, 1957, Guy fell under the influence of Muddy Waters. In 1958, a competition with West Side guitarists Magic Sam and Otis Rush gave Guy a record contract. Soon afterwards he recorded for Cobra Records. He recorded sessions with Junior Wells for Delmark Records under the pseudonym Friendly Chap in 1965 and 1966.
Guy’s early career was impeded by conservative business choices made by his record company (Chess Records) Chess, his record label from 1959 to 1968, refused to record Guy playing in the novel style of his live shows. Leonard Chess, Chess Records founder, denounced Guy’s playing as "noise". In the early 1960s, Chess tried recording Guy as a solo artist with R&B ballads, jazz instrumentals, soul and novelty dance tunes, but none of these recordings were released as a single. Guy’s only Chess album, I Left My Blues in San Francisco, was released in 1967. Most of the songs belong stylistically to the era's soul boom, with orchestrations by Gene Barge and Charlie Stepney. Chess used Guy mainly as a session guitarist to back Muddy Waters, Howlin' Wolf, Little Walter, Sonny Boy Williamson, Koko Taylor and others.
In 1965, Guy participated in the European tour American Folk Blues Festival.
He appeared onstage at the March 1969 "Supershow" in Staines, England, which also included Eric Clapton, Led Zeppelin, Jack Bruce, Stephen Stills, Buddy Miles, Glenn Campbell, Roland Kirk, Jon Hiseman, and the Misunderstood. In 1972, he established The Checkerboard Lounge, with partner L.C. Thurman.
Guy's career took off during the blues revival of the late 1980s and early 1990s. It was sparked by Clapton's request that Guy be part of the "24 Nights" all-star blues guitar lineup at London's Royal Albert Hall. Guy subsequently signed with Silvertone Records.
In 2015, British blues fan Alan Harper published a book entitled Waiting for Buddy Guy: Chicago Blues at the Crossroads.
While Guy's music is often labelled Chicago blues, his style is unique and separate. His music can vary from the most traditional, deepest blues to a creative, unpredictable and radical gumbo of the blues, avant rock, soul and free jazz that changes with each performance.
As the New York Times music critic Jon Pareles noted in 2004,
Mr. Guy, 68, mingles anarchy, virtuosity, deep blues and hammy shtick in ways that keep all eyes on him.... [Guy] loves extremes: sudden drops from loud to soft, or a sweet, sustained guitar solo followed by a jolt of speed, or a high, imploring vocal cut off with a rasp.... Whether he's singing with gentle menace or bending new curves into a blue note, he is a master of tension and release, and his every wayward impulse was riveting.
In an interview taped on April 14, 2000, for the Cleveland college station WRUW-FM, Guy said,
The purpose of me trying to play the kind of rocky stuff is to get airplay...I find myself kind of searching, hoping I'll hit the right notes, say the right things, maybe they'll put me on one of these big stations, what they call 'classic'...if you get Eric Clapton to play a Muddy Waters song, they call it classic, and they will put it on that station, but you'll never hear Muddy Waters.
For almost 50 years, Guy has performed flamboyant live concerts of energetic blues and blues rock, predating the 1960s blues rockers. As a musician, he had a fundamental impact on the blues and on rock and roll, influencing a new generation of artists.
Guy has been called the bridge between the blues and rock and roll. He is one of the historic links between Chicago electric blues pioneers Muddy Waters and Howlin' Wolf and popular musicians like Eric Clapton, Jeff Beck, Jimi Hendrix, Jimmy Page and later revivalists like Stevie Ray Vaughan. Vaughan stated that "Without Buddy Guy, there would be no Stevie Ray Vaughan." Guitarist magazine observed,
Guy's guitar techniques also contributed greatly to rock and roll. His guitar playing is loud and aggressive, uses pioneering distortion and feedback techniques, employs long solos, has shifts in volume and texture, and is driven by emotion and impulse. These characteristics were eagerly learned and applied by the new wave of 1960s British artists and later became basic attributes of blues-rock music and its offspring, hard rock and heavy metal music. Jeff Beck realized in the early 1960s that "I didn't know a Strat could sound like that—until I heard Buddy's tracks on the Blues From Big Bill's Copa Cabana album" (a reissue of the album 1963 Folk Festival of the Blues) and that "It was the total manic abandon in Buddy's solos. They broke all boundaries. I just thought, this is more like it! Also, his solos weren't restricted to a three-minute pop format; they were long and really developed."
Clapton has stated that he got the idea for a blues-rock power trio while watching Guy's trio perform in England in 1965. Clapton later formed the rock band Cream, "the first rock supergroup to become superstars" and "the first top group to truly exploit the power-trio format, in the process laying the foundation for much blues-rock and hard rock of the 1960s and 1970s."[where?]
Clapton said that "Buddy Guy was to me what Elvis was for others." In a 1985 article in Musician magazine, he was quoted as saying that "Buddy Guy is by far and without a doubt the best guitar player alive...if you see him in person, the way he plays is beyond anyone. Total freedom of spirit, I guess. He really changed the course of rock and roll blues." In inducting Guy into the Rock and Roll Hall of Fame, Clapton said, "No matter how great the song, or performance, my ear would always find him out. He stood out in the mix, simply by virtue of the originality and vitality of his playing." 
Recalls Guy, "Eric Clapton and I are the best of friends and I like the tune "Strange Brew" and we were sitting and having a drink one day and I said 'Man, that "Strange Brew" ... you just cracked me up with that note.' And he said 'You should...cause it's your licks ...' " As soon as Clapton completed his sessions with Derek & the Dominos in October 1970, he co-produced (with Ahmet Ertegün and Tom Dowd) the album Buddy Guy & Junior Wells Play the Blues, with Guy's longtime harp and vocal companion, Junior Wells. The record, released in 1972, is regarded by some critics as among the finest electric blues recordings of the modern era.
In recognition of Guy's influence on the career of Jimi Hendrix, the Hendrix family invited him to headline all-star casts at several tribute concerts they organized, "calling on a legend to celebrate a legend." Hendrix himself once said that "Heaven is lying at Buddy Guy’s feet while listening to him play guitar." Songs such as "Red House", "Voodoo Chile" and "Voodoo Child (Slight Return)" came partly from the sonic world that Guy helped to create. According to the Fender Players' Club, "Almost ten years before Jimi Hendrix would electrify the rock world with his high-voltage voodoo blues, Buddy Guy was shocking juke joint patrons in Baton Rouge with his own brand of high-octane blues. Ironically, when Buddy’s playing technique and flamboyant showmanship were later revealed to crossover audiences in the late Sixties, it was erroneously assumed that he was imitating Hendrix." (In 1993, Guy covered "Red House" on Stone Free: A Tribute to Jimi Hendrix.)
Stevie Ray Vaughan once declared that Buddy Guy "plays from a place that I've never heard anyone play." Vaughan continued:
Geez, you can't forget Buddy Guy. He transcended blues and started becoming theater. It was high art, kind of like drama theater when he played, you know. He was playing behind his head long before Hendrix. I once saw him throw the guitar up in the air and catch it in the same chord.
Beck recalled the night he and Vaughan performed with Guy at Buddy Guy's Legends club in Chicago: "That was just the most incredible stuff I ever heard in my life. The three of us all jammed and it was so thrilling. That is as close you can come to the heart of the blues."
According to Jimmy Page, "Buddy Guy is an absolute monster." "There were a number of albums that everybody got tuned into in the early days. There was one in particular called, I think, American Folk Festival Of The Blues, which featured Buddy Guy. He just astounded everybody."
Singer-songwriter and guitarist John Mayer, who has performed with Guy on numerous occasions (including Clapton's Crossroads Guitar Festival and on the PBS television program Soundstage) and collaborated with him on Guy's 2005 album Bring 'Em In, has stated on several occasions that Guy was one of his top influences.
Guitar Legends do not come any better than Buddy Guy. He is feted by his peers and loved by his fans for his ability to make the guitar both talk and cry the blues. Such is Buddy's mastery of the guitar that there is virtually no guitarist that he cannot imitate.
Guy opened for the Rolling Stones on numerous tours, beginning in the early 1970s. Slash said that "Buddy Guy is the perfect combination of R&B and hardcore rock and roll." ZZ Top's Billy Gibbons said, "He ain't no trickster. He may appear surprised by his own instant ability but, clearly, he knows what's up."
He appeared as the "King of Swing" and performed in an episode of the popular children's show Jack's Big Music Show.
On February 21, 2012, Guy performed in concert at the White House for President Barack Obama and First Lady Michelle Obama. During the finale of the concert, he persuaded the President to sing a few bars of "Sweet Home Chicago".
In 2003, he was presented with the National Medal of Arts, awarded by the President of the United States to those who have made extraordinary contributions to the creation, growth and support of the arts in the United States.
By 2004, Guy had also earned 23 W.C. Handy Awards, Billboard magazine's Century Award (he was its second recipient) for distinguished artistic achievement, and the title of Greatest Living Electric Blues Guitarist.
Guy was inducted into the Rock and Roll Hall of Fame on March 14, 2005, by Eric Clapton and B.B. King. Clapton recalled seeing Guy perform in London’s Marquee Club in 1965, impressing him with his technique, his looks and his charismatic showmanship. He remembered seeing Guy pick the guitar with his teeth and play it over his head—two tricks that later influenced Jimi Hendrix. Guy’s acceptance speech was concise: "If you don’t think you have the blues, just keep living." He had previously served on the nominating committee of the Rock and Roll Hall of Fame.
In 2008, Guy was inducted into the Louisiana Music Hall of Fame, performing at the Texas Club in Baton Rouge to commemorate the occasion.
On December 2, 2012, Guy was awarded the 2012 Kennedy Center Honors. At his induction, Kennedy Center chairman David Rubenstein said, "Buddy Guy is a titan of the blues and has been a tremendous influence on virtually everyone who has picked up an electric guitar in the last half century". He was honored that night along with Dustin Hoffman, Led Zeppelin (John Paul Jones, Jimmy Page and Robert Plant), David Letterman and Natalia Makarova.
He married Joan Guy in 1959. They have six children together; Charlotte (1961), Carlise (1963), Cauline (1965), George, Gregory, and Jeffrey.
|I Left My Blues in San Francisco||1967||Chess|||
|A Man and the Blues||1968||Vanguard|||
|Hold That Plane!||1972||Vanguard|||
|Stone Crazy!||1979||Alligator|| Originally released by Isabel, titled "The Blues Giant"|
|DJ Play My Blues||1982||JSP|||
|Damn Right, I've Got the Blues||1991||Silvertone/BMG||Won the 1992 Grammy Award for Best Contemporary Blues Album|
|Feels Like Rain||1993||Silvertone||Won the 1994 Grammy Award for Best Contemporary Blues Album|
|Slippin' In||1994||Silvertone||Won the 1996 Grammy Award for Best Contemporary Blues Album|
|Sweet Tea||2001||Jive||Nominated for the 2001 Grammy Award for Best Contemporary Blues Album|
|Blues Singer||2003||Silvertone||Won the 2004 Grammy Award for Best Traditional Blues Album|
|Bring 'Em In||2005||Jive|
|Living Proof||2010||Jive||Won the 2011 Grammy Award for Best Contemporary Blues Album|
|Rhythm & Blues||2013||RCA Records|
|Born to Play Guitar||2015||RCA Records||Won the 2016 Grammy Award for Best Blues Album|
|This Is Buddy Guy (Live)||1968||Vanguard|||
|Live at the Checkerboard Lounge||1979||Rockbeat|
|The Dollar Done Fell||1980||JSP||Re-released in 1988 as Live at the Checkerboard Lounge, Chicago – 1979|
|Chicago Blues Festival 1964||2003||Stardust|
|Jammin’ Blues Electric & Acoustic||2003||Sony||Compilation of tracks from Live: The Real Deal and Last Time Around: Live at Legends|
|Live at the Mystery Club||2003||Quicksilver||Reissue of Every Day I Have the Blues|
|Live at Legends||2012||RCA/Silvertone|
|I'll Play the Blues for You||2016||Klondike||3 CD set|
|First Time I Met the Blues||1969||Python|
|In the Beginning||1971||Red Lightnin’|
|I Was Walking Through the Woods||1974||Chess||Recorded 1960–64|
|Hot & Cool||1978||Vanguard|||
|Got to Use Your Head||1979||Blues Ball|||
|Ten Blue Fingers||1985||JSP||Compilation of tracks from Breaking Out and DJ Play My Blues|
|My Time After Awhile||1992||Vanguard|
|The Very Best of Buddy Guy||1992||Rhino/WEA|
|The Complete Chess Studio Recordings||1992||Chess||Two CDs, 1960–67|
|Southern Blues 1957–63||1994||Paula PCD-26|
|Buddy’s Blues||1997||Chess||Chess Masters series|
|Buddy’s Blues 1978–1982: The Best of the JSP Recordings||1998||JSP|
|As Good As It Gets||1998||Vanguard|
|Buddy’s Baddest: The Best of Buddy Guy||1999||Silvertone|
|The Complete Vanguard Recordings||2000||Vanguard|
|20th Century Masters: The Millennium: The Best of Buddy Guy||2001||MCA|
|Can't Quit the Blues: Box Set||2006||Silvertone/Legacy|
|The Definitive Buddy Guy||2009||Shout! Factory||His first single-disc career-spanning CD|
|Icon||2011||Geffen/Chess||Same track listing as 20th Century Masters: The Millennium: The Best of Buddy Guy|
|Hoodoo Man Blues||1965||Delmark||With the Junior Wells Band|
|Chicago / The Blues / Today!, Vol. 1||1966||Vanguard||With the Junior Wells Band|
|It’s My Life, Baby!||1966||Vanguard||With the Junior Wells Band|
|Berlin Festival – Guitar Workshop||1967||MPS||With various artists; LP released in Argentina by Microphone Argentina S.A. (1974)|
|Coming at You||1968||Vanguard||With the Junior Wells Band|
|Buddy and the Juniors||1970||MCA||with Junior Mance and Junior Wells|
|South Side Blues Jam||1970||Delmark||With Junior Wells and Otis Spann|
|Buddy & Junior Mance & Junior Wells||1971||Harvest (UK)||UK release of Buddy and the Juniors|
|South Side Reunion||1972||Sunny Side||With Memphis Slim|
|Buddy Guy & Junior Wells Play the Blues||1972||Rhino||With Junior Wells|
|Live Recording at Yuhbin-Chokin Hall||1975||Bourbon Records||with Junior Wells; released only in Japan|
|Pleading the Blues||1979||Isabel||With Junior Wells|
|Buddy & Phil||1981||JSP (1024)||With Phil Guy; also released as P-Vine CD 23886 (2007)|
|Going Back||1981||Isabel||With Junior Wells; LP released only in France|
|Drinkin’ TNT ’n’ Smokin’ Dynamite||1982||Blind Pig||with Junior Wells, Recorded at the Montreux Jazz Festival, 1974|
|The Red Hot Blues of Phil Guy||1982||JSP||With Phil Guy|
|Bad Luck Boy||1983||JSP||With Phil Guy|
|The Original Blues Brothers||1983||Blue Moon||With Junior Wells|
|Atlantic Blues: Chicago||1986||Atlantic||With various artists|
|Live in Chicago 88||1988||Klondike||Buddy Guy and Otis Rush|
|I Ain’t Got No Money||1989||Flyright||With various artists|
|Buddy Guy & Junior Wells: Alone & Acoustic||1991||Alligator||CD reissue of Going Back (1981) plus 5 more songs from the sessions|
|Live in Montreux||1992||Evidence||With Junior Wells|
|Stone Free: A Tribute to Jimi Hendrix||1993||Reprise||With various artists; Guy performed "Red House"|
|All Star Chicago Blues Session||1994||JSP||With Phil Guy; recorded in 1982|
|Live: The Real Deal||1996||Silvertone||With G.E. Smith and the Saturday Night Live Band|
|Last Time Around – Live at Legends||1998||Jive||With Junior Wells|
|Every Day I Have the Blues||2000||Purple Pyramid||With Junior Wells|
|Double Dynamite||2001||AIM||With Junior Wells|
|A Night of the Blues||2005||With Junior Wells; Master Classics reissue of Every Day I Have the Blues|
|Live: The Real Deal||2006||Sony||With G.E. Smith and the Saturday Night Live Band (reissue)|
|Goin' Home: A Tribute to Fats Domino||2007||Vanguard||With Joss Stone and the Dirty Dozen Brass Band, performing "Every Night About This Time".|
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