|Birth name||Robert Franklin Palmer Jr.|
June 19, 1945|
Little Rock, Arkansas, United States
|Died||November 20, 1997
Valhalla, New York
|Genres||Folk rock, folk, blues, rock|
|Associated acts||The Insect Trust|
Robert Franklin Palmer Jr. (June 19, 1945 – November 20, 1997) was an American writer, musicologist, clarinetist, saxophonist, and blues producer. He is best known for his books, including Deep Blues; his music journalism for The New York Times and Rolling Stone magazine; his work producing blues recordings and the soundtrack of the film Deep Blues; and his clarinet playing in the 1960s band the Insect Trust. A collection of his writings, Blues & Chaos: The Music Writing of Robert Palmer, edited by Anthony DeCurtis, was published by Simon & Schuster on November 10, 2009.
Palmer was born in Little Rock, Arkansas, the son of a musician and school teacher, Robert Palmer Sr. A civil rights and peace activist with the Student Nonviolent Coordinating Committee in the 1960s, the younger Palmer graduated from Little Rock University (later called the University of Arkansas at Little Rock) in 1964. Soon afterwards he and fellow musicians Nancy Jeffries, Bill Barth, and Luke Faust formed a psychedelic music group, the Insect Trust, blending jazz, folk, and blues with rock and roll. The band recorded its first, self-titled album on Capitol Records in 1968. Palmer continued playing clarinet and saxophone from time to time in local bands in areas where he lived throughout the rest of his life.
In the early 1970s, Palmer became a contributing editor of Rolling Stone. He became the first full-time rock writer for The New York Times a few years later, serving as chief pop music critic at the newspaper from 1976 to 1988.
He continued to work as a journalist for film magazines and Rolling Stone; meanwhile, he began teaching courses in ethnomusicology and American music at colleges, including at the University of Mississippi. In the early 1990s, he also began producing blues albums for Fat Possum Records artists, like R. L. Burnside and Junior Kimbrough. After living near Memphis from 1988 through 1992, he spent about six months at a country estate near Pocahontas, AR, 150 miles Northeast of Little Rock before relocating in early 1993 to New Orleans, Louisiana, his home until his death.
Two of his better-known books are the historical study Deep Blues (1982) and Rock & Roll: An Unruly History (1995), the latter of which was the companion book to the ten-part BBC and PBS television series Rock & Roll on which he served as chief consultant (not to be confused with All You Need Is Love: The Story of Popular Music, a 1977 television documentary series on the history of modern pop music directed by Tony Palmer).
Throughout his life, Palmer published scholarly liner notes for albums by dozens of top jazz, blues, rock and roll and world music artists, including Sam Rivers, Charles Mingus, Miles Davis, Yoko Ono, John Lee Hooker, Albert King, Bo Diddley, Ray Charles, Ornette Coleman, the Master Musicians of Jajouka, La Monte Young, and many more.
He worked as screenwriter, narrator, and music director of the documentary films The World According to John Coltrane (which he also directed, with Toby Byron) and Deep Blues (based on his book by the same name), He wrote a book about Jerry Lee Lewis, entitled Jerry Lee Lewis Rocks. He was heavily involved in the 1995 WGBH/BBC co-production Rock & Roll, broadcast in the United States in late 1995 on PBS but never released to the general public.
His daughter Augusta Palmer directed a documentary called The Hand of Fatima (2009) about Palmer's lifelong relationship with the Master Musicians of Jajouka led by Bachir Attar
None of the audio/visual content is hosted on this site. All media is embedded from other sites such as GoogleVideo, Wikipedia, YouTube etc. Therefore, this site has no control over the copyright issues of the streaming media.
All issues concerning copyright violations should be aimed at the sites hosting the material. This site does not host any of the streaming media and the owner has not uploaded any of the material to the video hosting servers. Anyone can find the same content on Google Video or YouTube by themselves.
The owner of this site cannot know which documentaries are in public domain, which has been uploaded to e.g. YouTube by the owner and which has been uploaded without permission. The copyright owner must contact the source if he wants his material off the Internet completely.