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1
Christophe on Drums lunch hour concert
Christophe on Drums lunch hour concert
::2012/10/06::
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2
Edna Manley Jamaica Open Day Concert 2013
Edna Manley Jamaica Open Day Concert 2013
::2013/04/11::
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3
Matthew Francis- Edna Manley College Lunch Hour 2012
Matthew Francis- Edna Manley College Lunch Hour 2012
::2012/06/22::
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4
Anna- Kaye Morris, Lunch Hour, Edna Manley College
Anna- Kaye Morris, Lunch Hour, Edna Manley College
::2013/09/29::
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5
Edna Manley S.O.M Room 13 Jam
Edna Manley S.O.M Room 13 Jam
::2007/12/30::
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Edna Manley, Drum, Drummers, Drumming in Room 13
Edna Manley, Drum, Drummers, Drumming in Room 13
::2013/11/13::
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7
Rico
Rico's Final year show ( Edna Manley school of music )
::2011/12/12::
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8
AMAZING HEAD TO HEAD DRUM-OFF @ EDNA MANLEY SCHOOL OF MUSIC
AMAZING HEAD TO HEAD DRUM-OFF @ EDNA MANLEY SCHOOL OF MUSIC
::2010/11/19::
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9
Willie Stewart
Willie Stewart's Percussion Workshop at Edna Manley School of Music Jamaica
::2010/01/14::
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10
Edna Manley Graduation - November 2013
Edna Manley Graduation - November 2013
::2013/11/23::
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11
Kumina - Edna Manley College
Kumina - Edna Manley College
::2011/09/12::
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12
Edna Manley College - Nicole Brown and Olive Miller
Edna Manley College - Nicole Brown and Olive Miller
::2013/07/03::
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13
Vennica Nicholson Live Performance At The  Edna Manley School Of Music
Vennica Nicholson Live Performance At The Edna Manley School Of Music
::2011/01/14::
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14
The Painters- The 2013 Edna Manley College Final Year Visual Arts Exhibition
The Painters- The 2013 Edna Manley College Final Year Visual Arts Exhibition
::2013/07/16::
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15
2008 Edna Manley Dance Recital Piece 1
2008 Edna Manley Dance Recital Piece 1
::2008/07/31::
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16
Patrick Baker   Edna Manley
Patrick Baker Edna Manley
::2014/03/29::
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17
Reajhaun
Reajhaun 'Dixie' Baptiste 2nd Lunch Hour Concert @ Edna Manley (March 17th, 2011)
::2011/03/19::
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18
Kimberly "Musique" Bingling Lunch Hour 2013 (Edna Manley College of the Visual & Performing Arts)
Kimberly "Musique" Bingling Lunch Hour 2013 (Edna Manley College of the Visual & Performing Arts)
::2013/04/09::
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19
Your thoughts? The 2013 Edna Manley College Final Year Visual Arts Exhibition
Your thoughts? The 2013 Edna Manley College Final Year Visual Arts Exhibition
::2013/07/10::
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20
Saadaring - Jolly Boys at Edna Manley College
Saadaring - Jolly Boys at Edna Manley College
::2013/08/27::
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21
Edna Manley Schoolg Music  9/02/11 (MOV04E.MOD)
Edna Manley Schoolg Music 9/02/11 (MOV04E.MOD)
::2011/02/17::
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22
Ricardo Francis   Edna Manley
Ricardo Francis Edna Manley
::2014/03/29::
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23
Shalisha Turpin Fire Drummer girl-Edna Manley College
Shalisha Turpin Fire Drummer girl-Edna Manley College
::2012/05/04::
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24
ART IN JA: Edna Manley School of the Visual Arts Class of 2010- TEKA HENLON
ART IN JA: Edna Manley School of the Visual Arts Class of 2010- TEKA HENLON
::2011/01/28::
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25
Kabaka Pyramid Performs New Song @ Edna Manley College (April 2013)
Kabaka Pyramid Performs New Song @ Edna Manley College (April 2013)
::2013/04/27::
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26
Edna Manley final year show 2011
Edna Manley final year show 2011
::2011/06/26::
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27
Edna Manley College - Inansi
Edna Manley College - Inansi
::2013/07/03::
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28
Edna Manley College- Final Year Exhibition 2013 TRAILER
Edna Manley College- Final Year Exhibition 2013 TRAILER
::2013/06/06::
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29
Edna Manley College -  Inansi and Emperor Sumo
Edna Manley College - Inansi and Emperor Sumo
::2013/07/03::
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30
Edna Manley College - Richard Nattoo
Edna Manley College - Richard Nattoo
::2013/07/03::
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31
Edna Manley Summer School
Edna Manley Summer School
::2012/07/28::
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32
Foolin Around in class (Edna Manley Dance Studio)
Foolin Around in class (Edna Manley Dance Studio)
::2010/07/16::
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33
Art of Carnival 2013 at Edna Manley
Art of Carnival 2013 at Edna Manley
::2013/03/31::
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34
Edna Manley Final Show 3(003)
Edna Manley Final Show 3(003)
::2008/10/26::
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35
CHRONIXX & KABAKA PYRAMID - Performs at Edna Manley College (JEL)
CHRONIXX & KABAKA PYRAMID - Performs at Edna Manley College (JEL)
::2012/09/09::
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36
Subway Blues by Lasana Bandelé at Edna Manley College Amphitheater
Subway Blues by Lasana Bandelé at Edna Manley College Amphitheater
::2013/11/12::
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37
Market Street by Lasana Bandelé At Edna Manley College.
Market Street by Lasana Bandelé At Edna Manley College.
::2013/11/12::
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38
This Land Is Free by Lasana Bandelé at Edna Manley College Amphitheater.
This Land Is Free by Lasana Bandelé at Edna Manley College Amphitheater.
::2013/11/12::
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39
Edna Manley College
Edna Manley College
::2013/07/03::
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40
Edna manley 2 Beres Hammond, SIzzla, Jr. Reid...m4v
Edna manley 2 Beres Hammond, SIzzla, Jr. Reid...m4v
::2011/02/25::
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41
Jonkunno at Edna Manley College (Jamaica)
Jonkunno at Edna Manley College (Jamaica)
::2010/07/29::
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42
Edna Manley College - Emperor Sumo
Edna Manley College - Emperor Sumo
::2013/07/03::
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43
Edna Manley Summer School
Edna Manley Summer School
::2012/07/28::
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44
HIGH LAND MY LAND AND YOURLAND @ EDNA MANLEY WITH THE WORLD GREATESTS LSX
HIGH LAND MY LAND AND YOURLAND @ EDNA MANLEY WITH THE WORLD GREATESTS LSX
::2013/08/19::
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45
Edna Manley Jam Pt2
Edna Manley Jam Pt2
::2007/12/31::
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46
Shalisha Turpin Edna Manley Lunch Hour Concert November 8, 2012
Shalisha Turpin Edna Manley Lunch Hour Concert November 8, 2012
::2012/11/17::
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47
Art in Jamaica: KEMAR SWABY, Edna Manley School Class of 2010
Art in Jamaica: KEMAR SWABY, Edna Manley School Class of 2010
::2011/03/17::
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Sunday Morning (Cover) - Edna Manley College (with Bass Solo)
Sunday Morning (Cover) - Edna Manley College (with Bass Solo)
::2010/05/12::
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49
Reajhaun
Reajhaun 'Dixie' Baptiste 1st Lunch Hour Concert @ Edna Manley
::2011/03/19::
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Living In Shacks by Lasana Bandelé at Edna Manley College Amphitheater.
Living In Shacks by Lasana Bandelé at Edna Manley College Amphitheater.
::2013/11/12::
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From Wikipedia, the free encyclopedia
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Edna Swithenbank Manley
Born (1900-03-01)1 March 1900
Bournemouth, England
Died 2 February 1987(1987-02-02) (aged 86)
Spouse Norman Manley (1921-1969)

Edna Swithenbank Manley OM (1 March 1900 – 2 February 1987) was a sculptor and contributor to Jamaican culture. She was the wife of Norman Manley, the founder of the Jamaican People's National Party. She is often considered the "mother of Jamaican art".[1]

Early life and education Edna Manley was the daughter of English cleric Harvey Swithenbank and his Jamaican wife, Ellie Shearer. Her father died when Edna was nine, leaving his widow to raise their nine children by herself. Edna Manley was highly independent and spirited. She attended several art schools in a two-year period, as she sensed that these schools were incredibly limited in what they offered.

As a young woman, she took private art classes with the artist Maurice Harding. She went on to continue her art studies at the Regent Street Polytechnic as well as the Saint Martin's School of Art in London.

In 1921, she married her cousin, Norman Manley, and moved to Jamaica with him in 1922. They had two children, Michael Manley (a future prime minister) and Douglas Manley, a sociologist and minister in his brother's government.

Artistic life[edit]

Her move to Jamaica had a profound impact on her work. She abandoned studying zoology back in London, and her work took on a more "inspired formal elegance", according to Boxer. Manley's materials consisted mostly of native woods—she used yakka, mahogany, Guatemalan redwood, juniper cedar, and primavera. Some work dating from her first year on the island are "Beadseller", and "Listener". In describing "Beadseller", Boxer said, "It was as if in one fell swoop, nearly a hundred years of sculptural development had been bridged: in this, her first work done in Jamaica, Edna seems to have given expression to her ideas about contemporary British sculpture with which she had saturated herself prior to leaving England." Both pieces exhibited Manley's more progressive and cubist style.

Between 1925 and 1929, Manley softened some of her geometric forms, replacing them with more massive, rounded ones. Her son Michael was born during this time. "Market Women", a study of two voluptuous women sitting back to back, and "Demeter", a carving of the mythical Earth Mother, are indicative of Manley's late-1920s influence. The 1930s saw another change in her sculptural style. She tamed her early-1920s cubist lines with rounder influences, and produced a new, definitive style that lasted into the 1940s.

Jamaica was facing many political changes during the late 1930s and early 1940s. Members of the African diaspora were looking to do away with the aging colonial system that remained on the island. They were ready for a new social order, and voiced their displeasure with the colonial system by incurring strikes (along with riots), instigating food shortages, and promoting protest marches. Manley's work of the time reflected this civil unrest. Works like "Prophet", "Diggers", "Pocomania", and "Negro Aroused" "caught the inner spirit of our people and flung their rapidly rising resentment of the stagnant colonial order into vivid, appropriate sculptural forms," wrote poet M. G. Smith.

Her works were exhibited very frequently in England between 1927 and 1980. Her first solo exhibition in Jamaica was in 1937. The show marked a turning point in Jamaica's undeveloped art movement, and it prompted the first island-wide group show of Jamaican artists. Manley was also one of the founders of the new Jamaica School of Art. After premiering in Jamaica, her show opened in England, where it was received with much fanfare. It was the last time Manley's work would be shown in London for nearly 40 years.

Active for much of her life as an artist, she also taught at the Jamaica School of Art, now a component of the Edna Manley College of Visual and Performing Arts.

"Negro Aroused" - the art piece[edit]

While she was at London, Manley had discovered that the people of Jamaica had collected the money to buy her piece "Negro Aroused". Individuals pitched in whatever they could afford, purchasing the piece to begin a national art collection. She was highly moved by this act, partly because she claimed that it was such a difficult piece for her to create: "Negro Aroused,...was trying to create a national vision, and it nearly killed me, it was trying to put something into being that was bigger than myself and almost other than myself," Manley told Sculpture Review.

The original sculpture of "Negro Aroused" was created in 1935 and was first exhibited in 1937. From its exposure, "Negro Aroused" excited the public's imaginatio; it was acquired by public subscription and presented to the Institute of Jamaica to form a nucleus for an upcoming exhibition.

In 1977, work began to enlarge the sculpture and to create a monument to the workers of Jamaica and the Worker's Movement that was born in 1938. Edna Manley was commissioned to recreate the work in bronze, at a scale three to four times that of the original. She was assisted by several young sculptors. Prior to being shipped to New York for bronzing, the seven-foot version was destroyed in a warehouse fire.

In 1982, Manley produced a third version, closer in size to the original, but it incorporated some subtle changes she had introduced in the destroyed sculpture.

In 1991, the sculpture was posthumously enlarged by utilizing the "scaling up" technique of bronze foundries for the enlargement of a sculpture. The third version was selected because it was closer in size to the destroyed version. The cost was met by public subscription.

Politics and art[edit]

Norman Manley entered politics, and founded the People's National Party in 1938. Although Edna Manley was hesitant at first, she quickly accepted her husband's place—and her own—in Jamaican politics. She also designed The Rising Sun logo for the People's National Party. The beginning of Jamaica's new government-—and the fall of colonialism-—was reflected in Manley's work, which at the time dealt with the cyclical, birth-and-death themes of the sun and moon. Her work was also heavily influenced by the nature that surrounded her at Nomdmi, the mountain retreat she had built with her husband.

The 1950s and 1960s were quiet times for Manley as an artist. Her husband became more involved with politics, becoming the chief minister of Jamaica in 1955. Manley's responsibilities as the wife of a politician left little time for art. In 1965, she created a statue of Paul Bogle to commemorate his partaking in Jamaica's Morant Bay Rebellion. The statue was highly controversial because it was inherently the very first Jamaican public statue that depicted a black man. Manley also returned, in her personal carvings, to the animal sculptures that she did as a young woman.

In 1969, Edna's husband (Norman Manley) had been laid to rest. He had helped Jamaica to achieve total independence from Britain and self-government by 1962. Manley's carvings during this period were very personal—-reflections on her husband's death, her pain, and sense of loss. She retreated to the mountains and created "Adios," a piece interpreted as lovers in a last embrace, and "Woman," an agonized woman in reclusion. The end of this grieving period was marked by her creation of the triumphant "Mountain Women". She had accepted the loss of her husband. "I felt that because my roots were here in Jamaica, I could survive," she told Americas.[clarification needed] "It was my return to the world after that period of intense grief."

After creating several more profound carvings, including "Faun", "Message" and "Journey", Manley gave her carving tools away to a young Jamaican sculptor and declared that she would never work with wood again. Instead, she worked with modeled terracotta or plaster casts. During the 1970s, the major themes of Manley's work were expressions of her "grandmother," or "old woman" image, of matriarchal society, and memories of her life with her husband Norman.

Manley continued to sculpt until her death in 1987. Although a great deal of her work was intensely personal, she created a body of sculpture that embodies Jamaican culture and spirit. English novelist Sir Hugh Walpole, a collector of her work, spoke at the opening of her 1937 London show. "There is a very strange and curious spirit there and Mrs. Manley has got within that strange spirit," he remarked. "There is in Jamaica a beauty that finds its expression through her, that comes partly from the Jamaican material she uses, partly from her own individuality, and partly also, I think, from the sort of sense of beauty that the different people of Jamaica themselves possess." For Manley, expressing the beauty of Jamaica was second nature. "I carve as a Jamaican for Jamaica," she told Americas, "trying to understand our problems and living near to the heart of our people."

Death[edit]

When Edna Manley died in 1987, she was accorded an official funeral and buried in the tomb of Norman Manley at the National Heroes Park, her work having earned her the unofficial title of "Mother of Jamaican Art".

Edna Manley College of the Visual & Performing Arts[edit]

Formerly the Jamaican School of Art, the school was renamed the Edna Manley College of the Visual & Performing Arts in 1995. The renaming of the institution was part of its reclassification as a tertiary institution. Edna Manley was selected in part because of her contributions to Jamaica's art, which included co-founding the school in 1950.

Works[edit]

Her works include: "Whisper"; "Into The Mist", "Before Thought ", "Moon", "Eve (Ceremonial Dance)",[2] "Into The Sun", "Growth", "The Ancestor", "The Mother", "Negro Aroused", "Pocomania", "Diggers", "Man and Woman", "Bead Sellers ", "The Trees are Joyful", "Rainbow Serpent", "Rising Sun", "Prophet", "Ghetto Mother", "Mountain Women" and others mentioned above.

Awards[edit]

Manley received numerous awards including:

Diaries[edit]

Her granddaughter Rachel Manley edited her diaries which were published in 1998.[3]

References[edit]

  1. ^ http://www.jstor.org/pss/1358304
  2. ^ Sheffield's Collections: Edna Manley.
  3. ^ Edna Manley: the Diaries; edited by Rachel Manley. London: André Deutsch, 3010 ISBN 0-233-98427-5
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