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How to Speak Movie Part 2: Mise en Scène
How to Speak Movie Part 2: Mise en Scène
Published: 2015/07/20
Channel: KyleKallgrenBHH
MIse en Scene example
MIse en Scene example
Published: 2013/04/29
Channel: Laura Kendall
Mise-en-scène - Composing the frame
Mise-en-scène - Composing the frame
Published: 2013/02/24
Channel: HorrorOldSchool
Media Studies & Mise En Scene
Media Studies & Mise En Scene
Published: 2015/09/09
Channel: Cameron Lisney
EP01 - La mise en scene photographique
EP01 - La mise en scene photographique
Published: 2017/08/02
Channel: Frederic Amadu Photos
TOUS EN SCÈNE : Tous les Extraits VF du Film ! (Animation, 2017)
TOUS EN SCÈNE : Tous les Extraits VF du Film ! (Animation, 2017)
Published: 2017/01/07
Channel: FilmsActu
【拯救鋼絲頭】韓國mise en scene❤完美修護安瓶乳❤只要3分鐘~秀髮神還原★86小舖
【拯救鋼絲頭】韓國mise en scene❤完美修護安瓶乳❤只要3分鐘~秀髮神還原★86小舖
Published: 2017/04/24
Channel: 86小舖
Mise-en-scène & Cinematography in American Beauty: Scene Analysis
Mise-en-scène & Cinematography in American Beauty: Scene Analysis
Published: 2014/04/03
Channel: kirgrin
Rockstar | Understanding Mise en scène
Rockstar | Understanding Mise en scène
Published: 2016/09/05
Channel: Cinema Beyond Entertainment
O QUE É MISE-EN-SCÈNE?
O QUE É MISE-EN-SCÈNE?
Published: 2015/06/27
Channel: Meus 2 Centavos
Éléments de mise en scène : Bien se placer sur scène
Éléments de mise en scène : Bien se placer sur scène
Published: 2014/09/25
Channel: bouboulof2977
METTRE EN SCÈNE LA FOLIE (Aparté #6)
METTRE EN SCÈNE LA FOLIE (Aparté #6)
Published: 2016/11/11
Channel: Le Fossoyeur de Films
Mise en Scene - Hey Velvet
Mise en Scene - Hey Velvet
Published: 2012/05/07
Channel: Pipe & Hat Music Group
Éléments de mise en scène : Parler bien et fort
Éléments de mise en scène : Parler bien et fort
Published: 2014/10/28
Channel: bouboulof2977
"Psycho" Mise en Scene
"Psycho" Mise en Scene
Published: 2016/10/18
Channel: Will Poelmans
MISE-EN-SCÈNE | Conceitos Cinematográficos
MISE-EN-SCÈNE | Conceitos Cinematográficos
Published: 2017/02/23
Channel: CONACINE - Congresso Nacional de Cinema
[Boshop Review] Huyết thanh phục hồi tóc hư tổn Mise En Scene
[Boshop Review] Huyết thanh phục hồi tóc hư tổn Mise En Scene
Published: 2016/12/28
Channel: Boshop Media
Mise en Scene Lecture
Mise en Scene Lecture
Published: 2014/07/31
Channel: Matt Alberhasky
Mise-en-Scene Analysis
Mise-en-Scene Analysis
Published: 2016/02/19
Channel: Mr Almond
Mise en Scene – Closer (Official Video)
Mise en Scene – Closer (Official Video)
Published: 2017/05/19
Channel: Mise en Scene
Wes Anderson & Mise-en-scene
Wes Anderson & Mise-en-scene
Published: 2015/06/04
Channel: Gaming Oblivion
La mise en scène de Martin Scorsese
La mise en scène de Martin Scorsese
Published: 2014/12/20
Channel: Le Ciné Joker
MIse en Scene in Citizen Kane
MIse en Scene in Citizen Kane
Published: 2016/09/02
Channel: Laura Kendall
La mort de Michael Jackson : une mise en scène ?
La mort de Michael Jackson : une mise en scène ?
Published: 2017/03/26
Channel: Nemox 71
O Que É Mise-en-scène?
O Que É Mise-en-scène?
Published: 2017/08/24
Channel: Plano Geral
Mise-En-Scene, 4 Minute Film School : Indy Mogul
Mise-En-Scene, 4 Minute Film School : Indy Mogul
Published: 2008/03/21
Channel: Indy Mogul
Reportage - La photographie mise en scène Documentaire Arte
Reportage - La photographie mise en scène Documentaire Arte
Published: 2014/01/07
Channel: David Aguilar
Antigone de Jean Anouilh Mise en Scène Par N Biançon 2003
Antigone de Jean Anouilh Mise en Scène Par N Biançon 2003
Published: 2013/09/28
Channel: Boîte à Merveilles
Mise-en-scène, Setting and Expressionism
Mise-en-scène, Setting and Expressionism
Published: 2013/02/24
Channel: HorrorOldSchool
Mise en scène photo : Gérez votre shooting  - F/1.4
Mise en scène photo : Gérez votre shooting - F/1.4
Published: 2015/09/27
Channel: F/1.4 - À pleine ouverture
Cours de mise en scène avec Johann Schneider-Ammann
Cours de mise en scène avec Johann Schneider-Ammann
Published: 2016/03/19
Channel: Raynald Humoriste
LE_BARBIER_DE_SEVILLE, Beaumarchais, mise en scène de Gérald Marti
LE_BARBIER_DE_SEVILLE, Beaumarchais, mise en scène de Gérald Marti
Published: 2016/01/12
Channel: francesca albini
La Mise en Scène de la Star – In The Panda
La Mise en Scène de la Star – In The Panda
Published: 2017/07/26
Channel: CNC / Talent
Seoul-Lah! | 韩国Mise En Scene护发精油
Seoul-Lah! | 韩国Mise En Scene护发精油
Published: 2017/04/18
Channel: Seoul - Lah!
les Isolants - Comment faire une mise en scène d
les Isolants - Comment faire une mise en scène d'un film ?
Published: 2013/08/28
Channel: Les Isolants
韓國Mise en scene玫瑰精華護髮油
韓國Mise en scene玫瑰精華護髮油
Published: 2017/07/12
Channel: BG Shop
Video Marketer
Video Marketer's Guide to Mise-en-scene
Published: 2014/06/11
Channel: Vimaco - Video Marketing
The Narrative Film: Mise en Scene
The Narrative Film: Mise en Scene
Published: 2010/06/03
Channel: SCC Digital Video Productions
Mise En Scene - Hello Bubble Hair Dye 8MG Review
Mise En Scene - Hello Bubble Hair Dye 8MG Review
Published: 2017/06/06
Channel: Sherly Xu
Lili - Mise en scène Daniel Mesguich
Lili - Mise en scène Daniel Mesguich
Published: 2017/03/26
Channel: Miroir Métaphore
La mise en scène de Race
La mise en scène de Race
Published: 2016/01/21
Channel: Théâtre DUCEPPE
Les Chaises d
Les Chaises d'après Eugène Ionesco mise en scène Luc Bondy
Published: 2011/03/04
Channel: Théâtre de Cornouaille
Mise en scene: Rear Window
Mise en scene: Rear Window
Published: 2017/09/19
Channel: Clark
Le Prophète 3 | La mise en scène: atout chœur
Le Prophète 3 | La mise en scène: atout chœur
Published: 2017/06/21
Channel: Théâtre Capitole
La Gen Y mise en scène
La Gen Y mise en scène
Published: 2011/07/20
Channel: CDI Médias
Mise en Scene - Givin
Mise en Scene - Givin' Up Too Easy
Published: 2015/06/29
Channel: BRBRTFO
Mise en scène des rayons auvergnats de Simply Market...
Mise en scène des rayons auvergnats de Simply Market...
Published: 2012/11/12
Channel: Frédéric SAUREL
Diaz Grimm - Mise en scène
Diaz Grimm - Mise en scène
Published: 2013/10/14
Channel: Diaz Grimm
The Purposes Of Costume Design - Mise - En - Scene:EP01
The Purposes Of Costume Design - Mise - En - Scene:EP01
Published: 2016/05/05
Channel: Rameez Khan
5. Film as Global & Cultural Form; Montage, Mise en Scène
5. Film as Global & Cultural Form; Montage, Mise en Scène
Published: 2016/03/16
Channel: MIT OpenCourseWare
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WIKIPEDIA ARTICLE

From Wikipedia, the free encyclopedia
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Mise-en-scène (French pronunciation: ​[miz.ɑ̃.sɛn] "placing on stage") is an expression used to describe the design aspect of a theatre or film production, which essentially means "visual theme" or "telling a story"—both in visually artful ways through storyboarding, cinematography and stage design, and in poetically artful ways through direction. It is also commonly used to refer to multiple single scenes within the film to represent the film. Mise-en-scène has been called film criticism's "grand undefined term".[1]

Definition in film studies[edit]

The distinctive mise-en-scène of The Cabinet of Dr. Caligari (Germany, 1920) features stark lighting and jagged architecture

When applied to the cinema, mise-en-scène refers to everything that appears before the camera and its arrangement—composition, sets, props, actors, costumes, and lighting.[2] The “mise-en-scène”, along with the cinematography and editing of a film, influence the verisimilitude or believability of a film in the eyes of its viewers.[3] The various elements of design help express a film’s vision by generating a sense of time and space, as well as setting a mood, and sometimes suggesting a character’s state of mind.[4] “Mise-en-scène” also includes the composition, which consists of the positioning and movement of actors, as well as objects, in the shot.[4] These are all the areas overseen by the director. One of the most important people that collaborates with the director is the production designer.[4] These two work closely to perfect all of the aspects of the “mise-en-scène” a considerable amount of time before the actual photography even begins.[5] The production designer is generally responsible for the general look of the movie, leading various departments that are in charge of individual sets, locations, props, and costumes, among other things.[4] Andre Bazin, a well-known French film critic and film theorist, describes the mise-en-scene aesthetic as emphasizing choreographed movement within the scene rather than through editing.[5]

Because of its relationship to shot blocking, mise-en-scène is also a term sometimes used among professional screenwriters to indicate descriptive (action) paragraphs between the dialog.[6]

Key aspects[edit]

Mise en scène by Constant Puyo
An important element of "putting in the scene" is set design—the setting of a scene and the objects (props) visible in a scene. Set design can be used to amplify character emotion or the dominant mood, which has physical, social, psychological, emotional, economic and cultural significance in film.[4] One of the most important decisions made by the production designer and director is deciding whether to shoot on location or on set. The main distinction between the two is that décor and props must be taken into consideration when shooting on set. However, shooting on set is more commonly done than shooting on location as a result of it proving to be more cost effective.[4]
The intensity, direction, and quality of lighting can influence an audience’s understanding of characters, actions, themes and mood.[5] Light (and shade) can emphasize texture, shape, distance, mood, time of day or night, season, glamour; it affects the way colors are rendered, both in terms of hue and depth, and can focus attention on particular elements of the composition. Highlights, for example, call attention to shapes and textures, while shadows often conceal things, creating a sense of mystery or fear.[4] For this reason, lighting must be thoroughly planned in advance to ensure its desired effect on an audience. Cinematographers are a large part of this process, as they coordinate the camera and the lighting.[4]
The representation of space affects the reading of a film. Depth, proximity, size and proportions of the places and objects in a film can be manipulated through camera placement and lenses, lighting, set design, effectively determining mood or relationships between elements in the story world.
The organization of objects, actors and space within the frame. One of the most important concepts with the regard to the composition of a film is maintaining a balance of symmetry. This refers to having an equal distribution of light, colour, and objects and/or figures in a shot. Unbalanced composition can be used to emphasize certain elements of a film that the director wishes to be given particular attention to. This tool works because audiences are more inclined to pay attention to something off balance, as it may seem abnormal. Where the director places a character can also vary depending on the importance of the role.
Costume simply refers to the clothes that characters wear. Using certain colors or designs, costumes in narrative cinema are used to signify characters or to make clear distinctions between characters.
Establish time period, reveal character traits and signal changes in character.
There is enormous historical and cultural variation in performance styles in the cinema. In the early years of cinema, stage acting and film acting were difficult to differentiate, as most film actors had previously been stage actors and therefore knew no other method of acting.[5] Eventually, early melodramatic styles, clearly indebted to the 19th century theater, gave way in Western cinema to a relatively naturalistic style. This more naturalistic style of acting is largely influenced by Konstantin Stanislavski’s theory of method acting, which involves the actor fully immersing themselves in their character.[5]
The choice of black & white or color, fine-grain or grainy.
The relation of the width of the rectangular image to its height. Each aspect ratio yields a different way of looking at the world and is basic to the expressive meaning of the film.

References[edit]

  1. ^ Brian Henderson, "The Long Take," in Movies and Methods: An Anthology, ed. Bill Nichols (Berkeley: University of California Press, 1976), 315.
  2. ^ Bordwell, David; Thompson, Kristin (2003). Film Art: An Introduction, 7th ed. New York: McGraw–Hill. ISBN 0-07-248455-1. 
  3. ^ Connell, Joanne. “Film tourism – Evolution, progress and prospects.” Tourism Management (October 2012), 33 (5), pp. 1007–1029
  4. ^ a b c d e f g h Barsam, Richard Meran., and Dave Monahan. Looking at Movies: An Introduction to Film. New York: W.W. Norton &, 2010
  5. ^ a b c d e f Pramaggiore, Maria, and Tom Wallis. Film: A Critical Introduction. Boston: Laurence King, 2005.
  6. ^ Edgar-Hunt, Robert, John Marland and James Richards (2009). Basics Film-Making: Screenwriting. Lausanne: AVA Publishing. p. 71. ISBN 2-940373-89-2. 
  7. ^ "Set Design and Locations". film110. PBworks. Retrieved 25 August 2012. 
  8. ^ "Lighting". film101. PBworks. Retrieved 25 August 2012. 
  9. ^ "Part 2: Mise-en-scene". Film Studies Program. Yale University. Retrieved 25 August 2012. 
  10. ^ Fourie, Pieter J. (2004). Media Studies Volume 2: Content, Audiences and Production. Lansdowne, SA: Juta and Company. pp. 462–463. ISBN 0-7021-5656-6. 
  11. ^ Pramaggiore, Maria and Tom Wallis (2005). Film: A Critical Introduction. London: Laurence King Publishing. ISBN 0205433480. 
  12. ^ "Acting". film101. PBworks. Retrieved 25 August 2012. 
  13. ^ Kawin, Bruce (1992). How Movies Work. Berkeley and Los Angeles: University of California Press. p. 88. ISBN 0-520-07696-6. 
  14. ^ Sikov, Ed (2010). Film Studies: An Introduction. New York: Columbia University Press. ISBN 978-0-231-51989-2. 
  • Barsam, Richard Meran., and Dave Monahan. Looking at Movies: An Introduction to Film. New York: W.W. Norton &, 2010
  • Pramaggiore, Maria, and Tom Wallis. Film: A Critical Introduction. Boston: Laurence King, 2005.
  • Connell, Joanne. “Film tourism – Evolution, progress and prospects.” Tourism Management (October 2012), 33 (5), pp. 1007–1029

Further reading[edit]

External links[edit]

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