|RiP!: A Remix Manifesto|
|Directed by||Brett Gaylor|
Mila Aung Thwin
(of the NFB)
|Written by||Brett Gaylor|
|Music by||Olivier Alary|
Brett Gaylor |
Created over a period of six years, the documentary film features the collaborative remix work of hundreds of people who have contributed to the Open Source Cinema website, helping to create the "world's first open source documentary" as Gaylor put it. The project's working title was Basement Tapes, (referring to the album of the same name) but it was renamed RiP!: A Remix Manifesto prior to theatrical release. Gaylor encourages more people to create their own remixes from this movie, using media available from the Open Source Cinema website, or other websites like YouTube, Flickr, Hulu, or MySpace.
Gaylor traveled the world to find like-minded people who would help him draft the "Remixer's Manifesto" that makes up the structure of his open source documentary. The manifesto reads as follows:
- Culture always builds on the past.
- The past always tries to control the future.
- Our future is becoming less free.
- To build free societies you must limit the control of the past— Brett Gaylor in Rip! A Remix Manifesto
To further his point, Gaylor separates the corporations from the public domain, defining the former using so-called "CopyRIGHT," and the latter, which represents the free exchange of ideas, as "CopyLEFT." Gaylor and Gillis are clearly on the side of the Copyleft, promoting the free flow and growth of creativity and ideas. To enable a free remixing culture also with his film, he released RiP! under the CC BY-NC-SA 3.0 Creative Commons license.
The 1710 Statute of Anne gave authors the exclusive rights to their works. The documentary was able to be made and distributed due to the part of copyright law deemed fair use, the ability to use copyrighted works to prove a point. Fair use allows for free speech. Due to the fact that Gaylor tries to prove a point about copyright law and the rights of artists in his film, he is legally allowed to use examples to get his point across. He uses remixed music in the film to give examples of what would be considered illegal. The film also discusses the consequences of illegal downloading and copyright infringement.
Showing at the Whistler Film Festival, that took place 4 to 7 December 2008, it also won the Cadillac People's Choice Award. It also received the Audience Choice award at the Ann Arbor Film Festival.
At the Festival du Nouveau Cinéma in Montreal it won the Special Jury Prize. It was the closing film at Docs Barcelona. It was an honorable mention at the EBS film festival (Korea). It was the opening film of the Ambulante Film Festival (Mexico City). It was a Selection at the South by Southwest Film Festival, at Les Rendez-vous du cinéma québécois, the Adelaide Film Festival, Thessaloniki Film Festival, Silverdocs, Nashville Film Festival, Victoria International Film Festival, Yamagata International Documentary Festival, Planete Doc (Poland), Available Light Film Festival, Buenos Aires Film Festival, Sheffield Doc/Fest and the Munich Dokfest, the New Zealand International Film Festivals, Guth Gaga Film Festival (Ireland), and the International Film Festival of Rio.
Documentary (Canada), Documentary Channel (USA), NHK (Japan), SBS (Australia), YLE (Finland), NRK (Norway), EBS (Korea), Canal D – Quebec, Yes – Israel, VPRO – Netherlands, TV3 – Catalonia, TVP Cultura – Poland, Globo – Brazil, Cult – Italy, Planete- France, iSat – Argentina + South America
RiP!: A Remix Manifesto received mixed reviews from critics; The Globe and Mail called the film "A forceful, vibrant and immensely entertaining call to action." Critics in Australia in particular struggled with the polemical nature of the film. Many of the reviewers on the review aggregator Rotten Tomatoes struggled with the director's point of film and the film received a 40% approval rating from critics there, with an average score of 5/10, based on 10 reviews. Audiences, meanwhile, gave the film a 75% approval rating based on 316 reviews.
On 27 February 2009 Brett Gaylor started a new project on his site, Open Source Cinema, dubbed RiP!: A Remix Manifesto 2.0. With this project, he invited users to take the original documentary, remix it, and upload their contributions to be included in a new, improved version of the film. The 2.0 was screened at the SilverDocs film festival.
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