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An evening with Margaret Atwood - Une soirée avec Margaret Atwood
An evening with Margaret Atwood - Une soirée avec Margaret Atwood
::2014/12/01::
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Margaret Atwood on Religion Part1/3
Margaret Atwood on Religion Part1/3
::2006/07/31::
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Margaret Atwood brings "MaddAddam" to Studio Q
Margaret Atwood brings "MaddAddam" to Studio Q
::2014/04/10::
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Margaret Atwood on George Stroumbouloupoulos Tonight: INTERVIEW
Margaret Atwood on George Stroumbouloupoulos Tonight: INTERVIEW
::2013/09/27::
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5
Margaret Atwood: Once in August
Margaret Atwood: Once in August
::2014/08/20::
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Margaret Atwood
Margaret Atwood's Creative Process
::2011/06/14::
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Margaret Atwood - The Power of Ideas
Margaret Atwood - The Power of Ideas
::2014/08/26::
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Margaret Atwood: MaddAddam Interview
Margaret Atwood: MaddAddam Interview
::2014/10/09::
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9
Sebald Lecture 2014 - Atwood in Translationland
Sebald Lecture 2014 - Atwood in Translationland
::2014/03/14::
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10
Margaret Atwood: Payback: Debt and the Shadow Side of Wealth
Margaret Atwood: Payback: Debt and the Shadow Side of Wealth
::2012/12/07::
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11
TimesTalks: Martin Amis, Margaret Atwood, and E.L. Doctorow
TimesTalks: Martin Amis, Margaret Atwood, and E.L. Doctorow
::2012/05/05::
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12
What Would Make You Start A Revolution? - Intellectuals - Margaret Atwood
What Would Make You Start A Revolution? - Intellectuals - Margaret Atwood
::2014/12/18::
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13
Is God Democratic? - Intellectuals - Margaret Atwood
Is God Democratic? - Intellectuals - Margaret Atwood
::2014/12/18::
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Are Women More Democratic Than Men? - Intellectuals - Margaret Atwood
Are Women More Democratic Than Men? - Intellectuals - Margaret Atwood
::2014/12/18::
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Margaret Atwood on Bad Interviewers (Nov. 11, 2014) | Charlie Rose
Margaret Atwood on Bad Interviewers (Nov. 11, 2014) | Charlie Rose
::2014/11/12::
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Margaret Atwood at the 2009 Texas Book Festival - Austin, TX
Margaret Atwood at the 2009 Texas Book Festival - Austin, TX
::2010/04/13::
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17
Why Bother To Vote? - Intellectuals - Margaret Atwood
Why Bother To Vote? - Intellectuals - Margaret Atwood
::2014/12/18::
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Can Terrorism Destroy Democracy? - Intellectuals - Margaret Atwood
Can Terrorism Destroy Democracy? - Intellectuals - Margaret Atwood
::2014/12/18::
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Can Democracy Solve Climate Change? - Intellectuals - Margaret Atwood
Can Democracy Solve Climate Change? - Intellectuals - Margaret Atwood
::2014/12/18::
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Is Democracy Good For Everyone? - Intellectuals - Margaret Atwood
Is Democracy Good For Everyone? - Intellectuals - Margaret Atwood
::2014/12/18::
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Margaret Atwood
Margaret Atwood
::2013/09/13::
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Revelle Forum: Margaret Atwood
Revelle Forum: Margaret Atwood
::2008/02/15::
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Margaret Atwood
Margaret Atwood's Payback
::2009/02/05::
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Author provocateur Margaret Atwood in Studio Q
Author provocateur Margaret Atwood in Studio Q
::2012/11/10::
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Margaret Atwood Creativity Conversation
Margaret Atwood Creativity Conversation
::2010/11/02::
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Margaret Atwood
Margaret Atwood 'MaddAddam' 10/4/13
::2013/10/16::
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Margaret Atwood
Margaret Atwood's first interview with George Stroumboulopoulos on The Hour
::2014/11/18::
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Margaret Atwood Reads Opening of Oryx and Crake
Margaret Atwood Reads Opening of Oryx and Crake
::2014/04/30::
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New documentary on Margaret Atwood
New documentary on Margaret Atwood
::2010/03/24::
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Margaret Atwood on the Writing Process: Books, Quotes (2002)
Margaret Atwood on the Writing Process: Books, Quotes (2002)
::2013/12/04::
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TOC 2011: Margaret Atwood, "The Publishing Pie: An Author
TOC 2011: Margaret Atwood, "The Publishing Pie: An Author's View"
::2011/02/16::
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Margaret Atwood on Q TV
Margaret Atwood on Q TV
::2009/11/23::
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Margaret Atwood & Salman Rushdie on Writing and Politics (2005)
Margaret Atwood & Salman Rushdie on Writing and Politics (2005)
::2014/04/15::
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34
Margaret Atwood on Religion Part2/3
Margaret Atwood on Religion Part2/3
::2006/07/31::
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35
The Handmaid
The Handmaid's Tale - Margaret Atwood - Audiobook Full
::2014/09/25::
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36
Margaret Atwood On George Stroumboulopoulos Tonight: INTERVIEW
Margaret Atwood On George Stroumboulopoulos Tonight: INTERVIEW
::2012/12/06::
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37
Margaret Atwood on Why Men Should Be Blue
Margaret Atwood on Why Men Should Be Blue
::2009/10/27::
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Margaret Atwood on Creating Worlds - The New Yorker Festival - The New Yorker
Margaret Atwood on Creating Worlds - The New Yorker Festival - The New Yorker
::2014/07/23::
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39
Margaret Atwood - On Fiction, the Future and the Environment
Margaret Atwood - On Fiction, the Future and the Environment
::2012/12/21::
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Book Review - Edible Woman by Margaret Atwood
Book Review - Edible Woman by Margaret Atwood
::2014/09/15::
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Margaret Atwood -- In Other Worlds
Margaret Atwood -- In Other Worlds
::2012/01/04::
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Margaret Atwood Talks Modernity... And Zombies
Margaret Atwood Talks Modernity... And Zombies
::2012/12/03::
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Margaret Atwood on SF and the Human Imagination (1/3)
Margaret Atwood on SF and the Human Imagination (1/3)
::2011/10/20::
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Margaret Atwood - Our Cat Enters Heaven
Margaret Atwood - Our Cat Enters Heaven
::2010/06/22::
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Margaret Atwood Speech - Celebration of Rural Living
Margaret Atwood Speech - Celebration of Rural Living
::2014/06/25::
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Talking Volumes: Margaret Atwood on fairy tales
Talking Volumes: Margaret Atwood on fairy tales
::2013/10/04::
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Keynote speech by author Margaret Atwood at the Global Greenbelt Conference - March 24, 2011
Keynote speech by author Margaret Atwood at the Global Greenbelt Conference - March 24, 2011
::2011/04/28::
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Book Review | The Handmaid
Book Review | The Handmaid's Tale by Margaret Atwood.
::2014/11/18::
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RMR: Celebrity Tip with Margaret Atwood
RMR: Celebrity Tip with Margaret Atwood
::2010/03/05::
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The Telnyuk Sisters - Habitation by Margaret Atwood [DEMO]
The Telnyuk Sisters - Habitation by Margaret Atwood [DEMO]
::2013/11/25::
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From Wikipedia, the free encyclopedia
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Margaret Atwood
Margaret Atwood Eden Mills Writers Festival 2006.jpg
Atwood at Eden Mills Writers' Festival 2006, Blackwattle Bay
Born Margaret Eleanor Atwood
(1939-11-18) November 18, 1939 (age 75)
Ottawa, Ontario, Canada
Occupation Novelist, poet, businesswoman, environmental activist
Nationality Canadian
Alma mater Victoria College
Period 1955 to present
Genre Historical fiction, speculative fiction, science fiction, dystopian fiction
Notable works The Handmaid's Tale, Cat's Eye, Alias Grace, The Blind Assassin, Oryx and Crake, Surfacing
from BBC Radio 4's Front Row, July 24, 2007.[1]

Website
margaretatwood.ca

Margaret Eleanor Atwood, CC OOnt FRSC (born November 18, 1939) is a Canadian poet, novelist, literary critic, essayist, and environmental activist. She is a winner of the Arthur C. Clarke Award and Prince of Asturias Award for Literature, has been shortlisted for the Booker Prize five times, winning once, and has been a finalist for the Governor General's Award several times, winning twice. In 2001 she was inducted into Canada's Walk of Fame.[2] She is also a founder of the Writers' Trust of Canada, a non-profit literary organization that seeks to encourage Canada's writing community.[3] Among innumerable contributions to Canadian literature, she was a founding trustee of the Griffin Poetry Prize.[4]

Atwood is also the inventor, and developer, of the LongPen and associated technologies that facilitate the remote robotic writing of documents.[5] She is the Co-Founder and a Director of Syngrafii Inc. (formerly Unotchit Inc.), a company that she started in 2004 to develop, produce and distribute the LongPen technology.[6] She holds various patents related to the LongPen technologies.[7]

While she is best known for her work as a novelist, she has also published fifteen books of poetry.[8][9] Many of her poems have been inspired by myths and fairy tales, which have been interests of hers from an early age.[10] Atwood has published short stories in Tamarack Review, Alphabet, Harper's, CBC Anthology, Ms., Saturday Night, and many other magazines. She has also published four collections of stories and three collections of unclassifiable short prose works.

Early life[edit]

Born in Ottawa, Ontario, Canada, Atwood was the second of three children[11] of Margaret Dorothy (née Killam), a former dietitian and nutritionist from Woodville, Nova Scotia[12] and Carl Edmund Atwood, an entomologist.[13] Due to her father’s ongoing research in forest entomology, Atwood spent much of her childhood in the backwoods of northern Quebec and traveling back and forth between Ottawa, Sault Ste. Marie, and Toronto. She did not attend school full-time until she was in grade 8. She became a voracious reader of literature, Dell pocketbook mysteries, Grimm's Fairy Tales, Canadian animal stories, and comic books. She attended Leaside High School in Leaside, Toronto, and graduated in 1957.[13] Atwood began writing at the age of six.

Education[edit]

She realized she wanted to write professionally when she was 16. In 1957, she began studying at Victoria College in the University of Toronto, where she published poems and articles in Acta Victoriana, the college literary journal.[14] Her professors included Jay Macpherson and Northrop Frye. She graduated in 1961 with a Bachelor of Arts in English (honours) and a minor in philosophy and French.[13]

In late 1961, after winning the E.J. Pratt Medal for her privately printed book of poems, Double Persephone, she began graduate studies at Harvard's Radcliffe College with a Woodrow Wilson fellowship. She obtained a master's degree (MA) from Radcliffe in 1962 and pursued further graduate studies at Harvard University for two years but did not finish her dissertation, “The English Metaphysical Romance." She has taught at the University of British Columbia (1965), Sir George Williams University in Montreal (1967–68), the University of Alberta (1969–70), York University in Toronto (1971–72), the University of Alabama in Tuscaloosa (1985), where she was visiting M.F.A. Chair, and New York University, where she was Berg Professor of English.

In June 2011, Atwood was conferred with an honorary degree of Doctor of Literature (honoris causa) from the National University of Ireland, Galway. On November 16, 2012, Atwood received an honorary degree from the Royal Military College of Canada. She also holds honorary degrees from several other Canadian universities, as well as Oxford University, Cambridge University, and the Sorbonne.

Personal life[edit]

In 1968, Atwood married Jim Polk; they were divorced in 1973.[15] She formed a relationship with fellow novelist Graeme Gibson soon after and moved to a farm near Alliston, Ontario, north of Toronto, where their daughter Eleanor Jess Atwood Gibson was born in 1976.[16] The family returned to Toronto in 1980.

Regarding her religion, Atwood was a noted humanist, and in 1987 she was named Humanist of the Year by the American Humanist Association.[17]

Inventor of the LongPen[edit]

At 4am on a spring morning in Denver in 2004, whilst on the paperback tour for her novel Oryx and Crake, Atwood conceived the concept of a remote robotic writing technology, the LongPen, that would allow her to conduct her book tours without being physically present. She quickly founded a company, Unotchit Inc., to develop, produce and distribute her new technologies. By 2011 Unotchit Inc. shifted its market focus into business and legal transactions and was producing a range of products, for a variety of remote writing applications, based on the LongPen technologies and renamed itself to Syngrafii Inc. As of September 2014, Atwood is still Co-Founder and a Director of Syngrafii Inc. and holder of various patents related to the LongPen technology.[5][6][7][18][19][20]

Critical reception[edit]

The Economist called her a "scintillating wordsmith" and an "expert literary critic", but commented that her logic does not match her prose in Payback: Debt and the Shadow Side of Wealth,[21] a book which commences with the conception of debt and its kinship with justice. Atwood claims that this concept is ingrained in the human psyche, that it is apparent in early historical peoples, who associated their understanding of debt with that of justice, ideas that are typically exemplified by a female deity. Atwood holds that, with the rise of Ancient Greece, and especially the installation of the court system detailed in Aeschylus' Oresteia, this deity has been replaced by a more thorough conception of debt.

In 1984, she was the subject of a documentary film by Michael Rubbo, Margaret Atwood: Once in August.[22][23] In 2003, Shaftesbury Films produced an anthology series, The Atwood Stories, which dramatized six of Atwood's short stories.

Atwood and science fiction[edit]

The Handmaid's Tale received the first Arthur C. Clarke Award in 1987. The award is given for the best science fiction novel that was first published in the United Kingdom during the previous year. It was also nominated for the 1986 Nebula Award, and the 1987 Prometheus Award, both science fiction awards.

Atwood has resisted the suggestion that The Handmaid's Tale and Oryx and Crake are science fiction, suggesting to The Guardian that they are speculative fiction instead: "Science fiction has monsters and spaceships; speculative fiction could really happen."[16] She told the Book of the Month Club: "Oryx and Crake is a speculative fiction, not a science fiction proper. It contains no intergalactic space travel, no teleportation, no Martians."[24] On BBC Breakfast she explained that science fiction, as opposed to what she herself wrote, was "talking squids in outer space." The latter phrase particularly rankled advocates of science fiction and frequently recurs when her writing is discussed.[24]

Atwood has since said that she does at times write social science fiction and that Handmaid's Tale and Oryx and Crake can be designated as such. She clarified her meaning on the difference between speculative and science fiction, admitting that others use the terms interchangeably: "For me, the science fiction label belongs on books with things in them that we can't yet do.... speculative fiction means a work that employs the means already to hand and that takes place on Planet Earth." She said that science fiction narratives give a writer the ability to explore themes in ways that realistic fiction cannot.[25]

Atwood and feminism[edit]

Atwood, who was surrounded by the intellectual dialogue of the female faculty members at Victoria College at University of Toronto, often portrays female characters dominated by patriarchy in her novels.[26] Still, Atwood denies that The Edible Woman, for example, published in 1969 and coinciding with the early second wave of the feminist movement, is feminist and claims that she wrote it four years before the movement. Atwood believes that the feminist label can only be applied to writers who consciously work within the framework of the feminist movement.[27]

Contribution to the theorizing of Canadian identity[edit]

Atwood’s contributions to the theorizing of Canadian identity have garnered attention both in Canada and internationally. Her principal work of literary criticism, Survival: A Thematic Guide to Canadian Literature, is considered outdated in Canada but remains the standard introduction to Canadian literature in Canadian Studies programs internationally.[28] In Survival, Atwood postulates that Canadian literature, and by extension Canadian identity, is characterized by the symbol of survival.[29] This symbol is expressed in the omnipresent use of “victim positions” in Canadian literature. These positions represent a scale of self-consciousness and self-actualization for the victim in the “victor/victim” relationship.[30] The "victor" in these scenarios may be other humans, nature, the wilderness or other external and internal factors which oppress the victim.[30] Atwood’s Survival bears the influence of Northrop Frye’s theory of garrison mentality; Atwood instrumentalizes Frye’s concept to a critical tool.[31] More recently, Atwood has continued her exploration of the implications of Canadian literary themes for Canadian identity in lectures such as Strange Things: The Malevolent North in Canadian Literature (1995).

Atwood’s contribution to the theorizing of Canada is not limited to her non-fiction works. Several of her works, including The Journals of Susanna Moodie, Alias Grace, The Blind Assassin and Surfacing, are examples of what postmodern literary theorist Linda Hutcheon calls “Historiographic Metafiction”.[32] In such works, Atwood explicitly explores the relation of history and narrative and the processes of creating history.

Ultimately, according to her theories in works such as Survival and her exploration of similar themes in her fiction, Atwood considers Canadian literature as the expression of Canadian identity. According to this literature, Canadian identity has been defined by a fear of nature, by settler history and by unquestioned adherence to the community.

Atwood and animals[edit]

Margaret Atwood has repeatedly made observations about our relationships to animals in her works. In Surfacing, one character remarks about eating animals: "The animals die that we may live, they are substitute people...And we eat them, out of cans or otherwise; we are eaters of death, dead Christ-flesh resurrecting inside us, granting us life." Some characters in her books link sexual oppression to meat-eating and consequently give up meat-eating. In The Edible Woman, Atwood's character Marian identifies with hunted animals and cries after hearing her fiancé's experience of hunting and eviscerating a rabbit. Marian stops eating meat but then later returns to it.[33]

In Cat's Eye, the narrator recognizes the similarity between a turkey and a baby. She looks at "the turkey, which resembles a trussed, headless baby. It has thrown off its disguise as a meal and has revealed itself to me for what it is, a large dead bird." In Atwood's Surfacing, a dead heron represents purposeless killing and prompts thoughts about other senseless deaths.[33]

Chamber opera[edit]

In March 2008 Atwood accepted her first chamber opera commission. Pauline, a chamber opera in two acts composed by Tobin Stokes to a libretto by Atwood premiered on May 23, 2014 at Vancouver's York Theatre. Commissioned by City Opera of Vancouver, the opera is set in Vancouver in March 1913 during the final days in the life of the Canadian writer and performer Pauline Johnson.[34][35]

Political involvement[edit]

In her dystopian novel The Handmaid's Tale all the horrible developments take place in the United States near Boston, while Canada is portrayed as the only hope for an escape. This reflects her status of being "in the vanguard of Canadian anti-Americanism of the 1960s and 1970s."[36] Critics have seen Gilead (the U.S.) as a repressive regime and the mistreated Handmaid as Canada.[37] During the debate in 1987 over a free trade agreement between Canada and the United States, Atwood spoke out against the deal, and wrote an essay opposing the agreement.[38]

Although Atwood's politics are described as being left-wing by those on the right, she has indicated in interviews that she considers herself a Red Tory in the historical sense of the term.[39] Atwood and her partner Graeme Gibson are strong supporters of Green Party of Canada leader Elizabeth May. Atwood has strong views on environmental issues, and she and her partner are the joint honorary presidents of the Rare Bird Club within BirdLife International. She has been chair of the Writers' Union of Canada and president of PEN Canada, and is currently a vice president of PEN International. In the 2008 federal election she attended a rally for the Bloc Québécois, a Quebec separatist party, because of her support for their position on the arts, and stated that she would vote for the party if she lived in a riding in Quebec in which the choice was between the Bloc and the Conservatives.[40] In a Globe and Mail editorial, she urged Canadians to vote for any other party to stop a Conservative majority.[41]

Atwood celebrated her 70th birthday at a gala dinner at Laurentian University in Sudbury, Ontario, marking the final stop of her international tour to promote The Year of the Flood. She stated that she had chosen to attend the event because the city has been home to one of Canada's most ambitious environmental reclamation programs: "When people ask if there's hope (for the environment), I say, if Sudbury can do it, so can you. Having been a symbol of desolation, it's become a symbol of hope."[42]

Atwood's reputed left wing attitudes may have been changing in recent times. Despite calls for a boycott by Gazan students, and a barrage of mail from other quarters, some of it strongly anti-Semitic, Atwood visited Israel and accepted the $1,000,000 Dan David Prize along with Indian author Amitav Ghosh at Tel Aviv University in May 2010.[43] Atwood commented that "we don't do cultural boycotts."[44] She is a supporter of Conrad Black in his attempts to remain a member of the Order of Canada.[45][not in citation given]

In the Wake of the Flood, a documentary film by Canadian director Ron Mann released in October 2010, followed Atwood on the unusual book tour for her novel The Year of the Flood. During this innovative book tour, Atwood created a theatrical version of her novel, with performers borrowed from the local areas she was visiting. The documentary is described as "a fly-on-the-wall film vérité."[46]

Since February 2013, Atwood made it clear via Twitter that she strongly opposed the University of Toronto putting in an artificial turf field and hinted that she might write the university out of her will if it proceeded with the plan. This was not the first time she had openly challenged the university.[47]

Future Library Project[edit]

Atwood will be the first contributor to the Future Library project. Therefore, she is currently writing a story that will only be read in 2114. She thinks that readers will probably need a paleo-anthropologist to translate some parts of her story.[48]

Works[edit]

Awards and honours[edit]

Atwood has won more than 55 awards in Canada and internationally, including:

Further reading[edit]

  • Bauch, Marc (2012). Canadian Self-perception and Self-representation in English-Canadian Drama After 1967. Köln, Germany: WiKu-Wissenschaftsverlag Dr. Stein. ISBN 978-3-86553-407-1. 
  • Carrington, Ildikó de Papp (1986). Margaret Atwood and Her Works. Toronto, Canada: ECW Press. ISBN 978-0-920763-25-4. 
  • Clements, Pam. "Margaret Atwood and Chaucer: Truth and Lies," in: Cahier Calin: Makers of the Middle Ages. Essays in Honor of William Calin, ed. Richard Utz and Elizabeth Emery (Kalamazoo, MI: Studies in Medievalism, 2011), pp. 39–41.
  • Cooke, Nathalie (1998). Margaret Atwood: A Biography. ECW Press. ISBN 978-1-55022-308-8. 
  • Hengen, Shannon; Thomson, Ashley (May 22, 2007). Margaret Atwood: A Reference Guide, 1988-2005. Lanham, MD: Scarecrow Press. ISBN 978-0-8108-6668-3. 
  • Howells, Coral Ann (1996). Margaret Atwood. New York: St. Martin's Press. ISBN 978-0-312-12891-3. 
  • Howells, Coral Ann (March 30, 2006). The Cambridge Companion to Margaret Atwood. Cambridge: Cambridge University Press. ISBN 978-0-521-54851-9. 
  • Nischik, Reingard M. (2002). Margaret Atwood: Works and Impact. Rochester, NY: Camden House. ISBN 978-1-57113-269-7. 
  • Nischik, Reingard M. (2009). Engendering Genre: The Works of Margaret Atwood. Ottawa: University of Ottawa Press. ISBN 978-0-7766-0724-5. 
  • Rigney, Barbara Hill (November 1987). Margaret Atwood. Totowa, NJ: Barnes & Noble. ISBN 978-0-389-20742-9. 
  • Rosenberg, Jerome H. (1984). Margaret Atwood. Boston: Twayne Pub. ISBN 978-0-8057-6586-1. 
  • Grace, Sherrill; Weir, Lorraine (1983). Margaret Atwood, Language, Text, and System. Vancouver: University of British Columbia Press. ISBN 978-0-7748-0170-6. 
  • Weir, Lorraine (1981), "Meridians of Perception: A Reading of The Journals of Susanna Moodie", in Davidson, Arnold E.; Davidson, Cathy N., The Art of Margaret Atwood: essays in criticism (pdf), Toronto: Anansi, pp. 69–79, ISBN 978-0-88784-080-7, retrieved November 27, 2014 
  • Sullivan, Rosemary (1998). The Red Shoes: Margaret Atwood Starting Out. Toronto: HarperFlamingoCanada. ISBN 978-0-00-255423-7. 
  • Cooke, Nathalie (January 1, 2004). Margaret Atwood: A Critical Companion. Connecticut: Greenwood Publishing Group. ISBN 978-0-313-32806-0. 
  • Tolan, Fiona (2007). Margaret Atwood: Feminism and Fiction. Netherlands: Rodopi. ISBN 90-420-2223-X. 
  • VanSpanckeren, Kathryn; Castro, Jan Garden, eds. (1988). Margaret Atwood: Vision and Forms. Carbondale: Southern Illinois University Press. ISBN 978-0-8093-1408-9. 
  • Grace, Sherrill; Weir, Lorraine (1983). Margaret Atwood, Language, Text, and System. Vancouver: University of British Columbia Press. ISBN 978-0-7748-0170-6. 

References[edit]

  1. ^ "Front Row". July 24, 2007. BBC Radio 4. http://www.bbc.co.uk/programmes/b00dbcdn. Retrieved January 18, 2014.
  2. ^ "Canada's Walk of Fame Inducts Margaret Atwood". Canada's Walk of Fame. 
  3. ^ "About Us: The Writers' Trust of Canada". Retrieved February 18, 2014. 
  4. ^ "Griffin Poetry Prize: The Griffin Trust: Trustees". Retrieved June 8, 2014. 
  5. ^ a b "Atwood sign of the times draws blank". 
  6. ^ a b "Company Overview of Syngrafii Inc.". 
  7. ^ a b "ABSTRACT & PATENT DETAILS". 
  8. ^ "Margaret Atwood". Academy of American Poets. Retrieved August 9, 2009. 
  9. ^ Holcombe, Garan (2005). "Margaret Atwood". Contemporary Writers. London: British Arts Council. Retrieved October 22, 2008. 
  10. ^ Oates, Joyce Carol. 'Margaret Atwood: Poet', The New York Times, May 21, 1978
  11. ^ Margaret Atwood: Queen of CanLit. CBC Archives. Retrieved April 6, 2011.
  12. ^ Hazel Foote, The Homes of Woodville, M.A. Jorgenson, Woodville, NS (1997), p. 109
  13. ^ a b c "Luminarium Margaret Atwood Page". Luminarium.org. Retrieved October 26, 2009. 
  14. ^ http://actavictoriana.ca
  15. ^ Thomas, Paul Lee (2007). Reading, Learning, Teaching Margaret Atwood. Peter Lang Publishing. p. 7. Retrieved August 8, 2013. 
  16. ^ a b Potts, Robert (April 26, 2003). "Light in the wilderness". The Guardian. Retrieved May 30, 2013. 
  17. ^ a b "Humanists of the Year list". American Humanist Association. Retrieved October 16, 2013. 
  18. ^ "LongPen Finds Short Path to Success". 
  19. ^ "Robotic arm extend authors’ signatures over cyberspace". 
  20. ^ "Syngrafii Corp.". 
  21. ^ "Premium content". The Economist. October 16, 2008. Retrieved October 26, 2009. 
  22. ^ Michael Rubbo (1984). Margaret Atwood: Once in August (Docuimentary film). National Film Board of Canada. 
  23. ^ Yorke, Lorraine (2006). "Biography/autobiography". In Coral Ann Howells. The Cambridge Companion to Margaret Atwood. Cambridge University Press. p. 40. ISBN 978-0521839662. 
  24. ^ a b Langford, David, "Bits and Pieces" SFX magazine No. 107, August 2003 [1]
  25. ^ Atwood, Margaret. "Aliens have taken the place of angels: Margaret Atwood on why we need science fiction," The Guardian, June 17, 2005.
  26. ^ Cooke, Nathalie. Margaret Atwood: A Critical Companion. Connecticut: Greenwood Press, 2005. Print.
  27. ^ Tolan, Fiona. Margaret Atwood: Feminism and Fiction. Netherlands: Rodopi B.V., 2007. Print.
  28. ^ Moss, Laura; John Moss and Tobi Kozakewich, Eds. (2006). "Margaret Atwood: Branding an Icon Abroad" in Margaret Atwood: The Open Eye. Ottawa: University of Ottawa Press. p. 28. 
  29. ^ Atwood, Margaret (1972). Survival: A Thematic Guide to Canadian Literature. Toronto: Anansi. p. 32. 
  30. ^ a b Atwood, M. (1972), 36–42.
  31. ^ Pache, Walter; Reingard M. Nischik, Ed. (2002). "A Certain Frivolity: Margaret Atwood's Literary Criticism" in Margaret Atwood: Works and Impact. Toronto: Anansi. p. 122. 
  32. ^ Howells, Coral Ann; John Moss and Tobi Kozakewich, Eds. (2006). "Writing History from The Journals of Susanna Moodie to The Blind Assassin" in Margaret Atwood: The Open Eye. Ottawa: University of Ottawa Press. p. 111. 
  33. ^ a b Carol J. Adams. 2006. The Sexual Politics of Meat: A Feminist-Vegetarian Critical Theory. The Continuum International Publishing Group. p141-142, 152, 195, 197.
  34. ^ Vancouver Sun (March 11, 2008). "Atwood pens opera piece about Vancouver first nations writer-performer". Retrieved July 1, 2014.
  35. ^ CBC News (May 23, 2014). "Margaret Atwood's opera debut Pauline opens in Vancouver". Retrieved July 1, 2014.
  36. ^ Reingard M. Nischik (2000). Margaret Atwood: Works and Impact. Camden House. pp. 6, 143. 
  37. ^ Tandon, Neeru; Chandra, Anshul (2009). Margaret Atwood: A Jewel in Canadian Writing. Atlantic Publishers & Dist. pp. 154–55. 
  38. ^ [2]
  39. ^ Mother Jones:Margaret Atwood: The activist author of Alias Grace and The Handmaid's Tale discusses the politics of art and the art of the con. July/August 1997
  40. ^ "Canada Votes — Atwood backs Bloc on arts defence". Canadian Broadcasting Corporation. October 4, 2008. Retrieved October 26, 2009. [dead link]
  41. ^ Margaret, Atwood. Anything but a Harper majority. The Globe and Mail. October. 6, 2008.
  42. ^ "Sudbury a symbol of hope: Margaret Atwood". Northern Life, November 23, 2009.
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