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Michael Rennie as "Klaatu" in
The Day The Earth Stood Still (1951).
|Born||Eric Alexander Rennie
25 August 1909
Idle near Bradford, West Riding of Yorkshire, England, UK
|Died||10 June 1971
Harrogate, West Riding of Yorkshire, England, UK
|Cause of death||Aortic aneurysm|
|Resting place||Harlow Hill Cemetery
Harrogate, North Yorkshire
|Spouse(s)||Maggie McGrath (1947–1960) (divorced) one child
Joan England (1938–1945) (divorced)
|Partner(s)||Renee Taylor (nee Gilbert) (1916–2005)|
|Children||John Marshall Rennie (1944)
David James Rennie (1953)
Michael Rennie (25 August 1909 – 10 June 1971) was an English film, television and stage actor, perhaps best remembered for his starring role as the space visitor Klaatu in the science fiction film, The Day the Earth Stood Still (1951). In a career spanning more than 30 years, Rennie appeared in more than 50 films and in several American television series.
Eric Alexander Rennie was born in Idle near Bradford, West Riding of Yorkshire. He received his education at the Leys School, Cambridge. Rennie worked in a number of occupations, including periods as a car salesman and as the manager of his uncle's rope factory; before deciding (at the time of his 26th birthday, in 1935) on a career as an actor. Retaining his surname but adopting Michael as his professional name, the 6' 4" tall Rennie first appeared onscreen in an uncredited bit part in the Alfred Hitchcock film Secret Agent (1936).
During the late 1930s, Rennie served his apprenticeship as an actor, gaining experience while touring the regions in repertory theatre. There is evidence that, at the age of 28, he was noticed by one of the British film studios, which arranged a screen test. The 1937 screen test, which exists in the British Film Institute archives under the title "Marguerite Allan and Michael Rennie Screen Test," did not lead to a film career for either performer. In Secret Agent, he was primarily a stand-in for leading man Robert Young. He also played other bit parts and minor unbilled roles in ten additional films produced between 1936 and 1940; by the time the last of these was released, Pimpernel Smith (1941), Rennie was serving in the Royal Air Force.
Shortly after the outbreak of war in Europe on 3 September 1939, Rennie began to receive offers for larger film roles, starting with his first (small) billed performance in the wartime morale booster The Big Blockade, seen in March 1940. Six films later, Rennie had his first film lead. The suspense drama Tower of Terror (1941) has Wilfrid Lawson in the lead role as a crazed Dutch lighthouse keeper in the German-occupied Netherlands, while the second-billed Rennie and third-billed Movita had the romantic leads.
Rennie enlisted in the RAF Volunteer Reserve on 27 May 1941. He was officially discharged on 4 August 1942, and then on the following day, he was commissioned "for the emergency" as pilot officer number 127347 on probation in the General Duties Branch of the RAFVR. On 5 February 1943, he was promoted to flying officer on probation. He resigned his commission on 1 May 1944 (not discharged on disability, as the studio publicity stated).
Rennie had carried out his basic training near Torquay in Devon, after which he was sent to the United States for fighter pilot training under the Arnold Plan. In this programme, pilots for the RAF were trained by United States Army Air Forces instructors. One of his fellow students was RAF Sgt Jack Morton, who told an anecdote about when he and Rennie were in the same class:
"At the end of our primary course we were posted to a Basic Flying School at Cochran Field, Macon, Georgia. The class which completed the course at Cochran Field was now split up, half were posted to Napier Field, Dothan, Alabama, to train on single engine planes, and the remainder were posted to twin-engine schools. Like Cochran, Napier Field was a large permanent Air Corps Base and most of us were quite content to stay on the camp when we had time off. One of the cadets on our course had told us that he was a film actor, but no one took him seriously. We had to admit that he was right however when a film came to the camp cinema called 'Ships with Wings' starring Michael Rennie."
With the end of the war in Europe in May 1945, Rennie began to be seen as a potential star as a result of playing second leads in two vehicles for Britain's most popular leading actress of the era, Margaret Lockwood: the musical I'll Be Your Sweetheart and, most prominently, the sensual costume adventure The Wicked Lady (both 1945). The latter turned out to be the year's biggest box-office hit, subsequently being listed ninth on a list of top ten highest-grossing British films. His performance in I'll Be Your Sweetheart was praised by Variety who said his performance made the film "noteworthy" and that he was "likely Hollywood material... the best bet in the way of a new male star to have come out of a British studio in many years. Rennie not only has a lot on the ball as a straight lead, he knows the value of visual tricks. Femmes will go for him in a big way."
He also had a single prominent scene as a commander of Roman centurions in Gabriel Pascal's financially disastrous production of George Bernard Shaw's Caesar and Cleopatra (also 1945), starring Vivien Leigh and Claude Rains.
Second leads and then leads in seven other British films produced between 1946 and 1949 followed, including what may be considered Michael Rennie's only role as one of two central characters in a fully-fledged love story. In the 47-minute episode "Sanatorium", the longest of the Somerset Maugham tales constituting the omnibus film Trio (1950), the 40-year-old Rennie and the 20-year-old Jean Simmons play patients and doomed lovers in the title institution, which caters to victims of tuberculosis.
Simmons would, in fact, turn out to be Rennie's most frequent co-star. Although they shared no scenes in their minor roles in Caesar and Cleopatra, it was the first of their films together. They also appeared in two 20th Century-Fox epics. In The Robe (1953) and its sequel, Demetrius and the Gladiators (1954), Rennie played the Apostle Peter, while Simmons portrayed a Christian martyr. In the sequel, they were only briefly seen in a flashback. Their final shared film was Désirée (also 1954). He was again billed fourth, after Marlon Brando (as Napoleon), Simmons (as the title character, Désirée Clary), and Merle Oberon (as Joséphine). Rennie's character, French Marshal Jean-Baptiste Bernadotte, marries Désirée after Napoleon abandons her for Joséphine.
Rennie, along with Simmons and The Wicked Lady leading man James Mason, was one of a number of British actors offered Hollywood contracts during 1949–50 by 20th Century Fox's studio head, Darryl F. Zanuck. The first film under his new contract was the British-filmed Medieval period adventure The Black Rose (1950), starring Tyrone Power, who became one of Rennie's closest friends. Fifth-billed after the remaining first-tier stars Orson Welles, Cécile Aubry and Jack Hawkins, Rennie was specifically cast as 13th century King Edward I, whose 6' 2" (1.88 m) frame gave origin to his historical nickname "Longshanks".
Rennie's second Fox film gave him fourth billing in the top tier. The 13th Letter (1951), directed by his future nemesis and love rival Otto Preminger, was a remake of the French film Le Corbeau (The Raven, 1943), with the setting changed to the Canadian province of Quebec. After Claude Rains turned down the role, Rennie received top billing in his next film, The Day the Earth Stood Still (also 1951), the first post-war, large-budget, "A" science-fiction film. It was a serious, high-minded exploration of mid-20th century suspicion and paranoia, combined with a philosophical overview of humanity's coming place in the larger universe. The story was later dramatised in 1954 on Lux Radio Theatre, with Rennie and Billy Gray recreating their original film roles. Seven years later, on 3 March 1962, when The Day the Earth Stood Still made its television premiere on NBC's NBC Saturday Night at the Movies, Rennie appeared in a two-minute introductory prologue before the start of the film.
Buoyed by the strong critical reception and profitability of the film, Fox assigned much of the credit to the central performance of Rennie. Convinced that it had a potential leading man under contract, the studio decided to produce a new version of Les Misérables (1952) as a vehicle for him. The film was directed by Lewis Milestone, known for his early sound version of All Quiet on the Western Front. Rennie's performance was respectfully, but not enthusiastically, received by the critics. Ultimately, Les Misérables turned in an extremely modest profit and put an end to any further attempts to promote the 43-year-old Rennie as a potential star. He was, however, launched on a thriving career as a top supporting actor, as in Sailor of the King (also known as Single-Handed, 1953). Based on the positive reaction to his two turns as the Apostle Peter, Fox assigned him another third-billed, top-tier role as a stalwart man of God, Franciscan friar Junipero Serra, who, between 1749 and his death in 1784, founded missions in Alta California. The film was Seven Cities of Gold (1955), with Richard Egan and Anthony Quinn.
During this period Rennie starred in Dangerous Crossing (1953) under his contract with 20th Century Fox. A black-and-white noirish mystery film, it was directed by Joseph M. Newman, also starred Jeanne Crain and was based on the play Cabin B-13 (1943) by John Dickson Carr. The production reused sets and props from Titanic (also 1953) for which Rennie spoke the closing narration. His next film was the last under his five-year contract with 20th Century Fox. The Rains of Ranchipur (1955), assigned him fifth billing after the lead romantic teaming of Lana Turner and Richard Burton. As Turner's character's cuckolded husband, Lord Esketh, Rennie maintained his typical dignity and stiff upper lip.
Now a freelancer, Rennie appeared in six additional features between 1956 and 1960, three of which were produced or released by Fox. Rennie appeared as adventurer Lord John Roxton in director Irwin Allen's adaptation of Sir Arthur Conan Doyle's The Lost World (1960), a tale of a jungle expedition that finds prehistoric monsters in South America; the film also starred Claude Rains, Jill St. John and Richard Haydn. No longer bound by the no-television clause in his studio contract, he began his association with the medium.
Rennie became a familiar face on television, taking the role of Harry Lime in The Third Man (1959–65), an Anglo-American syndicated television series very loosely derived from the film. During the 1960s, he made guest appearances on such series as The Barbara Stanwyck Show, The Americans, Route 66 (a portrayal of a doomed pilot in the two-part episode "Fly Away Home"); Alfred Hitchcock Presents; Perry Mason (one of four actors in four consecutive episodes substituting for series star Raymond Burr, who was recovering from surgery); Wagon Train (a 90-minute colour episode as an English big game hunter); The Great Adventure (in an installment of this anthology series about remarkable events in American history, he portrayed Confederate president Jefferson Davis); Daniel Boone, (in the episodes "The Sound of Wings" and "First in War, First in Peace"); Lost in Space (another two-part episode—as an all-powerful alien zookeeper, "The Keeper", he worked one last time with his Third Man costar Jonathan Harris); The Time Tunnel (as Captain Smith of the Titanic, in the series' premiere episode); Batman (as the villainous Sandman, in league with Julie Newmar's Catwoman); three episodes of The Invaders (as a malign variation of the Klaatu persona, culminating in a parallel plot also involving an assembly of world leaders); an episode of I Spy ("Lana"); and two episodes of The F.B.I.; and was a THRUSH agent in an episode of The Man From U.N.C.L.E. (1967 TV series) ("The Thrush Roulette Affair"/Barnaby Partridge). Also Branded.
At the start of the 1960s, Michael Rennie made his only Broadway appearance in Mary, Mary playing Dirk Winsten, a jaded film star. After two previews, the sophisticated five-character marital comedy written by Jean Kerr and directed by Joseph Anthony opened at the Helen Hayes Theatre on 8 March 1961. It ran for a very successful 1,572 performances, closing at the Morosco Theatre on 12 December 1964. Rennie stayed with the production less than five months, to be replaced by Michael Wilding in July 1961.
When Warner Bros. cast the film version in early 1963, Rennie, along with leading man Barry Nelson and supporting actor Hiram Sherman (who joined the play two years after the opening in the part first played by John Cromwell) were the only Broadway cast members to carry over. Debbie Reynolds was given the title role created by Barbara Bel Geddes, and Warner's contract player Diane McBain, whom the studio saw as a potential star of the future, took over "the socialite part" essayed by Betsy von Furstenberg. Mervyn LeRoy produced and directed the film, which opened at Radio City Music Hall on 25 October 1963.
Rennie completed what amounted to guest roles in two films, The Power and The Devil's Brigade (both 1968), before moving to Switzerland in the latter part of that year. His final seven feature films were filmed in Britain, Italy, Spain and, in the case of Surabaya Conspiracy, the Philippines.
Rennie was married twice: first to Joan England (1938–1945), then to actress Margaret (Maggie) McGrath (1947–1960); their son, David Rennie, is an English circuit judge in Lewes, Sussex, England. Both marriages ended in divorce.
He had a son, John Marshall (born 1944), with his longtime friend and mistress, Renée (née Gilbert), whose later married name was Taylor. Renée was the sister of the British film director Lewis Gilbert. During the war years, they lived coincidentally in flats in the White House in Albany Street near Regents Park in London (now a hotel). The White House was a favourite location to live during the war years. It was built in the shape of a white cross and was such a good navigation mark for the Luftwaffe, that it was rumoured that there were standing orders to avoid bombing it - hence its popularity with celebrities and the wealthy.
Although Michael offered to accept paternity on discovering the news of her pregnancy, Renée refused, as she was unwilling to jeopardise his growing success as a romantic lead in major feature films. However, Rennie kept a watchful eye on John Marshall over the years, even after his marriage to Maggie McGrath, and both families remained in constant touch until Rennie's death. In fact Renée and Maggie lived for many years in the 1970s and 1980s within 200 yards of each other in Barnes and were close friends. Both Michael Rennie and his sister Bunny were very fond of Renée's family. Coincidentally the British Film Institute's database lists Rennie as also having a son, John M. Taylor, who is described as "a producer." John Marshall Rennie used the pseudonym "Taylor" during his long career in the industry to avoid accusations of nepotism.
Michael Rennie was also briefly engaged to Mary Gardner, the ex-wife of Hollywood director Otto Preminger.
Less than three years after leaving Hollywood, he journeyed to his mother's home in Harrogate, Yorkshire, following the death of his brother. It was there that he died suddenly of an aortic aneurysm almost two months before his 62nd birthday. After his cremation, his ashes were interred in Harlow Hill Cemetery, Harrogate.
Personal War Diary of Flight Lieutenant Jack Morton RAFVR