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|Muséum national d'histoire naturelle|
Great Gallery of Evolution in the National Museum of Natural History in Paris, France
|Established||June 10, 1793|
|Location||57 Rue Cuvier, Paris, France|
|Type||natural history museum|
|Collection size||62 million specimens|
|Visitors||1.9 million per year|
|Public transit access||Jussieu
|Muséum national d'histoire naturelle network|
The French National Museum of Natural History, known in French as the Muséum national d'histoire naturelle (abbreviation MNHN), is the national natural history museum of France. The main museum is located in Paris, France, on the left bank of the River Seine. It was founded in 1793 during the French Revolution, but was established earlier in 1635. The museum now comprises 14 sites throughout France, with four in Paris, including the original location at the royal botanical garden, the Jardin des Plantes, which remains one of the seven departments of MNHN.
The museum was formally founded on 10 June 1793, during the French Revolution. Its origins lie, however, in the Jardin royal des plantes médicinales (royal garden of medicinal plants) created by King Louis XIII in 1635, which was directed and run by the royal physicians. The royal proclamation of the boy-king Louis XV on 31 March 1718, however, removed the purely medical function, enabling the garden—which became known simply as the Jardin du Roi (King's garden)—to focus on natural history.
For much of the 18th century (1739–1788), the garden was under the direction of Georges-Louis Leclerc, Comte de Buffon, one of the leading naturalists of the Enlightenment, bringing international fame and prestige to the establishment. The royal institution remarkably survived the French Revolution by being reorganized in 1793 as a republican Muséum national d'Histoire naturelle with twelve professorships of equal rank. Some of its early professors included eminent comparative anatomist Georges Cuvier and evolutionary pioneers Jean-Baptiste de Lamarck and Étienne Geoffroy Saint-Hilaire. The museum's aims were to instruct the public, put together collections and conduct scientific research. It continued to flourish during the 19th century, and, particularly under the direction of chemist Michel Eugène Chevreul, became a rival to the University of Paris in scientific research. For example, during the period that Henri Becquerel held the chair for Applied Physics at the Muséum (1892–1908) he discovered the radiation properties of uranium. (Four generations of Becquerels held this chairmanship, from 1838 to 1948.)
A decree of 12 December 1891 ended this phase, returning the museum to an emphasis on natural history. After receiving financial autonomy in 1907, it began a new phase of growth, opening facilities throughout France during the interwar years. In recent decades, it has directed its research and education efforts at the effects on the environment of human exploitation. In French public administration, the Muséum is classed as a grand établissement of higher education.
The museum has as its mission both research (fundamental and applied) and public diffusion of knowledge. It is organized into seven research and three diffusion departments.
The research departments are:
The diffusion departments are:
The museum also developed higher education, and now delivers a master's degree.
The museum comprises fourteen sites throughout France with four in Paris, including the original location at the Jardin des Plantes in the 5th arrondissement (métro Place Monge). The galleries open to the public are the Cabinet d’Histoire du Jardin des Plantes in the Hôtel de Magny, the Gallery of Mineralogy and Geology, the Gallery of Palaeontology and Comparative Anatomy, and the famous Grand Gallery of Evolution (Grande galerie de l'évolution). The museum's Menagerie is also located here.
The herbarium of the museum, referred to by code P, includes a large number of important collections amongst its 8 000 000 plant specimens. The historical collections incorporated into the herbarium, each with its P prefix, include those of Jean-Baptiste de Lamarck (P-LA) René Louiche Desfontaines (P-Desf.), Joseph Pitton de Tournefort and Charles Plumier (P-TRF). The designation at CITES is FR 75A. It publishes the botanical periodical Adansonia and journals on the flora of New Caledonia, Madagascar and Comoro Islands, Cambodia, Laos and Vietnam, Cameroon, and Gabon.
Also part of the museum are:
The transformation of the Jardin from the medicinal garden of the King to a national public museum of natural history required the creation of twelve Chaired positions. Over the ensuing years the number of Chairs and their subject areas evolved, some being subdivided into two positions and others removed. The list of Chairs of the Muséum national d'histoire naturelle includes major figures in the history of the Natural sciences. Early chaired positions were held by Jean-Baptiste Lamarck, René Desfontaines and Georges Cuvier, and later occupied by Paul Rivet, Léon Vaillant and others.
The Gallery of Palaeontology and Comparative Anatomy and other parts of Jardin des Plantes was a source of inspiration for French graphic novelist Jacques Tardi. The gallery appears on the first page and several subsequent pages of Adèle et la bête (Adèle and the Beast; 1976), the first album in the series of Les Aventures extraordinaires d'Adèle Blanc-Sec. The story opens with a 136-million-year-old pterodactyl egg hatching, and a live pterodactyl escaping through the gallery glass roof, wreaking havoc and killing people in Paris. (The Gallery of Palaeontology and Comparative Anatomy returned the favor by placing a life size cardboard cutout of Adèle and the hatching pterodactyl in a glass cabinet outside the main entrance on the top floor balcony.)
Directors elected for one year:
Directors elected for two years:
Directors elected for five years:
Presidents elected for five years:
The Friends of the Natural History Museum Paris is a private organization that provides financial support for the museum, its branches and the Jardin des Plantes. Membership includes free entry to all galleries of the Museum and the botanical garden. The Friends have assisted the museum with many purchases for its collections over the years, as well as funds for scientific and structural development.
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