Rooney in 1945
|Born||Joseph Yule, Jr.
September 23, 1920
Brooklyn, New York, U.S
|Died||April 6, 2014
Studio City, California, U.S.
|Resting place||Hollywood Forever Cemetery|
|Other names||Michael McGuire
|Occupation||Actor, vaudevillian, producer, radio personality|
|Height||5 ft. 2 in. (1.57 m)|
(m. 1942; div. 1943)
Betty Jane Phillips
(m. 1944; div. 1949)
(m. 1949; div. 1951)
(m. 1952; div. 1958)
Barbara Ann Thomason
(m. 1958; her death 1966)
(m. 1966; div. 1967)
(m. 1969; div. 1975)
Nellie W. Carter
|Awards||Juvenile Academy Award, Academy Honorary Award, Emmy, 2 Golden Globes|
Mickey Rooney (born Joseph Yule, Jr.; September 23, 1920 – April 6, 2014) was an American actor, vaudevillian, producer, and radio personality. In a career spanning nine decades and continuing until shortly before his death, he appeared in more than 300 films and was one of the last surviving stars of the silent film era.
At the height of a career that was marked by precipitous declines and raging comebacks, Rooney performed the role of Andy Hardy in a series of 15 films in the 1930s and 1940s that epitomized American family values. A versatile performer, he became a celebrated character actor later in his career. Laurence Olivier once said he considered Rooney "the best there has ever been." Clarence Brown, who directed him in two of his earliest dramatic roles, National Velvet and The Human Comedy, said he was "the closest thing to a genius I ever worked with."
Rooney first performed in vaudeville as a child and made his film debut at the age of six. At thirteen he played Puck in the play and later the 1935 film adaptation of A Midsummer Night's Dream. Critic David Thomson hailed his performance as "one of cinema's most arresting pieces of magic". In 1938, he co-starred in Boys Town. At nineteen he was the first teenager to be nominated for an Oscar for his leading role in Babes in Arms, and he was awarded a special Academy Juvenile Award in 1939. At the peak of his career between the ages of 15 and 25, he made forty-three films, which made him one of MGM's most consistently successful actors and a favorite of studio head Louis B. Mayer.
Rooney was the top box office attraction from 1939 to 1941, and one of the best-paid actors of that era, but his career never rose to such heights again. Drafted into the Army during World War II, he served nearly two years entertaining over two million troops on stage and radio and was awarded a Bronze Star for performing in combat zones. Returning from the war in 1945, he was too old for juvenile roles but too short to be an adult movie star, and was unable to get as many starring roles. Nevertheless, Rooney's popularity was renewed with well-received supporting roles in films such as Requiem for a Heavyweight (1962), It's a Mad, Mad, Mad, Mad World (1963), and The Black Stallion (1979). In the early 1980s, he returned to Broadway in Sugar Babies and again became a celebrated star. Rooney made hundreds of appearances on TV, including dramas, variety programs, and talk shows, and won an Emmy in 1964, with another Emmy plus a Golden Globe for his role in Bill (1981).
At his death, Vanity Fair called him "the original Hollywood train wreck." He struggled with alcohol and pill addiction and married eight times, the first time to Ava Gardner. Despite earning millions during his career, he had to file for bankruptcy in 1962 due to mismanagement of his finances. Shortly before his death in 2014 at age 93, he alleged mistreatment by some family members and testified before Congress about what he alleged was physical abuse and exploitation by family members. By the end of his life, his millions in earnings had dwindled to an estate that was valued at only $18,000. He died owing medical bills and back taxes, and contributions were solicited from the public.
Rooney was born Joseph Yule, Jr. on September 23, 1920, in Brooklyn, New York, the only child of vaudevillians Joe Yule, a native of Glasgow, Scotland, and Nellie W. Carter, from Kansas City, Missouri. His mother was a former chorus girl and a burlesque performer. When Rooney was born, they were appearing in a Brooklyn production of A Gaiety Girl. Rooney later recounted in his memoirs that he began performing at the age of 17 months as part of his parents' routine, wearing a specially tailored tuxedo.
The Yules separated in 1924, when Rooney was 4 years old, and in 1925 he and his mother moved to Hollywood. His first film appearance came in 1926, at age six, in the short Not to be Trusted. Rooney got bit parts in films such as The Beast of the City (1932) and The Life of Jimmy Dolan (1933), which allowed him to work alongside stars such as Joel McCrea, Colleen Moore, Clark Gable, Douglas Fairbanks, Jr., John Wayne and Jean Harlow. He enrolled in the Hollywood Professional School and later attended Hollywood High School, graduating in 1938.
His mother saw an ad for a child to play the role of "Mickey McGuire" in a series of short films. Rooney got the role and became "Mickey" for 78 of the comedies, running from 1927 to 1936, starting with Mickey's Circus (1927), his first starring role.[a][b]
Rooney made other films in his adolescence, including several more of the McGuire films. At age 15 he played the role of Puck in the Warner Brothers all-star adaptation of A Midsummer Night's Dream in 1935. Rooney then moved to MGM, where he befriended Judy Garland, with whom he began making a series of musicals that propelled both of them to stardom.
In 1937, Rooney was selected to portray Andy Hardy in A Family Affair, which MGM had planned as a B-movie. Rooney provided comic relief as the son of Judge James K. Hardy, portrayed by Lionel Barrymore (although Lewis Stone would play the role of Judge Hardy in subsequent films). The film was an unexpected success, and led to 13 more Andy Hardy films between 1937 and 1946, and a final film in 1958.
According to author Barry Monush, MGM wanted the Andy Hardy films to appeal to all family members. Rooney's character would portray a typical "anxious, hyperactive, girl-crazy teenager", and he soon became the unintended main star of the films. Although some critics describe the series of films as "sweet, overly idealized, and pretty much interchangeable," their ultimate success was because they gave viewers a "comforting portrait of small-town America that seemed suited for the times", with Rooney instilling "a lasting image of what every parent wished their teen could be like."
Behind the scenes, however, Rooney was like the "hyperactive girl-crazy teenager" he portrayed. Wallace Beery, his co-star in Stablemates, described him as a "brat", but a "fine actor". MGM head Louis B. Mayer found it necessary to manage Rooney's public image, explains historian Jane Ellen Wayne:
Mayer naturally tried to keep all his child actors in line, like any father figure. After one such episode, Mickey Rooney replied, "I won't do it. You're asking the impossible." Mayer then grabbed young Rooney by his lapels and said, "Listen to me! I don't care what you do in private. Just don't do it in public. In public, behave. Your fans expect it. You're Andy Hardy! You're the United States! You're the Stars and Stripes. Behave yourself! You're a symbol!" Mickey nodded. "I'll be good, Mr. Mayer. I promise you that." Mayer let go of his lapels, "All right," he said.
In hindsight fifty years later, Rooney saw these early confrontations with Mayer as necessary to his developing into a leading film star: "Everybody butted heads with him, but he listened and you listened. And then you'd come to an agreement you could both live with. ... He visited the sets, he gave people talks ... What he wanted was something that was American, presented in a cosmopolitan manner.":323
In 1937, Rooney made his first film alongside Judy Garland with Thoroughbreds Don't Cry. Garland and Rooney became close friends as they co-starred in future films and became a successful song-and-dance team. Audiences delighted in seeing the "playful interactions between the two stars showcase a wonderful chemistry." Along with three of the Andy Hardy films, where she portrayed a girl attracted to Andy, they appeared together in a string of successful musicals, including Babes in Arms (1939). During an interview in the 1992 documentary film MGM: When the Lion Roars, Rooney describes their friendship:
Judy and I were so close we could've come from the same womb. We weren't like brothers or sisters but there was no love affair there; there was more than a love affair. It's very, very difficult to explain the depths of our love for each other. It was so special. It was a forever love. Judy, as we speak, has not passed away. She's always with me in every heartbeat of my body.
In 1937, Rooney received top billing as Shockey Carter in Hoosier Schoolboy but his breakthrough-role as a dramatic actor came in 1938's Boys Town opposite Spencer Tracy as Father Flanagan, who runs a home for wayward and homeless boys. Rooney was awarded a special Juvenile Academy Award in 1939, for "significant contribution in bringing to the screen the spirit and personification of youth.":161 Wayne describes one of the "most famous scenes" in the film, where tough young Rooney is playing poker with a cigarette in his mouth, his hat is cocked and his feet are up on the table. "Tracy grabs him by the lapels, throws the cigarette away and pushes him into a chair. 'That's better,' he tells Mickey." Louis B. Mayer said Boys Town was his favorite film during his years at MGM.:161
The popularity of his films made Rooney the biggest box-office draw in 1939, 1940 and 1941. For their roles in Boys Town, Rooney and Tracy won first and second place in the Motion Picture Herald 1940 National Poll of Exhibitors, based on the box office appeal of 200 players. Boys' Life magazine wrote, "Congratulations to Messrs. Rooney and Tracy! Also to Metro-Goldwyn-Mayer we extend a hearty thanks for their very considerable part in this outstanding achievement." Actor Laurence Olivier once called Rooney "the greatest actor of them all."
Hollywood's No. 1 box office bait in 1939 was not Clark Gable, Errol Flynn or Tyrone Power, but a rope-haired, kazoo-voiced kid with a comic-strip face, who until this week had never appeared in a picture without mugging or overacting it. His name (assumed) was Mickey Rooney, and to a large part of the more articulate U.S. cinema audience, his name was becoming a frequently used synonym for brat.
During his long career, Rooney also worked with many of the screen's female stars, including Elizabeth Taylor in National Velvet (1944) and Audrey Hepburn in Breakfast at Tiffany's (1961)." Rooney's "bumptiousness and boyish charm" as an actor would develop more "smoothness and polish" over the years, writes biographer Scott Eyman. The fact that Rooney fully enjoyed his life as an actor played a large role in those changes:
You weren't going to work, you were going to have fun. It was home, everybody was cohesive; it was family. One year I made nine pictures; I had to go from one set to another. It was like I was on a conveyor belt. You did not read a script and say, "I guess I'll do it." You did it. They had people that knew the kind of stories that were suited to you. It was a conveyor belt that made motion pictures.:224
Mickey Rooney is the closest thing to a genius that I ever worked with. There was Chaplin, then there was Rooney. The little bastard could do no wrong in my book ... All you had to do with him was rehearse it once.
In June 1944, Rooney was inducted into the United States Army, where  he served more than 21 months (until shortly after the end of World War II) entertaining the troops in America and Europe in Special Services. He spent part of the time as a radio personality on the American Forces Network and was awarded the Bronze Star Medal for entertaining troops in combat zones. In addition to the Bronze Star Medal, Rooney also received the Army Good Conduct Medal, American Campaign Medal, European-African-Middle Eastern Campaign Medal, and World War II Victory Medal, for his military service.
After his return to civilian life, his career slumped. Now an adult with a height of only 5'2", he could no longer play the role of a teenager yet lacked the stature of most leading men. He appeared in a number of films, including Words and Music in 1948, which paired him for the last time with Garland on film (he appeared with her on one episode as a guest on The Judy Garland Show. He briefly starred in a CBS radio series, Shorty Bell, in the summer of 1948, and reprised his role as "Andy Hardy", with most of the original cast, in a syndicated radio version of The Hardy Family in 1949 and 1950 (repeated on Mutual during 1952).
In 1949 Variety reported that Rooney had renegotiated his deal with MGM. He agreed to make one film a year for them for five years at $25,000 a movie (his fee until then had been $100,000 but Rooney wanted to enter independent production.) Rooney claimed he was unhappy with the billing MGM gave him for Words and Music.
His first television series, The Mickey Rooney Show: Hey, Mulligan (created by Blake Edwards with Rooney as his own producer), appeared on NBC television for 32 episodes between August 28, 1954, and June 4, 1955.:317 In 1951, he made his directorial debut with My True Story, starring Helen Walker.:413 Rooney also starred as a ragingly egomaniacal television comedian, loosely based on Red Buttons, in the live 90-minute television drama The Comedian, in the Playhouse 90 series on the evening of Valentine's Day in 1957, and as himself in a revue called The Musical Revue of 1959 based on the 1929 film The Hollywood Revue of 1929, which was edited into a film in 1960.
In 1958, Rooney joined Dean Martin and Frank Sinatra in hosting an episode of NBC's short-lived Club Oasis comedy and variety show. In 1960, Rooney directed and starred in The Private Lives of Adam and Eve, an ambitious comedy known for its multiple flashbacks and many cameos. In the 1960s, Rooney returned to theatrical entertainment. He still accepted film roles in undistinguished films but occasionally would appear in better works, such as Requiem for a Heavyweight (1962) and It's a Mad, Mad, Mad, Mad World (1963).
Francis Ford Coppola had bought the rights to make The Black Stallion (1979), and when casting it, he called Rooney and asked him if he thought he could play a jockey. Rooney replied saying, "Gee, I don't know. I never played a jockey before." He was kidding, he said, since he had played a jockey in at least three past films, including Down the Stretch, Thoroughbreds Don't Cry, and National Velvet.:450 The film garnered excellent reviews and earned $40 million in its first run, which gave Coppola's struggling studio, American Zoetrope, a major boost. It also gave Rooney newfound recognition, along with a nomination for Best Supporting Actor.:452
He portrayed a Japanese character, Mr. Yunioshi, in the 1961 film version of Truman Capote's novella Breakfast at Tiffany's. His performance was criticized by some in subsequent years as a racist stereotype. Rooney later said that he would not have taken the role if he had known it would offend people.
On December 31, 1961, he appeared on television's What's My Line and mentioned that he had already started enrolling students in the MRSE (Mickey Rooney School of Entertainment). His school venture never came to fruition. This was a period of professional distress for Rooney; as a childhood friend, director Richard Quine put it: "Let's face it. It wasn't all that easy to find roles for a 5-foot-3 man who'd passed the age of Andy Hardy." In 1962, his debts had forced him into filing for bankruptcy.
In 1966, while Rooney was working on the film Ambush Bay in the Philippines, his wife Barbara Ann Thomason, a former model and aspiring actress, who had won 17 straight beauty contests in Southern California, was found dead in their bed. Beside her was her lover, Milos Milos, an actor friend of Rooney's. Detectives ruled it murder-suicide, which was committed with Rooney's own gun.:362
In addition to his movie roles, Rooney made numerous guest-starring roles as a television character actor for nearly six decades, beginning with an episode of Celanese Theatre. The part led to other roles on such television series as Schlitz Playhouse,:542 Playhouse 90,:542 Producers' Showcase, Alcoa Theatre,:542 The Soldiers, Wagon Train, General Electric Theater,:587 Hennesey,:486 The Dick Powell Theatre,:544 Arrest and Trial (1964),:544 Burke's Law (1963),:542 Combat! (1964),:544 The Fugitive, Bob Hope Presents the Chrysler Theatre, The Jean Arthur Show (1966),:544 The Name of the Game (1970),:542 Dan August (1970),:545 Night Gallery (1970),:545 The Love Boat,:594 Kung Fu: The Legend Continues (1995),:545 Murder, She Wrote (1992),:545 The Golden Girls (1988):545 among many others.
In 1961, he guest-starred in the 13-week James Franciscus adventure–drama CBS television series The Investigators.:544 In 1962, he was cast as himself in the episode "The Top Banana" of the CBS sitcom, Pete and Gladys,:542 starring Harry Morgan and Cara Williams.
In 1963, he entered CBS's The Twilight Zone,:595 giving a one-man performance in the episode "The Last Night of a Jockey" (1963):544 . Also in 1963, in 'The Hunt' for Suspense Theater,:544 he played the sadistic sheriff hunting the young surfer played by James Caan. In 1964, he launched another half-hour sitcom, Mickey. The story line had "Mickey" operating a resort hotel in southern California. His own son Tim Rooney appeared as his character's teenage son on this program, and Emmaline Henry starred as Rooney's wife. The program lasted for 17 episodes.
Rooney garnered a Golden Globe and an Emmy Award for Outstanding Lead Actor in a Limited Series or a Special for his role in 1981's Bill. Playing opposite Dennis Quaid, Rooney's character was a mentally handicapped man attempting to live on his own after leaving an institution. His acting quality in the film has been favorably compared to other actors who took on similar roles, including Sean Penn, Dustin Hoffman and Tom Hanks. He reprised his role in 1983's Bill: On His Own, earning an Emmy nomination for the turn.
Rooney did voice acting from time to time. He provided the voice of Santa Claus in four stop-motion animated Christmas TV specials: Santa Claus Is Comin' to Town (1970), The Year Without a Santa Claus (1974),:540 Rudolph and Frosty's Christmas in July (1979):540 and A Miser Brothers' Christmas (2008). In 1995, he appeared as himself on The Simpsons episode "Radioactive Man":545 .
After starring in one unsuccessful TV series and turning down an offer for a huge TV series, Rooney, now 70, starred in the Family Channel's The Adventures of the Black Stallion, where he reprised his role as Henry Dailey in the film of the same name, eleven years earlier.:594 The series ran for three years and was an international hit.,:484
A major turning point came in 1979, when Rooney made his Broadway debut in the acclaimed stage play Sugar Babies, a musical revue tribute to the burlesque era costarring former MGM dancing star Ann Miller. Aljean Harmetz noted that "Mr. Rooney fought over every skit and argued over every song and almost always got things done his way. The show opened on Broadway on October 8, 1979, to rave reviews, and this time he did not throw success away. and Rooney and Miller performed the show 1,208 times in New York and then toured with it for five years, including eight months in London. Co-star Miller recalls that Rooney "never missed a performance or a chance to ad-lib or read the lines the same way twice, if he even stuck to the script." Biographer Alvin Marill states that "at 59, Mickey Rooney was reincarnated as a baggy-pants comedian—back as a top banana in show biz in his belated Broadway debut."
Following this, he toured as Pseudelous in Stephen Sondheim's A Funny Thing Happened on the Way to the Forum.:351 In the 1990s, he returned to Broadway for the final months of Will Rogers Follies, playing the ghost of Will's father.:547 On television, he starred in the short-lived sitcom, One of the Boys,:539 along with two unfamiliar young stars, Dana Carvey and Nathan Lane, in 1982.
He toured Canada in a dinner theatre production of The Mind with the Naughty Man in the mid-1990s.:548 He played The Wizard in a stage production of The Wizard of Oz with Eartha Kitt at Madison Square Garden.:489 Kitt was later replaced by Jo Anne Worley.
Rooney wrote a memoir titled Life is Too Short, published by Villard Books in 1991. A Library Journal review said that "From title to the last line, 'I'll have a short bier', Rooney's self-deprecating humor powers this book." He wrote a novel about a child star, published in 1994, The Search For Sunny Skies.
Despite the millions of dollars that he earned over the years, such as his $65,000 a week earnings from Sugar Babies, Rooney was plagued by financial problems late in life. His longtime gambling habit caused him to "gamble away his fortune again and again." He declared bankruptcy for a second time in 1996, and described himself as "broke" in 2005. He kept performing on stage and in the movies. Rooney and his wife Jan toured the country in 2005 through 2011 in a musical revue called Let's Put on a Show. Vanity Fair called it "a homespun affair full of dog-eared jokes" that featured Rooney singing George Gershwin songs.
In 2006, Rooney played Gus in Night at the Museum. He returned to play the role again in the sequel Night at the Museum: Battle of the Smithsonian in 2009, in a scene that was deleted from the final film.
On May 26, 2007, he was grand marshal at the Garden Grove Strawberry Festival. Rooney made his British pantomime debut, playing Baron Hardup in Cinderella, at the Sunderland Empire Theatre over the 2007 Christmas period, a role he reprised at Bristol Hippodrome in 2008 and at the Milton Keynes theatre in 2009.
In 2011, Rooney made a brief cameo appearance in The Muppets and in 2014, at age 93, he reprised his role as Gus in Night at the Museum: Secret of the Tomb, with the film being dedicated in the honor of Rooney and Robin Williams, who also died that year. Although confined to a wheelchair, he was described by director Shawn Levy as "energetic and so pleased to be there. He was just happy to be invited to the party."
An October 2015 article in The Hollywood Reporter maintained that Rooney was frequently abused and financially depleted by his closest relatives in the last years of his life. The article said that it was clear that "one of the biggest stars of all time, who remained aloft longer than anyone in Hollywood history, was in the end brought down by those closest to him. He died humiliated and betrayed, nearly broke and often broken." Rooney suffered from bipolar disorder and had attempted suicide two or three times over the years, with resulting hospitalizations reported as "nervous breakdowns".
At the time of his death, he was married to Jan Chamberlin Rooney, although they had separated in June 2012. He had a total of nine children, as well as 19 grandchildren and several great-grandchildren.
Rooney had been addicted to sleeping pills; he overcame the sleeping pill addiction in 2000, when he was in his late 70s.
On February 16, 2011, Rooney was granted a temporary restraining order against stepson Christopher Aber and Aber's wife, Christina, and they were ordered to stay 100 yards from Rooney, his stepson Mark Rooney and his wife, Charlene Rooney. Rooney claimed that he was a victim of elder abuse.
On March 2, 2011, Rooney appeared before a special U.S. Senate committee that was considering legislation to curb elder abuse, testifying about the abuse he claimed to have suffered at the hands of family members. In 2011 all of Rooney's finances were permanently handed over to a conservator, who called Rooney "completely competent."
In April 2011, the temporary restraining order that Rooney was previously granted was replaced by a confidential settlement between Rooney and his stepson, Aber. Christopher Aber and Jan Rooney denied all the allegations, and after Rooney's death, Aber contended that Rooney was abusive to his wife.
In 1997, Rooney was arrested on suspicion of beating his wife, but charges were dropped due to lack of evidence.
Rooney was married eight times, with six of the marriages ending in divorce. He married his first wife, Ava Gardner, in 1942; he was 21 and she was 19. They divorced in 1943, partly because he had apparently been unfaithful. While stationed in the military in Alabama in 1944, Rooney met and married Betty Jane Phillips, who later became a singer. They had two sons together. This marriage ended in divorce after he returned from Europe at the end of World War II. His marriage to actress Martha Vickers in 1949 produced one son but ended in divorce in 1951. He married actress Elaine Mahnken in 1952 and they divorced in 1958.
In 1958, Rooney married Barbara Ann Thomason, but she was murdered by her secret lover in 1966. He then married Barbara's best friend, Marge Lane. That marriage lasted 100 days. He was married to Carolyn Hockett from 1969 to 1975. In 1978, Rooney married his eighth and final wife, Jan Chamberlin. Their marriage lasted 34 years until he died, although they became estranged in 2012 and had separated in 2014.
|Betty Jane Rase (née Phillips)||1944–49||2, Mickey Rooney, Jr. and Tim Rooney|
(a.k.a.: Elaine Davis)
|Barbara Ann Thomason
(a.k.a.: Tara Thomas, Carolyn Mitchell)
|1958–66||4, including Michael Joseph Rooney|
|Jan Chamberlin||1978–2014 (separated, June 2012)|
A group of family members and friends, including Mickey Rourke, held a memorial service on April 18. A private funeral, organized by another set of family members, was held at the cemetery on April 19. His eight surviving children said in a statement that they were barred from seeing Rooney during his final years.
Rooney was one of the last surviving actors of the silent picture era. His movie career spanned 88 years, from 1926 to 2014, continuing until shortly before his death. During his peak years from the late 1930s to the early 1940s, Rooney was among the top box-office stars in the United States.
Between the age of 15 and 25 he made forty-three pictures. Among those, his role as Andy Hardy became one of "Hollywood's best-loved characters," with Marlon Brando calling him "the best actor in films." For his acting the part in fifteen Andy Hardy films, he received an honorary Oscar in 1938 for "bringing to the screen the spirit and personification of youth" and for "setting a high standard of ability and achievement."
"There was nothing he couldn't do", said actress Margaret O'Brien. MGM boss Louis B. Mayer treated him like a son and saw in Rooney "the embodiment of the amiable American boy who stands for family, humbug, and sentiment," writes critic and author, David Thomson.
By the time Rooney was 20, his consistent portrayals of characters with youth and energy suggested that his future success was unlimited. Thomson also explains that Rooney's characters were able to cover a wide range of emotional types, and gives three examples where "Rooney is not just an actor of genius, but an artist able to maintain a stylized commentary on the demon impulse of the small, belligerent man:"
Rooney's Puck in A Midsummer Night's Dream (1935) is truly inhuman, one of cinema's most arresting pieces of magic. ... His toughie in Boys Town (1938) struts and bullies like something out of a nightmare and then comes clean in a grotesque but utterly frank outburst of sentimentality in which he aspires to the boy community ... His role as Baby Face Nelson (1957), the manic, destructive response of the runt against a pig society.
By the end of the 1940s, Rooney's movie characters were no longer in demand and his career went downhill. "In 1938," he said, "I starred in eight pictures. In 1948 and 1949 together, I starred in only three." However, film historian Jeanine Basinger notes that although his career "reached the heights and plunged to the depths, Rooney kept on working and growing, the mark of a professional." Some of the films which reinvigorated his popularity, were Requiem for a Heavyweight (1962), It's a Mad, Mad, Mad, Mad World (1963) and The Black Stallion (1979). In the early 1980s, he returned to Broadway in Sugar Babies, and "found himself once more back on top."
Basinger tries to encapsulate Rooney's career:
Rooney's abundant talent, like his film image, might seem like a metaphor for America: a seemingly endless supply of natural resources that could never dry up, but which, it turned out, could be ruined by excessive use and abuse, by arrogance or power, and which had to be carefully tended to be returned to full capacity. From child star to character actor, from movie shorts to television specials, and from films to Broadway, Rooney ultimately did prove he could do it all, do it well, and keep on doing it. His is a unique career, both for its versatility and its longevity.
One of the most enduring performers in show business history, Rooney appeared in over 300 films. He was one of the last surviving stars of the silent film era, having one of the longest careers in movie history.
|Year||Association||Category||Nominated work / Honor||Result|
|1938||Academy Awards||Academy Juvenile Award||(with Deanna Durbin)
"For their significant contribution in bringing to the screen the spirit and personification of youth, and as juvenile players setting a high standard of ability and achievement."
|1939||Best Actor in a Leading Role||Babes in Arms||Nominated|
|1943||Best Actor in a Leading Role||The Human Comedy||Nominated|
|1956||Best Actor in a Supporting Role||The Bold and the Brave||Nominated|
|1957||Emmy Awards||Best Single Performance in a Leading or Supporting Role||"The Comedian", episode of Playhouse 90||Nominated|
|1958||Best Single Performance in a Leading or Supporting Role||Alcoa Theatre: "Eddie"||Nominated|
|1961||Best Single Performance in a Leading or Supporting Role||"Somebody's Waiting", episode of The Dick Powell Show||Nominated|
|1964||Golden Globe Awards||Best TV Star – Male||Mickey||Won|
|1980||Academy Awards||Best Actor in a Supporting Role||The Black Stallion||Nominated|
|1980||Tony Awards||Best Performance by a Leading Actor in a Musical||Sugar Babies||Nominated|
|1980||Drama Desk Awards||Outstanding Actor in a Musical||Sugar Babies||Nominated|
|1981||Emmy Awards||Outstanding Lead Actor in a Limited Series or Special||Bill||Won|
|1981||Golden Globe Awards||Best Actor in a TV Mini-Series or Motion Picture||Bill||Won|
|1983||Academy Awards||Academy Honorary Award||"In recognition of his 50 years of versatility in a variety of memorable film performances."||Honored|
|1983||Emmy Awards||Outstanding Lead Actor in a Limited Series or a Special||Bill: On His Own||Nominated|
|1991||Gemini Awards||Best Performance by an Actor in a Continuing Leading Dramatic Role||The Adventures of the Black Stallion||Nominated|
|1991||Young Artist Awards||Former Child Star Award||For lifetime achievement as a child star
(Subsequently renamed "The Mickey Rooney Award")
|1996||Giffoni Film Festival||François Truffaut Award||Honored|
On February 8, 1960, Rooney was initiated into the Hollywood Walk of Fame with a star heralding his work in motion pictures, located at 1718 Vine Street, one for his television career located at 6541 Hollywood Boulevard, and a third dedicated to his work in radio, located at 6372 Hollywood Boulevard. On March 29, 1984, he received a fourth star, this one for his live performances, located at 6211 Hollywood Boulevard.
Time put Rooney on the cover, noting that his movies had grossed a whopping $30 million for MGM the previous year and praising him for 'his most sober and restrained performance to date' as young Edison, 'who (like himself) began at the bottom of the American heap, (like himself) had to struggle, (like himself) won, but a boy whose main activity (unlike Mickey's) was investigating, inventing, thinking.'
Hollywood's No. 1 box office bait in 1939 was not Clark Gable, Errol Flynn or Tyrone Power, but a rope-haired, kazoo-voiced kid with a comic-strip face, who until this week had never appeared in a picture without mugging or overacting it. His name (assumed) was Mickey Rooney, and to a large part of the more articulate U. S. cinema audience, his name was becoming a frequently used synonym for brat.
|Wikimedia Commons has media related to Mickey Rooney.|