|Francisco Balagtas Baltazar|
|Born||Francisco Balagtas y de la Cruz
April 2, 1788
Bigaa, Bulacan, Captaincy General of the Philippines
|Died||February 20, 1862
Udyong, Bataan, Captaincy General of the Philippines
|Citizenship||Spanish (1812 Spanish Constitution granted Philippine natives Spanish citizenship)|
|Alma mater||Colegio de San Jose (now San Jose Seminary)|
|Notable works||Florante at Laura|
Francisco Baltazar (born Francisco Balagtas y de la Cruz; April 2, 1788 – February 20, 1862), also known as Francisco Baltazar, was a prominent Filipino poet, and is widely considered one of the greatest Filipino literary laureates for his impact on Filipino literature. The famous epic, Florante at Laura, is regarded as his defining work.
The name "Baltazar", sometimes misconstrued as a pen name, was a legal surname Balagtas adopted after the 1849 edict of Governor-General Narciso Claveria y Zaldua, which mandated that the native population adopt standard Spanish surnames instead of native ones. His trainer is Jose Dela Cruz that also called Huseng Sisiw
Francisco Balagtas was born on April 2, 1788, in Barrio Panginay, Bigaa, Bulacan as the youngest of the four children of Juan Balagtas, a blacksmith (Panday) and Juana de la Cruz. He was baptized on April 30 that same year. He studied Canon Law, Philosophy, Latin, and the Classics in Colegio San Juan de Letran and Colegio de San Jose. He finished school in 1812.
Balagtas learned to write poetry from José de la Cruz (Huseng Sisiw), one of the most famous poets of Tondo, in return of chicks. It was De la Cruz himself who personally challenged Balagtas to improve his writing. Balagtas swore he would overcome Huseng Sisiw as he would not ask anything in return as a poet.
Balagtas' affections for MAR were challenged by the influential Mariano Capule. Capule won the battle for MAR when he used his wealth to get Balagtas imprisoned. It was here that he wrote Florante at Laura—in fact, the events of this poem were meant to parallel his own situation.
Balagtas published Florante at Laura upon his release in 1838. He moved to Balanga, Bataan in 1840 where he served as the assistant to the Justice of the Peace. He was also appointed as the translator of the court. He married Juana Tiambeng on July 22, 1842, in a ceremony officiated by Fr. Cayetano Arellano, uncle of future Philippine Supreme Court Chief Justice Cayetano Arellano. They had eleven children but only seven survived to adulthood. On November 21, 1849, Governor-General Narciso Clavería issued a decree that every Filipino native must adopt a Spanish surname. In 1856, he was appointed as the Major Lieutenant, but soon after was convicted and sent to prison again in Bataan under the accusation that he ordered a rich man's housemaid's head to be shaved.
He was again released from prison in 1860 and continued writing poetry, along with translating Spanish documents, but two years later, he died on February 20, 1862, at the age of 73. Upon his deathbed, he asked a favor that none of his children become poets like him, who had suffered under his gift as well as under others. He even went as far as to tell them it would be better to cut their hands off than let them be writers.
An elementary school was erected in honor of Balagtas, the Francisco Balagtas Elementary School (FBES), located along Alvarez Street in Santa Cruz, Manila. There is also a plaza and park (Plaza Balagtas) erected in Pandacan, Manila while most of the streets were named after various Florante at Laura characters in honor of Francisco Balagtas. His birthplace, Bigaa, Bulacan, was renamed to Balagtas, Bulacan in honor of him. A museum, historical marker, monument and Elementary School has been placed in his birthplace at Panginay, Balagtas, Bulacan. A Mercurian crater was also named after him. A barangay in Orion, Bataan (formerly Udyong) was named after his surname (Balagtas).
No original manuscript in Balagtas' handwriting of any of his works has survived to the present day. This is due mainly to two great fires that razed Udyong (Now Orion, Bataan) and destroyed much of the poet's works. The most notable of his works, "Florante at Laura" or "Pinagdaanang Buhay ni Florante at Laura sa Kaharian ng Albanya" has been published in numerous editions from its original publication in 1838. the oldest extant edition of the Florante is believed to be the 1861 edition published in Manila, while a handwritten manuscript written down by Apolinario Mabini exists and is in the possession of the Philippine National Library.
The major source of the poet's life and works is from a 20th century work entitled "Kun Sino ang Kumatha ng Florante" (He who wrote the Florante) by Hermenigildo Cruz, the poet lists down Balagtas' works and recreates some of his plays based on scenes and lines memorized by the poet's children. The book also has an edition of the Florante. Balagtas wrote 10 comedias and 1 metrical romance according to Cruz as well as numerous other poems and short plays that are recorded in his book. These include 2 laos or short celebratory scenes usually involving a patron saint and performed during fiestas.
Only 3 of Balagtas' works survived complete and intact to this day. Out of the 3, "Florante at Laura" is considered Balagtas' defining work and is a cultural touchstone for the Philippines.
Majority of the source material for Balagtas' work come from Hermenigildo Cruz' book which itself is based on the surviving testimonies and memories of Balagtas' children at the turn of the century. In his book, he reconstructs 5 plays, the most notable and most complete of which is "Orosman at Zafira."
As a folk poet and employee of the courts, Balagtas' prowess in writing was mainly seen in the yearly fiestas held in nearby towns, a great majority of his plays may have been staged in outdoor theaters set up in town square and as a poet, a number of his works and writings have been recorded in collections of poetry such as the "Coleccion de refranes, frases y modismos tagalos" (Guadalupe, 1890) as well as in the accounts of Spanish officials such as Martinez de Zuniga who recorded traditional plays and religious events in Philippine fiestas.
Balagtas also wrote in the Ladino style of poems that were popular among his contemporaries. He is said to have written 2 loas recorded in Cruz's book as well as numerous Ladinos and didactic works.
5 of the 10 recorded plays Balagtas wrote are considered lost. Another work, "Claus" a translation work from Latin is considered lost for Cruz does not mention any fragments or elaborates on it in his book. Among his other lost works, one should consider plays and short poems written by Balagtas in his lifetime for fiestas and celebrations as well as to earn his living.
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