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Let It Bleed
LetitbleedRS.jpg
Studio album by The Rolling Stones
Released 5 December 1969
Recorded November 1968, February–July, October–November 1969
Studio Olympic Studios, London; Elektra Studios, Los Angeles; Sunset Sound, Los Angeles[1]
Genre
Length 42:21
Label Decca (UK)
London (US)
Producer Jimmy Miller
The Rolling Stones chronology
Beggars Banquet
(1968)Beggars Banquet1968
Let It Bleed
(1969)
Sticky Fingers
(1971)Sticky Fingers1971
Singles from Let It Bleed
  1. "Let It Bleed"/"You Got the Silver"
    Released: January 1970 (Japan only)

Let It Bleed is the eighth British and tenth American studio album by English rock band the Rolling Stones, released in December 1969 by Decca Records in the United Kingdom and London Records in the United States. Released shortly after the band's 1969 American Tour, it is the follow-up to 1968's Beggars Banquet and the last album by the band to feature Brian Jones as well as the first to feature Mick Taylor.

Background[edit]

Although the Stones had begun the recording of "You Can't Always Get What You Want" in November 1968, before Beggars Banquet had been released, recording for Let It Bleed began in earnest in February 1969 and continued sporadically until early November.[2] Brian Jones performs on only two tracks: playing the autoharp on "You Got the Silver", and percussion on "Midnight Rambler". His replacement, Mick Taylor, plays guitar on two tracks, "Country Honk" and "Live with Me", as well as on "Honky Tonk Women" which was recorded during the Let It Bleed sessions. Keith Richards, who had already shared vocal duties with Mick Jagger on "Connection" and sung separate lead vocals on parts of "Something Happened to Me Yesterday" and "Salt of the Earth", sang his first solo lead vocal on a Rolling Stones recording with "You Got the Silver".[3] The London Bach Choir sang on "You Can't Always Get What You Want" but publicly disassociated itself from the album, citing what author Stephen Davis terms its "relentless drug ambience".[4]

Let It Bleed was originally scheduled for release in July 1969. Although "Honky Tonk Women" was released as a single that month, the album itself suffered numerous delays and was eventually released in December 1969, after the band's US tour for it had already completed.[citation needed] The majority of the album was recorded at Olympic Studios in London, with further work taking place at Elektra Sound Recorders Studios, 962 La Cienega Boulevard, Los Angeles, California, 90069, while the Stones prepared for the tour.[5] The Los Angeles-recorded portions included overdubs by guest musicians Merry Clayton (on "Gimme Shelter"), Byron Berline (on "Country Honk"),[6] and Bobby Keys and Leon Russell (on "Live with Me").[7] Finally, an unreleased version of "I Don't Know The Reason Why (a. k. a. Hillside Blues)" was also recorded there in October 1969 with Mick Taylor.

Music and lyrics[edit]

Style and influences[edit]

Like Beggars Banquet the year before, as well as the subsequent two releases, the album marks a return to the group's more blues-based approach that was prominent in the pre-Aftermath period of their career. The main inspiration during this string of albums was American roots music and Let It Bleed is no exception, drawing heavily from gospel (evident in "Gimme Shelter" and "You Can't Always Get What You Want"), Hank Williams and Jimmie Rodgers ("Country Honk"),[8] Chicago blues ("Midnight Rambler"),[9] as well as country blues ("You Got The Silver", "Love In Vain") and country rock ("Let It Bleed").[10]

According to Don Heckman from The New York Times, Let It Bleed was a "heavy" and "passionately erotic" album of hard rock and blues, influenced by African-American music.[11] Richie Unterberger, writing for AllMusic, said it "extends the rock and blues feel of Beggars Banquet into slightly harder-rocking, more demonically sexual territory."[12] Mojo magazine's James McNair felt the record had an emphasis on "earthy" country blues.[13]

Due to their experimentation during the mid-1960s, the band had developed an eclectic approach to arrangements. Slide guitar playing is prominent (played entirely by Richards, except "Country Honk", which was performed by Mick Taylor), and is featured on all songs except "Gimme Shelter", "Live With Me" and "You Can't Always Get What You Want", giving the album an authentic blues feel throughout. In addition, an array of session musicians embellish the songs with various instruments. Alongside the de rigueur piano performances (Ian Stewart, Nicky Hopkins), the record included fiddle (Byron Berline),[8] mandolin (Ry Cooder),[14] organ and French horn (Al Kooper),[15] as well as vibes (Bill Wyman)[16] and autoharp (Wyman,[17] Jones[18]). Of more importance, however, was the debut of both renowned saxophonist Bobby Keys on "Live With Me", a musician who was integral at giving the group's arrangements a soul/jazz background, and guitarist Mick Taylor, who took on lead guitar duties with technically proficient playing, giving the band a harder rock sound during the late 1960s/early 1970s.[19]

Lyrics[edit]

Generally, the album's lyrics deal with 1960s life; there is social commentary on the Vietnam War ("Gimme Shelter"), as well as the hippie movement, drug culture and politics ("You Can't Always Get What You Want"), but at the same time there are love-related topics, ranging from desolate ("Love In Vain", written by Robert Johnson), to heartwarming ("You Got The Silver", written by Richards), sensual, innuendo-filled ("Let It Bleed"), and humorous ("Live With Me"). Moreover, "Monkey Man" satirizes and comments on the band's public image and lifestyle while "Midnight Rambler" has a very cinematic, suspenseful approach, talking about its titular serial killer (inspired by Albert DeSalvo) in the third-person before Jagger slowly assumes the role after the first half of the song.

The lyricism found on Let It Bleed is often noted for its violent and cynical undercurrents. Jann S. Wenner, in a 1995 Rolling Stone interview with Jagger, described the album's songs as "disturbing" the scenery as "ugly" and asked Jagger if the Vietnam War played a role in the album's worldview. Jagger said: "I think so. Even though I was living in America only part time, I was influenced. All those images were on television. Plus, the spill out onto campuses".

Artwork[edit]

The album cover displays a surreal sculpture designed by Robert Brownjohn. The image consists of the Let It Bleed record being played by the tone-arm of an antique phonograph, and a record-changer spindle supporting several items stacked on a plate in place of a stack of records: a film canister labelled Stones – Let It Bleed, a clock dial, a pizza, a tyre and a cake with elaborate icing topped by figurines representing the band. The cake parts of the construction were prepared by then-unknown cookery writer Delia Smith.[20] The reverse of the LP sleeve shows the same "record-stack" melange in a state of disarray.[21] The artwork was inspired by the working title of the album, which was Automatic Changer.[22]

The album cover for Let It Bleed was among the ten chosen by the Royal Mail for a set of "Classic Album Cover" postage stamps issued in January 2010.[23][24]

Jagger originally asked artist M. C. Escher to design a cover for the album; Escher declined.[25][26]

Release and reception[edit]

Professional ratings
Retrospective reviews
Review scores
SourceRating
AllMusic5/5 stars[27]
Encyclopedia of Popular Music5/5 stars[28]
Entertainment WeeklyA[29]
The Great Rock Discography9/10[28]
Music Story5/5 stars[28]
MusicHound Rock5/5[30]
NME9/10[31]
Rolling Stone5/5 stars[32]
The Rolling Stone Album Guide5/5 stars[33]

Released in December, Let It Bleed reached number 1 in the UK (temporarily demoting The Beatles' Abbey Road) and number 3 on the Billboard Top LPs chart in the US, where it eventually went 2× platinum. In a contemporary review for Rolling Stone magazine, music critic Greil Marcus said that the middle of the album has "great" songs, but "Gimme Shelter" and "You Can't Always Get What You Want" "seem to matter most" because they "both reach for reality and end up confronting it, almost mastering what's real, or what reality will feel like as the years fade in."[34]

Let It Bleed was the Stones' last album to be released in an official mono version, which is rare and highly sought-after today. Netherless, this mono version is merely a 'fold-down' of the stereo version, despite it being included in 'The Rolling Stones in Mono'(2016) box set. The album was released in US as an LP record, reel to reel tape, audio cassette and 8-track cartridge in 1969, and as a remastered CD in 1986. In August 2002, it was reissued in a remastered CD and SACD digipak by ABKCO Records, and once more in 2010 by Universal Music Enterprises in a Japanese only SHM-SACD version.[35]

In a retrospective review, NME magazine said that the album "tugs and teases" in various musical directions and called it "a classic".[31] In his 2001 Stones biography, Stephen Davis said of the album "No rock record, before or since, has ever so completely captured the sense of palpable dread that hung over its era."[4] In a five-star review for Rolling Stone in 2004, Gavin Edwards praised Keith Richard's guitar playing throughout the album and stated, "Whether it was spiritual, menstrual or visceral, the Stones made sure you went home covered in blood."[32] Jason McNeil of PopMatters wrote that Beggars Banquet and Let It Bleed are "the two greatest albums the band’s (or anyone’s) ever made".[36] In Steven Van Zandt's opinion, Let It Bleed was one in the Stones' series of four studio LPs – including Beggars Banquet (1968), Sticky Fingers (1971) and Exile on Main St. (1972) – that was "the greatest run of albums in history".[37]

In 2000, Q magazine ranked it at number 28 in its list of "The 100 Greatest British Albums Ever". In 2001, the TV network VH1 placed Let It Bleed at 24th on their "100 Greatest Albums of R 'n' R" survey. In 1997, it was voted the 27th "Best Album Ever" by The Guardian.[28] In 2003, Rolling Stone ranked it at number 32 on the magazine's list of the "500 Greatest Albums of All Time".[38]

Let It Bleed has sold over 7 million copies worldwide since 1969.[39]

Track listing[edit]

The track listing on the back of the album jacket did not follow the one on the album itself. According to Brownjohn, he altered it purely for visual reasons; the correct order was shown on the record's label. Additionally, "Gimme Shelter" is rendered as "Gimmie Shelter" on the jacket. Some releases have "Gimmie Shelter" on the cover, the inner sleeve and the LP label.

All tracks written by Mick Jagger and Keith Richards, except "Love in Vain" by Robert Johnson. Early US editions of the album credit the song to Woody Payne, a pseudonym used by a music publisher of the songs of Robert Johnson.

Side one
No.TitleLength
1."Gimme Shelter"4:31
2."Love in Vain"4:19
3."Country Honk"3:09
4."Live with Me"3:33
5."Let It Bleed"5:26
Total length:20:58
Side two
No.TitleLength
6."Midnight Rambler"6:52
7."You Got the Silver"2:51
8."Monkey Man"4:12
9."You Can't Always Get What You Want"7:28
Total length:21:23

Personnel[edit]

The Rolling Stones

Additional personnel

Charts[edit]

Chart (1969–70) Peak
position
Australia (Kent Music Report)[40] 2
Canada Top Albums/CDs (RPM)[41] 4
Dutch Albums (MegaCharts)[42] 1
German Albums (Offizielle Top 100)[43] 3
Norwegian Albums (VG-lista)[44] 2
UK Albums (OCC)[45] 1
US Billboard 200[46] 3
Chart (2007) Peak
position
Swedish Albums (Sverigetopplistan)[47] 37
Chart (2012) Peak
position
French Albums (SNEP)[48] 138

Certifications[edit]

Region Certification Certified units/Sales
Canada (Music Canada)[49] Platinum 100,000^
United Kingdom (BPI)[50] Platinum 300,000^
United States (RIAA)[51] 2× Platinum 2,000,000^

*sales figures based on certification alone
^shipments figures based on certification alone

References[edit]

  1. ^ Ian. "Let It Bleed". www.timeisonourside.com. 
  2. ^ Egan, Sean (2005). Rolling Stones and the making of Let It Bleed. Unanimous Ltd. pp. 206–. ISBN 1 90331 877 7. 
  3. ^ Decca. "Inner sleeve credits". Retrieved 13 July 2012. 
  4. ^ a b Davis, Stephen (2001). Old Gods Almost Dead: The 40-Year Odyssey of the Rolling Stones. New York, NY: Broadway Books. p. 306. ISBN 0-7679-0312-9. 
  5. ^ Bonanno, Massimo (1990). The Rolling Stones Chronicle. London: Plexus Publishing. pp. 86, 93. ISBN 0-207-16940-3. 
  6. ^ Wyman, Bill (2002). Rolling with the Stones. London: Dorling Kindersley. p. 356. ISBN 0-7513-4646-2. 
  7. ^ Davis, Stephen (2001). Old Gods Almost Dead: The 40-Year Odyssey of the Rolling Stones. New York, NY: Broadway Books. pp. 304, 305. ISBN 0-7679-0312-9. 
  8. ^ a b McPherson, Ian. "Country Honk". www.timeisonourside.com. Retrieved 25 October 2016. 
  9. ^ McPherson, Ian. "Midnight Rambler". www.timeisonourside.com. Retrieved 25 October 2016. 
  10. ^ Ian. "Let It Bleed". www.timeisonourside.com. Retrieved 25 October 2016. 
  11. ^ Heckman, Don (28 December 1969). "Pop: No, The Rolling Stones are Not Fascists; Mick's Not Fascist". The New York Times. p. D24. Retrieved 21 June 2013.  (subscription required)
  12. ^ Unterberger, Richie. "Let It Bleed". AllMusic. Archived from the original on 2 October 2011. Retrieved 17 June 2015. 
  13. ^ "The Rolling Stones Top 10 Albums" > "2. Let It Bleed". mojo4music.com. Retrieved 11 September 2015. 
  14. ^ McPherson, Ian. "Love In Vain". www.timeisonourside.com. Retrieved 25 October 2016. 
  15. ^ McPherson, Ian. "You Can't Always Get What You Want". www.timeisonourside.com. Retrieved 25 October 2016. 
  16. ^ McPherson, Ian. "Monkey Man". www.timeisonourside.com. Retrieved 25 October 2016. 
  17. ^ McPherson, Ian. "Let It Bleed". www.timeisonourside.com. Retrieved 25 October 2016. 
  18. ^ McPherson, Ian. "You Got the Silver". www.timeisonourside.com. Retrieved 25 October 2016. 
  19. ^ McPherson, Ian. "Live with Me". www.timeisonourside.com. Retrieved 25 October 2016. 
  20. ^ "Delia and The Rolling Stones". Delia Online. 20 January 2017. Retrieved 14 December 2017. 
  21. ^ Popeson, Pamela (12 September 2013). "Let Them Eat Delia's Cake, or Robert Brownjohn's Let It Bleed". moma.org. Retrieved 14 December 2017. 
  22. ^ Wyman, Bill. 2002. Rolling With the Stones
  23. ^ "Royal Mail puts classic albums on to stamps". The Guardian. London. 21 November 2009. Retrieved 14 December 2017. 
  24. ^ Hall, John (7 January 2010). "Royal Mail unveil classic album cover stamps". The Independent. London. Retrieved 14 December 2017. 
  25. ^ "Review: The Amazing World of MC Escher". Herald Scotland. Retrieved 21 April 2016. 
  26. ^ Higgins, Chris. "How Mick Jagger Got Dissed By M.C. Escher". Mental Floss. Retrieved 21 April 2016. 
  27. ^ Unterberger, Richie. "Let It Bleed - The Rolling Stones : Songs, Reviews, Credits". AllMusic. All Media Network. Retrieved 17 June 2015. 
  28. ^ a b c d "The Rolling Stones Let It Bleed". Acclaimed Music. Retrieved 15 November 2014. 
  29. ^ "Let It Bleed CD". Muze Inc. Retrieved 21 June 2008. 
  30. ^ Graff, Gary; Durchholz, Daniel (eds) (1999). MusicHound Rock: The Essential Album Guide. Farmington Hills, MI: Visible Ink Press. pp. 950, 952. ISBN 1-57859-061-2. 
  31. ^ a b "Review: Let It Bleed". NME. London: 46. 8 July 1995. 
  32. ^ a b Edwards, Gavin (2 September 2004). "Review: Let It Bleed". Rolling Stone. New York: 147. 
  33. ^ "The Rolling Stones: Album Guide". rollingstone.com. Archived version retrieved 15 November 2014.
  34. ^ "Album Reviews: The Rolling Stones – Let it Bleed". Rolling Stone. Retrieved 31 October 2009. 
  35. ^ Walsh, Christopher (24 August 2002). "Super audio CDs: The Rolling Stones Remastered". Billboard. p. 27. 
  36. ^ MacNeil, Jason (23 August 2004). "The Rolling Stones: Beggars Banquet / Let it Bleed". PopMatters. Archived from the original on 19 October 2012. Retrieved 31 October 2009. 
  37. ^ Steven Van Zandt. "The Immortals – The Greatest Artists of All Time: 4) The Rolling Stones". The RollingStone. Retrieved 31 October 2009. 
  38. ^ "Let It Bleed". Rolling Stone. January 2003. Retrieved 21 August 2011. 
  39. ^ "Rolling Stones Popularity Analysis". 2 December 2016. Retrieved 2 December 2016. 
  40. ^ Kent, David (1993). Australian Chart Book 1970-1992. St Ives, N.S.W.: Australian Chart Book. ISBN 0-646-11917-6. 
  41. ^ "Top RPM Albums: Issue 6114". RPM. Library and Archives Canada. Retrieved 11 June 2016.
  42. ^ "Dutchcharts.nl – The Rolling Stones – Let It Bleed" (in Dutch). Hung Medien. Retrieved 11 June 2016.
  43. ^ "Offiziellecharts.de – The Rolling Stones – Let It Bleed" (in German). GfK Entertainment Charts. Retrieved 11 June 2016.
  44. ^ "Norwegiancharts.com – The Rolling Stones – Let It Bleed". Hung Medien. Retrieved 11 June 2016.
  45. ^ "Rolling Stones | Artist | Official Charts". UK Albums Chart. Retrieved 11 June 2016.
  46. ^ "The Rolling Stones Chart History (Billboard 200)". Billboard. Retrieved 11 June 2016.
  47. ^ "Swedishcharts.com – The Rolling Stones – Let It Bleed". Hung Medien. Retrieved 11 June 2016.
  48. ^ "Lescharts.com – The Rolling Stones – Let It Bleed". Hung Medien. Retrieved 11 June 2016.
  49. ^ "Canadian album certifications – The Rolling Stones". Music Canada. Retrieved 11 June 2016. 
  50. ^ "British album certifications – The Rolling Stones". British Phonographic Industry. Retrieved 11 June 2016.  Select albums in the Format field. Select Platinum in the Certification field. Enter The Rolling Stones in the search field and then press Enter.
  51. ^ "American album certifications – The Rolling Stones". Recording Industry Association of America. Retrieved 11 June 2016.  If necessary, click Advanced, then click Format, then select Album, then click SEARCH

External links[edit]

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