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From Wikipedia, the free encyclopedia
Rape and revenge films ( aka rape/revenge, rape-revenge) are a subgenre of exploitation film that was particularly popular in the 1970s. Rape/revenge movies generally follow the same three act structure:
Act I: A character is raped/gang raped,
tortured, and/or left for dead. Act II: The character survives and/or
rehabilitates themselves. Act III: The character takes
revenge and/or kills their rapist(s).
In some cases, the character is incapacitated or killed at the end of the first act, and the "revenge" is carried out by their family, as in
, The Virgin Spring , the original I Saw the Devil and The Last House on the Left . The House of the Spirits The Virgin Spring is particularly notable as being one of the first in the genre as well as being directed by Ingmar Bergman.
In 2006, Rogue Pictures finalized a deal to remake
The Last House on the Left. Wes Craven (writer and producer of the original film) produced the remake, starring Tony Goldwyn and Monica Potter. The 2009 film is set in the late 1970s. The controversial remake Run! Bitch Run! , starring I Spit on Your Grave Sarah Butler and Chad Lindberg, was released worldwide on Halloween 2010 by CineTel Films; its sequel, , was released in 2013. I Spit on Your Grave 2
Gaspar Noé's 2002 film , the structure was reversed, with the first act depicting the revenge before tracing back the events which led to that point. Irréversible Roger Ebert argues that, by using this structure as well as a false revenge, Irréversible cannot be classified as an exploitation film, as no exploitation of the subject matter takes place. [1 ]
The genre has attracted critical attention.
[2 ] [3 ] [4 ] Much of this critical attention comes from feminist critics examining the complex politics involved in the genre and its impact on cinema more generally. More recently, a broad analysis of the rape-revenge genre and concept was published in [5 ] Rape-Revenge Films: A Critical Study, by Alexandra Heller-Nicholas. The book argues against a simplistic notion of the term 'rape-revenge' and suggests a film-specific approach in order to avoid generalizing films which may "diverge not over the treatment of sexual assault as much as they do in regards to the morality of the revenge act." [6 ]
In addition to American and French films, rape/revenge films have been made in Japan (e.g.,
Takashi Ishii's ), Finland, Freeze Me Russia, Argentina (e.g., [7 ] I'll Never Die Alone; ; original title: No Moriré Sola), and Norway (e.g., The Whore ; original title: Hora).
Examples in film [ edit ]
See also [ edit ]
References [ edit ]
^ Ebert, Roger. "Irreversible::rogerebert.com::Reviews". Rogerebert.suntimes.com . Retrieved . 2010-01-25
^ Clover, Carol J. (1992). . Princeton, NJ: Princeton University Press. Men, Women, and Chainsaws: Gender in the Modern Horror Film ISBN 0-691-00620-2.
^ Creed, B. (1993). The Monstrous-Feminine: Film, Feminism, Psychoanalysis. New York, NY: Routledge. ISBN 0-415-05259-9.
^ King, Claire Sisco (2003). "Review of "Thelma & Louise" by Marita Sturken and of "The New Avengers: Feminism, Femininity, and the Rape-Revenge Cycle" by Jacinda Read" . Retrieved . October 6, 2007
^ Read, Jacinda (2000). The New Avengers: Feminism, Femininity, and the Rape-Revenge Cycle. Manchester, UK and New York: Manchester University Press. ISBN 0-7190-5905-4.
^ Heller-Nicholas, Alexandr (2011). . New York: McFarland. p. 230. Rape-Revenge Film: A Critical Study ISBN 978-0-7864-4961-3.
^ Makela, Anna. "Political rape, private revenge. The story of sexual violence in Finnish Film and Television". Google.com . Retrieved . 2010-01-25
^ a b c d e Schubart, Rikke (2007). Super Bitches and Action Babes. McFarland and Company Inc., Publishers. pp. 83–104. ISBN 9780786429240.