|Part of a series on the|
|Part of a series on|
Korean Shamanism, also known as "Musok"  (customs of mediation with the supernatural), Muism (Korean: 무교 Mugyo "mu [shaman] religion") or Sinism (신교) Singyo "religion of the shin (hanja: 神) [gods]", is the collective term for the ethnic religions of Korea and the Koreans. Although used synonymously, the two terms are not identical: Jung-Young Lee describes Muism as a form of Sinism – the shamanic tradition within the religion. Another name for the religion is Pungwoldo (Hangul: 풍월도; Hanja: 風月道, "Way of Brightness").[note 1] It has approximately 5-15 million followers.
In contemporary Korean language, the shaman-priest or mu (Hangul: 무; Hanja: 巫) is known as a mudang (Hangul: 무당; Hanja: 巫堂) if female or baksu if male, although other names are used.[note 2] Korean mu "shaman" is synonymous with Chinese wu, which defines priests both male and female. The role of the mudang is to act as intermediary between the spirits or gods, and the human plain, through gut (rituals), seeking to resolve problems in the patterns of development of human life.
One part the faith is the belief in Haneullim or Hwanin, meaning "source of all being", and of all gods of nature. The mu are mythically described as descendants of the "Heavenly King", son of the "Holy Mother [of the Heavenly King]", with investiture often passed down through female princely lineage. However, other myths link the heritage of the traditional faith to Dangun, son of the Heavenly King and initiator of the Korean nation.
Korean Muism has similarities with Chinese Wuism, Japanese Shinto, Ainu religion and with the Siberian and Manchurian religious traditions. In some provinces of Korea the shaman is still called dangul dangul-ari. The mudang is similar to the Japanese miko and the Ryukyuan yuta. Muism has exerted an influence on some Korean new religions, such as Cheondoism and Jeung San Do. According to various sociological studies, many Christian churches in Korea make use of practices rooted in shamanism.
The Korean word mu is thought to come from the same root as the Chinese wu, defining a shaman-priest of either sex. The Korean language and culture, however, has developed its own terminology: already in Yi dynasty records, mudang is used prevalently instead of mu. Also mudang apparently derives from Chinese, and originally meant the "altar [or shrine] of mu" and not the person itself. The Korean word 'Mu" means "Heaven" of Mago(Samshin, Trinity god) land. The priest for Mu (Heaven) is Muin(巫人) of Shaman. Man in Shaman is the meaning of the muin (man) of Suri(one of Trinity).
Mudang is used mostly for female shamans, though not exclusively. Male Korean mu are called by a variety of names, such as sana mudang (literally "male mudang") in the Seoul area, or baksu mudang, also shortened baksu ("doctor", "healer") in the Pyongyang area. It is reasonable to believe that baksu is an ancient authentic designation of male shamans, and that locutions like sana mudang or baksu mudang were formed because of the prevalence of female shamans in recent centuries. Baksu may come from a Korean adaptation of siberian names for male shamans, such as baksi, balsi or bahsih.
The mu is known as "magician, medicine man, mystic and poet" (Eliade, 1974). What set him apart from other healers and priests is his ability to move at will into trance states. During a trance, the shaman's soul leaves his body and travelled to other realms, where helping spirits guide him in his work. The mu provides healing on many levels: physical, psychological and spiritual.
The work of the mu is based on the holistic model, which takes into consideration, not only the whole person, but the individual's interaction with his environment, both his inner and outer world. The soul is considered the place of life breath, where a human's essence (life energy) resides, and any physical illness is inextricably linked with sickness of the soul. Illness of the mind has its origins (root cause) in soul loss, intrusion or possession.
The gut, rites of the Korean mu, have gone through a number of changes through the Silla and Goryeo periods. Even during the Joseon, which was heavily Confucian, Muist rites persisted. In the past such rites included agricultural rites, such as prayers for abundant harvest. With a shift away from agriculture in modern Korea this has largely been lost, and modern-day mu are more focused on the fulfillment of the spiritual or mundane needs of urban people.
Mu can be categorized into two basic institutes: sessŭmu, who inherit the role and the right to perform rites, and kangshinmu, who are initiated into their mu office through a ceremony. Sessŭmu historically were mostly concentrated in the southern part of the Korean peninsula, while kangshimu were found throughout the entire peninsula and contiguous areas inhabited by Koreans, but were mostly characteristic of the north (modern-day North Korea), the contiguous areas of China and the central part of the peninsula around the Han River.
The sinbyeong, also called "self-loss", is the possession from a god that a chosen mu goes through. It is said to be accompanied by physical pain and psychosis. Believers would assert that the physical and mental symptoms are not subject to medical treatment, but may only be cured through acceptance of and full communion with the spirit.
The illness is characterised by a loss of appetite, insomnia, visual and auditory hallucinations. A ritual called a naerim-gut cures this illness, which also serves to induct the new shaman-priest.
In all the myths explaining figuratively the role of the mu, it is implied that they are not self-ordained priests, but they come as media, intermediaries, of the highest forms of being. In other words, they are heavenly ordained, as the "Heavenly King" (Haneullim or Hwanin) has a key role in all the myths.
Another key feature is that mudang and baksu, who in the most recent history of Korea are regarded as belonging to the lowest class (cheonmin 천민), are instead explained as having a forgotten princely origin in myths, often a lineage that can be traced to kingly founders of civilisations. Further features are symbols of divine presence such as the cosmic mountain and the holy tree, and tragic or painful experiences. The bear is a significant symbol in Korean myth, Ainu myths and also found in Siberian myths.
In a collection of myths, the origins of the mu or mudang are linked to a mother goddess associated with a mountain. She has different names according to different regions and mountains associated: Sungmo ("Holy Mother"), Daemo ("Great Mother"), Jamo ("Benevolent Mother"), Sinmo ("Divine Mother"), Nogo ("Ancient Lady"), and others. In other myths she is a princess who is later transformed into a goddess.
The myth of the mother goddess usually tells of a man, Pobu Hwasang, who encountered the "Holy Mother [of the Heavenly King]" on the top of a mountain. The Holy Mother became a human being and married him, giving birth to eight girls, the first mudang. According to philological studies, this myth was formed in the Unified Silla period, when Buddhism and influences from China had already entered the Korean peninsula.
The myth of the princess is the most popular, and it differs from a region to another. In one of the versions the princess is Ahwang Kongju of the Yao kingdom on the Asian mainland or another kingdom. The princess had a strong connection to the Divine, granting welfare to her people. The king sent the princess among the people, who began to worship her for her healing powers. The mudang were established as her successors. The princess is worshipped at the ritual of seasonal offerings in Chungcheong. The yellow and red clothes worn by the mudang are regarded as Ahwang Kongju's robes, at the ritual.
In the north of the peninsula the princess is known as Chil Kongju (the Seventh Princess), seventh of the daughters of the king. The myth tells that she was rejected by her father, who sealed her in a stone coffin and cast it in a pond, but she was rescued by a Dragon King sent by the Heavenly King, and ascended to the western sky becoming the goddess of healing waters. Names in other provinces include Pali Kongju and Kongsim. In the tradition of Jeju Island, where there are more male baksu than female mudang, the myth of the origins tells of a prince as the ancestor of all mu.
In Korean myth, Dangun is the descendant of Hwanin, the "Heavenly King" and initiator of the Korean nation. Some have claimed that this myth is older than that of the mother goddess, although this seems unlikely if such a mother goddess is indeed what is represented by Paleolithic statues of female forms (a controversial possibility). Accounts similar to the Dangun myth are found in Ainu and Siberian cultures.
The myth starts with prince Hwanung ("Heavenly Prince"), son of Hwanin. The prince asked his father to grant him government over Korea. Hwanin accepted, and Hwanung was sent to Earth bearing three Heavenly Seals and accompanied by three thousand followers. The prince arrived under the holy tree of sandalwood (Hangul: 신단수; Hanja: 神檀樹; RR: sindansu) on the holy mountain, where he founded his holy city.
At the time of his reign, Ungnye or Ungnyeo (Hangul: 웅녀; Hanja: 熊女) the she-bear and a tiger were living in a cave near the humans, praying earnestly that their wish to become human might be granted. Ungnye patiently endured weariness and hunger, and after twenty-one days she was transformed into a beautiful woman, while the tiger ran away for it could not tolerate the effort. The woman was overjoyed, and visiting the sandalwood she prayed that she might become the mother of a child.
Ungnye's wish was appreciated, so that she became the queen and gave birth to a prince who was given the royal name of Dangun, the "Sandalwood King". Dangun reigned as the first human king of Korea, giving the kingdom the name of Joseon, "Land of the Morning Calm".
Dangun was the first name maker of mu, intermediary between the human plane and Haneullim or "Hananim", to whom he worshipped and prayed on the behalf of his people. Also the importance of the worship of other ancestors and gods is a mean of communion with the fountain of the universe, Haneullim. In some provinces of Korea the shaman is still called nowadays Dangul Dangul-ari (also tangol, 당골). Later in the myth Dangun becomes the Sanshin (Hangul: 산신; Hanja: 山神), the "God of the Mountain" (of growth, prosperity). Various Dangunist movements, worshipping primarily Dangun, have been founded.
Haneullim ("Heavenly King"), also spelled Hanalnim, Hananim, Hanunim, Hwanin (in the Dangun myth), also called Sangje, Sangjenim ("Highest Emperor") or simply Haneul ("Heaven") or Cheon ("Heaven", in Sino-Korean), or Cheonsin ("God of Heaven"), is the core of the Korean national faith.
This belief is unquestionable for the mu as they view their works as ordained by this force. Scholars say that this belief is the heart of all religions in Korea, and it is deeply rooted in the mind of the Korean people.
Sinist theology contains a triune idea of God in the myth of Dangun, the third form of Hwanin. With Dangun as Sansin, the godly trinity of the Korean religion represents three generations of Haneullim, the Heavenly King. Hwanin represents the transcendent source, with "haneul", "hwan" indicating "being" or the "Heaven", and "im", "in" the cause of it. Hwanung, second form of Hwanin, is the god of the middle realm; he occupies the central realm between Heaven and Earth.
Dangun, the "Sandalwood King", is the god of the Earth. As Sansin, the "God of the Mountain", he represents the center of the cosmos reaching up to Heaven. Where the heavenly princely lineage was incarnated, the "cosmic mountain" was formed, and the sandalwood became the "holy tree", all aspects fundamental to the shamanic experiences as Mircea Eliade highlights. The concept is also explained in terms of Hwanin the God-Father creator of the universe, Hwanung the God-Teacher or the order of nature, and Dangun the God-King, the human king who directs the kingdom according to the natural order, making well-being.
The gut or kut (굿) is the ritual performed by Korean mu, involving offerings and sacrifices to the gods and ancestor worship, rhythmic movements, songs, oracles and prayers. These rites are meant to create welfare, promoting commitment between the spiritual and the mundane world. The main varieties of the gut are naerim-gut, dodang-gut and ssitgim-gut.
Through singing and dancing the mu begs the gods to intervene in the fortunes of men. The shaman wears a very colourful costume and normally speaks in ecstasy. During a gut a shaman changes his or her costume several times. Gut are performed through a number of ceremonial phases, gori.
A gut is a crossroads of three elements: the gods, the believers who pray to them, and the mu mediating between the two. There are different types of gut, varying from a region to another one. The unfolding and style of the Muist rite depends largely on the objective of the ceremony. The individual character and abilities of the mu bring a unique character to the respective ritual to be performed.
Many elements of the gut develop in a three-fold pattern (for example, dances repeated three times). Threefoldedness has important meaning in Sinism, for it signifies completion or fulfilment of the beginning; a three-time repetition of an action means to complete the initial intention. The meaning of this aspect is grounded in the theological concept of the trinity of being—Hwanin, Hwanung, Dangun—, the three stages of manifestation of Haneullim.
Important to the gut, and Sinism in general, is purity of both the body and the mind. It makes genuine and efficacious the communion of people and ancestors. Ritual purification of the altar takes place before the start of the gut, and again as part of the first gori through fire and water.
The communion between ancestors or gods and men takes place through a cup of purified wine, called bokjan or "cup of blessings". Also the color white, extensively used in rituals, expresses purity. The purification of the body is performed through burning white paper.
Sinism goes back to pre-historic times, thus it pre-dates the introduction of Buddhism and Confucianism, and the influence of Taoism, in Korea. It is similar to the Wuism of China. Vestiges of temples dedicated to the utmost god Haneullim as well as other gods have been found on tops and slopes of many mountains in the peninsula.
Although many Koreans converted to Buddhism when it was spread to the Korean peninsula in the 4th century, and adopted as the state religion in Silla and Goryeo—leading to the development of Korean schools—it remained a minor religion in comparison to Sinism.
Since the 15th century Joseon, however, things changed with the adoption of Neo-Confucianism as state ideology. Non-Confucian religions were suppressed and Muism was disregarded as backwards. In the late 19th and 20th century, a series of factors have concurred to the destruction of Muism, leading to the dismemberment of the fabric of Korean society, which has ultimately paved the way for the growth of Christianity and Buddhism in Korea.
In the 1890s, the twilight years of the Joseon kingdom, Protestant missionaries gained significant influence, and led a demonisation of the traditional religion through the press, and even carried out campaigns of physical suppression of local cults. The Protestant discourse would have had an influence on all further attempts to uproot Muism.
During the Japanese rule over Korea, the Japanese showed Muism as backwards in the attempt to replace it with State Shinto. For a brief period in the 1940s, after the demise of the Japanese rule in the peninsula, the traditional religion became identified with the pure Korean national essence.
The situation severely worsened with the division of Korea and the consequential northern Socialist governments and the southern pro-Christian governments, contributing to a further erosion of the Korean traditional religion. The "movement to destroy the worship of gods" in the 1970s and 1980s, prohibited indigenous worship and virtually wiped out all traditional shrines. This was particularly difficult under the regime of President Park Chung-hee. In North Korea, all mu descendants were labelled as members of the "hostile class" and are considered to have bad songbun, "tainted blood."
Since the early 19th century, a number of movements of revitalisation or innovation of traditional Sinism arose. They are characterised by an organised structure, a defined doctrine, and often a holy scripture. The most prominent among these sects are Bocheonism, Cheondoism, Daejongism, Daesun Jinrihoe, Jeungsanism and Suwunism.
Korean Muist temples are generically called myo (meaning "temple") or gung ("palace", a complex of multiple temples). Historically, the Korean traditional religion also included the institutional worship of the originating gods of a kinship in ancestral temples, the sadang (사당, meaning "shrine"), similarly to the religions of other East Asian cultures. Muist temples are distinguished by the use of the taegeuk symbol on their doorways, and many of them have gates similar to Shinto torii.
The worship of kinship gods and their shrines have been nearly entirely obliterated due to the political disarray of the 20th century, with only few, mostly unused, shrines still surviving. Recently there have been cases of reconstruction of shrines and reactivation of traditional rites in some villages. Jeju Island is a center of Muism.
|Wikimedia Commons has media related to Shamanism of Korea.|
None of the audio/visual content is hosted on this site. All media is embedded from other sites such as GoogleVideo, Wikipedia, YouTube etc. Therefore, this site has no control over the copyright issues of the streaming media.
All issues concerning copyright violations should be aimed at the sites hosting the material. This site does not host any of the streaming media and the owner has not uploaded any of the material to the video hosting servers. Anyone can find the same content on Google Video or YouTube by themselves.
The owner of this site cannot know which documentaries are in public domain, which has been uploaded to e.g. YouTube by the owner and which has been uploaded without permission. The copyright owner must contact the source if he wants his material off the Internet completely.