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|"Honky Tonk Women"|
|Single by the Rolling Stones|
|B-side||"You Can't Always Get What You Want"|
|Released||4 July 1969|
|Rolling Stones UK singles chronology|
|Rolling Stones US singles chronology|
"Honky Tonk Women" is a 1969 hit song by the Rolling Stones. It was a single-only release, available from 4 July 1969 in the United Kingdom, and a week later in the United States (although a country version called "Country Honk" was later included on the album Let It Bleed). It topped the charts in both nations.
The song was written by Mick Jagger and Keith Richards while on holiday in Brazil from late December 1968 to early January 1969, inspired by Brazilian "caipiras" (inhabitants of rural, remote areas of parts of Brazil) at the ranch where Jagger and Richards were staying in Matão, São Paulo. Two versions of the song were recorded by the band: the familiar hit which appeared on the 45 single and their collection of late 1960s singles, Through the Past, Darkly (Big Hits Vol. 2); and a honky-tonk version entitled "Country Honk" with slightly different lyrics, which appeared on Let It Bleed (1969).
Thematically, a "honky tonk woman" refers to a dancing girl in a western bar who may work as a prostitute; the setting for the narrative in the first verse of the rock-and-roll version is Memphis, Tennessee: "I met a gin soaked bar-room queen in Memphis", while "Country Honk" sets the first verse in Jackson, Mississippi: "I'm sittin' in a bar, tipplin' a jar in Jackson".
The band initially recorded the track called "Country Honk," in London in early March 1969. Brian Jones was present during these sessions and may have played on the first handful of takes and demos. It was his last recording session with the band. The song was transformed into the familiar electric, riff-based hit single "Honky Tonk Women" sometime in the spring of 1969, prior to Mick Taylor's joining the group. In an interview in the magazine Crawdaddy!, Richards credits Taylor for influencing the track: "... the song was originally written as a real Hank Williams/Jimmie Rodgers/1930s country song. And it got turned around to this other thing by Mick Taylor, who got into a completely different feel, throwing it off the wall another way." However, in 1979 Taylor recalled it this way: "I definitely added something to Honky Tonk Women, but it was more or less complete by the time I arrived and did my overdubs."
The concert rendition of "Honky Tonk Women" on Get Yer Ya-Ya's Out! (1970) differs significantly from the studio hit, with a markedly dissimilar guitar introduction and the first appearance on vinyl of an entirely different second verse. During the North American leg of the 1989 Steel Wheels tour, a giant inflatable woman was cued to appear just before the first chorus. There was an animated live visual for this song when it was performed in concert around 2002 and 2003. It featured a topless woman riding on the Rolling Stones tongue who was seen in the beginning of the concert.
The single was released in the UK the day after the death of founding member Brian Jones where it remained on the charts for seventeen weeks peaking at number one for five weeks. "You Can't Always Get What You Want" was the single's B-side. The song topped the US Billboard Hot 100 for four weeks from 23 August 1969. It was later released on the compilation album Through the Past, Darkly (Big Hits Vol. 2) in September. Billboard ranked it as the No. 4 song overall for 1969.
At the time of its release Rolling Stone magazine hailed "Honky Tonk Women" as "likely the strongest three minutes of rock and roll yet released in 1969". It was ranked number 116 on the list of Rolling Stone's 500 Greatest Songs of All Time in April 2010. The song was later put into the track listing for the video game Band Hero.
Concert versions of "Honky Tonk Women" are included on the albums Live'r Than You'll Ever Be (1969), 'Get Yer Ya-Ya's Out!' (recorded 1969, released 1970), Love You Live (recorded 1976, released 1977), Live Licks (recorded 2003, released 2004), Sweet Summer Sun: Hyde Park Live (2013), and Totally Stripped (recorded 1995, released 2016). The song has appeared in numerous Stones concert films and boxed sets, including Stones in the Park, Some Girls: Live In Texas '78, Let's Spend the Night Together, Stones at the Max, Voodoo Lounge Live, Bridges to Babylon Tour '97–98, Four Flicks, The Biggest Bang, and Sweet Summer Sun: Hyde Park Live.
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"Honky Tonk Women" has been covered numerous times by various bands and singers since its release in 1969. Ike & Tina Turner included a cover of the song in their 1969 album, Nice n' Rough, and was also used for the B-side of two of their single releases.
This section relies largely or entirely on a single source. (December 2016)
|Song by the Rolling Stones|
|from the album Let It Bleed|
|Released||5 December 1969|
|Recorded||June & October 1969|
"Country Honk" is a country version of "Honky Tonk Women", released five months after on the album Let It Bleed (1969). As noted above, the country arrangement was the original concept of "Honky Tonk Women".
According to some sources "Country Honk" was recorded at the Elektra recording studio in Los Angeles. Byron Berline played the fiddle on the track, and has said that Gram Parsons was responsible for him being chosen for the job (Berline had previously recorded with Parsons' band the Flying Burrito Brothers). Producer Glyn Johns suggested that Berline should record his part on the pavement outside the studio to add ambience to the number. Sam Cutler, the Rolling Stones' tour manager, performed the car horn at the beginning of the track. Nanette Workman performs backing vocals on this version (although the album sleeve credits actress Nanette Newman). Other sources state that "Country Honk" was recorded at Olympic Studios right after "Honky Tonk Women", with only Berline's fiddle part overdubbed at Elektra; this might be supported by the existence of a bootleg recording that contains neither the fiddle nor Mick Taylor's slide guitar. Richards has repeatedly stated that "Country Honk" is how "Honky Tonk Women" was originally written.
The Rolling Stones
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