A homophone is a word that is pronounced the same as another word but differs in meaning. The words may be spelled the same, such as rose (flower) and rose (past tense of "rise"), or differently, such as carat, caret, and carrot, or to, two, and too. Homophones that are spelled the same are also both homographs and homonyms.[1] Homophones that are spelled differently are also called heterographs. The term "homophone" may also apply to units longer or shorter than words, such as phrases, letters or groups of letters that are pronounced the same as another phrase, letter or group of letters.
The word derives from the Greek homo- (ὁμο-), "same", and phōnḗ (φωνή), "voice, utterance".
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Homophones are often used to create puns and to deceive the reader (as in crossword puzzles) or to suggest multiple meanings. The last usage is common in poetry and creative literature. An example of this is seen in Dylan Thomas's radio play Under Milk Wood: "The shops in mourning" where mourning can be heard as mourning or morning. Another vivid example is Thomas Hood's use of "birth" and "berth" and "told" and "toll'd" (tolled) in his poem "Faithless Sally Brown":
In some accents, various sounds have merged in that they are no longer distinctive, and thus words that differ only by those sounds in an accent that maintains the distinction (a minimal pair) are homophonous in the accent with the merger. Some examples from English are:
Wordplay is particularly common in English because the multiplicity of linguistic influences offers considerable complication in spelling and meaning and pronunciation compared with other languages.
Homophones of multiple words or phrases (as sometimes seen in word games) are also known as "oronyms". This term was coined by Gyles Brandreth and first published in his book The Joy of Lex (1980), and it was used in the BBC programme Never Mind the Full Stops, which also featured Brandreth as a guest.
Examples of "oronyms" (which may only be true homophones in certain dialects of English) include:
In his Appalachian comedy routine, American comedian Jeff Foxworthy frequently uses oronyms which play on exaggerated "country" accents. Notable examples include:
Malapropisms, which often create a similar comic effect, are usually near-homophones. See also Eggcorn.
There are sites, for example, http://people.sc.fsu.edu/~jburkardt/fun/wordplay/multinyms.html which have lists of homonyms or rather homophones and even 'multinyms' which have as many as seven spellings. There are differences in such lists due to dialect pronunciations and usage of old words. In English, there are approximately 88 triples; 24 quadruples; 2 quintuples; 1 sextet and 1 septet. The septet is:
Other than the three common words (raise, rays and raze), there is:
Pseudo-homophones are pseudowords that are phonetically identical to a word. For example, groan/grone and crane/crain are pseudo-homophone pairs, whereas plane/plain is a homophone pair since both letter strings are recognised words. Both types of pairs are used in lexical decision tasks to investigate word recognition.[2]
Homophones where one spelling is of a threatening nature and one is not (e.g. slay/sleigh, war/wore) have been used in studies of anxiety as a test of cognitive models that those with high anxiety tend to interpret ambiguous information in a threatening manner.[3]
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