|Live and Let Die|
|Soundtrack album by George Martin|
|Released||2 July 1973|
|Recorded||1972-73 at AIR Studios, London|
|George Martin chronology|
|James Bond soundtrack chronology|
|Singles from Live and Let Die|
Live and Let Die is the soundtrack to the eighth James Bond film of the same name. It was scored by George Martin. The title song was written by Paul and Linda McCartney and performed by Paul McCartney and Wings.
It was the first Bond film score not to involve John Barry.
The music for most of the Bond films through Diamonds Are Forever had been scored by John Barry. Due to his working on a musical, and having fallen out with Bond producer Harry Saltzman over the last title song, Barry was unavailable to score Live and Let Die.
Producers Saltzman and Albert Broccoli approached Paul McCartney to write the theme song and McCartney in turn asked Martin to record it for him. Impressed with the orchestration for the finished track, Saltzman and Broccoli considered Martin for the film’s score.
Martin worked closely with director Guy Hamilton who described what the music should convey in each scene as it unfolds. Only very minor changes to the finished score were asked for. Martin felt that this was as much for Hamilton's accurate briefing.
Having recorded McCartney's performance, Martin was taken aback when Saltzman asked him who he thought should sing the film's title song, suggesting to him Thelma Houston. Saltzman had envisaged a female soul singer. Martin said that it should be McCartney. He nonetheless scored a soul arrangement to accompany singer B. J. Arnau for a nightclub sequence in the film.
Live and Let Die was the first time that a rock music arrangement was used to open a Bond film. It was also the first time that McCartney and Martin had worked together since Abbey Road in 1969. McCartney had been considered as title song composer for the previous Bond film, Diamonds Are Forever. The song was nominated for an Academy Award but lost to "The Way We Were".
The ″Live and Let Die" single was a major success in the U.S. and U.K. and continues to be a highlight of McCartney's live shows. Chrissie Hynde covered the song for Bond composer David Arnold's compilation album Shaken and Stirred: The David Arnold James Bond Project.
The original soundtrack LP ended with track 14, James Bond theme, and this version was later released on CD in 1988. The digitally remastered CD re-release, 2003, as well as adding eight additional tracks also extended several of the original ones, such as Bond Meets Solitaire. Except as noted, all tracks composed by George Martin.