from trailer for The Toast of New Orleans (1950)
|Born||Zelma Kathryn Elisabeth Hedrick
February 9, 1922
Winston-Salem, North Carolina, U.S.
|Died||February 17, 2010
Los Angeles, California, U.S.
(m.1947–1951; divorced) 1 child
|Children||Patricia Kathryn (born 1948)|
From the age of twelve, Grayson trained as an opera singer. She was under contract to MGM by the early 1940s, soon establishing a career principally through her work in musicals. After several supporting roles, she was a lead performer in such films as Thousands Cheer (1943), Anchors Aweigh (1945) with Frank Sinatra and Gene Kelly, and Show Boat (1951) and Kiss Me Kate (1953) (both with Howard Keel).
When film musical production declined, she worked in theatre, appearing in Camelot (1962–1964). Later in the decade she performed in several operas, including La bohème, Madama Butterfly, Orpheus in the Underworld and La traviata.
She was born Zelma Kathryn Elisabeth Hedrick in Winston-Salem, North Carolina, the daughter of Charles E. Hedrick and Lillian Grayson Hedrick (1897–1955). Charles was a building contractor-realtor.
Lillian was of British descent and Charles was of German and Sicilian descent.
The Hedrick family later moved to St. Louis, Missouri, where she was discovered singing on the empty stage of the St. Louis Municipal Opera House by a janitor, who introduced her to Frances Marshall of the Chicago Civic Opera, who gave the twelve-year-old girl voice lessons.
Grayson's sister, Frances Raeburn (born Mildred Hedrick) was also an actress and singer, appearing alongside her in the film Seven Sweethearts. She also had two brothers, Clarence "Bud" E. Hedrick, and Harold.
In 1940, an MGM talent scout saw Grayson performing at a music festival. Metro hoped to find a replacement for Deanna Durbin, who left the studio for Universal Pictures. For the next 18 months, Grayson went through voice lessons, drama coaching, diction, diets and exercise. Within a year, Grayson had her first screen test. However, the studio executives were not satisfied, and she went through a further six months of lessons until she made her first film appearance in 1941's Andy Hardy's Private Secretary as the character's secretary Kathryn Land. In the film, she takes part in three musical numbers.
Two further films were planned for Grayson in 1941; White House Girl, which was later made in 1948 with Durbin, and Very Warm for May, from the Jerome Kern and Oscar Hammerstein musical of the same name. Ann Sothern was also slated to appear, however, this fell through as well. The film eventually was made in 1944 as Broadway Rhythm.
She appeared in three films in 1942: The Vanishing Virginian, Rio Rita and Seven Sweethearts. In the first, Grayson plays the teenage daughter, Rebecca, of the eccentric Yancey family from Lynchburg, Virginia. Set in 1913, the film was based on Rebecca Yancey Williams's own family.
Grayson co-starred in Rio Rita with Abbott and Costello. Grayson portrayed the title character, Rita Winslow. The film was originally meant to be an adaptation of the 1927 Broadway musical, however, only two songs were retained for the film, the title song, and "The Ranger Song," which was performed by Grayson.
Co-starring Van Heflin, Seven Sweethearts cast Grayson as the youngest of seven daughters from Holland, Michigan, who is hired by reporter-photographer Helfin to serve as a model and secretary while he covers the town's tulip festival, and with whom he falls in love.
In 1943, Grayson appeared in the film Thousands Cheer, (originally titled Private Miss Jones), along with Gene Kelly, Mickey Rooney, Eleanor Powell, June Allyson and others. The film was intended as a morale booster for American troops and their families. Grayson starred as the singing daughter of an Army commander.
It was announced in 1942 that Grayson would appear in An American Symphony with Judy Garland. Garland was replaced by June Allyson and the film was retitled Two Sisters from Boston and released in 1946.
Grayson did not appear in any films for nearly two years (from 1943 to 1945), but instead worked at entertaining troops during the war and performing on radio programs. She returned to films in Anchors Aweigh, a musical romantic-comedy set in Los Angeles and co-starring Kelly and Frank Sinatra. Anchors Aweigh was the fifth-highest grossing film of 1945, earning over $4.779 million. This was followed by Two Sisters from Boston and guest appearances in Ziegfeld Follies and Till the Clouds Roll By. Grayson's performance in Till the Clouds Roll By included "Make Believe" in a capsule version of the musical Show Boat, which would be remade five years later, with Grayson in the starring role.
MGM re-paired Grayson and Sinatra for two movies in 1947 and 1948, It Happened in Brooklyn and The Kissing Bandit. Both films performed poorly at the box office, and audiences thought the plots absurd. After the setbacks of Brooklyn and Bandit, Grayson was partnered with tenor Mario Lanza in That Midnight Kiss in 1949.
While shooting the Madama Butterfly scene in the film, Lanza kept attempting to french kiss Grayson, which Grayson claimed was made even worse by the fact that Lanza would constantly eat garlic before shooting. Grayson went to costume designer Helen Rose and she sewed pieces of brass into Grayson's gloves. Any time Lanza attempted to french kiss her after that, she hit him with the brass-filled glove. For the premiere of the film, Grayson traveled to New Orleans, and was a guest at an auction selling the film's costumes.
Grayson replaced June Allyson as the role of Ina Massine in 1951's Grounds for Marriage. She portrayed an opera singer with laryngitis, alongside Van Johnson who played her doctor and love interest. This was also her first non-singing role at MGM. Grayson's musical performances do appear in the film, but in the form of recordings.
Grayson was next cast as Magnolia Hawks in the 1951 remake of the 1927 Hammerstein and Kern musical, Show Boat, alongside Howard Keel and Judy Garland, however, Garland dropped out of production, and the role went to Ava Gardner. Show Boat was the third-highest grossing film of 1951, earning over $5.533 million.
Grayson teamed again with Keel in the 1952 Technicolor musical Lovely to Look At, a remake of the 1935 Astaire and Rogers film Roberta. She was released to the Warner Brothers studio in January 1953, with the stipulation that she return to MGM for one more film. She returned to co-star for a third time with Howard Keel in her most acclaimed role, as Lilli Vanessi/Katharina in Kiss Me Kate, released in November 1953. The film was lavishly produced (the only musical to be filmed in 3-D), with songs by Cole Porter, choreography by Hermes Pan, and musical direction by Andre Previn. Grayson's double role allowed her to display many moods, from feisty to gentle to humorous.
While on loan to Warner Bros., her first musical release was The Desert Song, May 1953, alongside Gordon MacRae. She was asked to perform La bohème at the Central City Opera House in Central City, Colorado, but due to her filming obligations for The Desert Song, she had to turn it down. Warner Bros. starred her in a second musical that year, So This Is Love.
Grayson appeared on television occasionally, having guest starred in the CBS anthology series, General Electric Theater in the episode, Shadow on the Heart, with John Ericson, and on Playhouse 90 in the title role of the "Lone Woman", with Raymond Burr and Scott Brady in the historical roles of the brothers Charles and William Bent, respectively. In the 1980s, Grayson guest starred in three episodes of CBS's Murder, She Wrote with Angela Lansbury.
In 1953, Grayson optioned the story It's Greek to Me, written by Helen Deutsch, to be accompanied by a score from Cole Porter. The story was a mythical love story about Hercules and Hippolyte, and Grayson hoped to be reunited with Howard Keel and take the show on the road, however, the project fell apart.
Her casting in The Merry Widow led to her replacing Julie Andrews in 1962 as Queen Guinevere in Camelot. She then continued the role for over sixteen months in the national tour of the United States before leaving for health reasons.
Grayson had a lifelong dream of being an opera star, and she appeared in a number of operas in the 1960s, such as La bohème, Madama Butterfly, Orpheus in the Underworld and La traviata. Her dramatic and comedy stage roles included Night Watch, Noises Off, Love Letters and Something's Afoot as Dottie Otterling.
While appearing in her film roles, Grayson also performed on the radio. Grayson performed on concert tours throughout the 1950s. In May 1951, Grayson had to postpone a concert tour due to being unknowingly cast in Lovely to Look At. "My concert bookings were all set. So when I read in New York that I was to do this film, I said 'How silly!', then boom! The next day I got my studio telegram asking me to return for the picture!"
In 1952, Grayson was offered more than $10,000 to perform for a week at the Riviera night club in New Jersey before making The Desert Song. After filming The Desert Song, Grayson created a recording of the musical with Tony Martin.
Grayson married twice, first to actor John Shelton (born Edward S. Price) and then to the actor/singer Johnnie Johnston.
In July 1942, Shelton moved out of their Brentwood home and into his own apartment. This came after a month of reconciliation after a judge dismissed their divorce suit. Grayson charged Shelton with mental cruelty. They divorced on June 17, 1946.
Grayson wed Johnston on August 22, 1947 in Carmel, California. On October 7, 1948, Grayson's only child, daughter Patricia "Patty Cake" Kathryn Johnston was born. Grayson and Johnston separated on November 15, 1950. On October 3, 1951, Grayson was given a divorce from Johnston on the grounds of mental cruelty. Johnston's This Time for Keeps co-star, Esther Williams, claimed in her 1999 autobiography that while making the film, Johnston would read Grayson's intimate letters aloud to the girls in his fan club, including the "all-too-graphic details concerning what she liked about his love-making."
|1941||Andy Hardy's Private Secretary||Kathryn Land|
|1942||The Vanishing Virginian||Rebecca Yancey|
|1942||Rio Rita||Rita Winslow|
|1942||Seven Sweethearts||Billie Van Maaster|
|1943||Thousands Cheer||Kathryn Jones|
|1945||Anchors Aweigh||Susan Abbott|
|1946||Ziegfeld Follies||Herself||in "There's Beauty Everywhere"|
|1946||Two Sisters from Boston||Abigail Chandler|
|1946||Till the Clouds Roll By||Magnolia in 'Show Boat' / Specialty|
|1947||It Happened in Brooklyn||Anne Fielding|
|1948||The Kissing Bandit||Teresa|
|1949||That Midnight Kiss||Prudence Budell|
|1949||Some of the Best||Herself||uncredited|
|1950||The Toast of New Orleans||Suzette Micheline|
|1951||Grounds for Marriage||Ina Massine|
|1951||Show Boat||Magnolia Hawks|
|1952||Lovely to Look At||Stephanie|
|1953||The Desert Song||Margot Birabeau|
|1953||So This Is Love||Grace Moore||aka The Grace Moore Story|
|1953||Kiss Me Kate||Lilli Vanessi / "Katharina"|
|1956||The Vagabond King||Catherine de Vaucelles|
|1977||The Amazing World of Psychic Phenomena||Herself||documentary|
|1994||A Century of Cinema||Herself||documentary|
|2003||Cole Porter in Hollywood: Too Darn Hot||Herself, Kate/Lilli in Kiss Me Kate|
|2004||The Masters Behind the Musicals||Herself|
Murder she wrote,
|in 1942 author=ignored (help)
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