|Stylistic origins||Kaiso, Calypso, cadence, Funk, Soul|
|Cultural origins||1969 -1970s, Trinidad and Tobago|
|Typical instruments||Bass guitar, drums,acoustic guitar, vocals, trumpet, trombone, drum machine - synthesizer - sampler|
|Bouyon soca - chutney soca - groovy soca - kuduro - liquid funk - Parang soca - punta rock - ragga soca - rapso - reggaeton - zouglou|
|Music of Trinidad and Tobago - TEMPO Networks - Flagz Radio|
|Music of Trinidad and Tobago|
|Media and performance|
|Nationalistic and patriotic songs|
|National anthem||Forged from the Love of Liberty|
Soca music (also known as The Soul of Calypso) is a genre of Caribbean music that originated within a marginalized subculture in the Trinidad and Tobago in the late 1970s, and developed into a range of style in the 1980s and later. Soca developed as an offshoot of Kaiso/Calypso, with influences from cadence, Funk and Soul.
Soca has evolved in the last 20 years primarily by musicians from various Anglophone Caribbean countries including Trinidad, Guyana, Saint Vincent and the Grenadines, Barbados, Grenada, Saint Lucia, Antigua and Barbuda, United States Virgin Islands, British Virgin Islands, The Bahamas, Dominica, Saint Kitts and Nevis, Jamaica, Belize, Montserrat, Panama, United States, United Kingdom and Japan.
The Godfather of Soca was a Trinidadian man named Garfield Blackman who rose to fame as Lord Shorty with his 1963 hit "Cloak and Dagger" and took on the name Ras Shorty I. He started out writing songs and performing in the calypso genre.The purpose of Soca music was to bring East Indians and Africans ethnic groups in Trinidad and Tobago together.
A prolific musician, composer and innovator, Shorty experimented with fusing calypso and elements of Indo-Caribbean music for nearly a decade before unleashing "the soul of calypso,"...soca music. Shorty added Indian instruments, including the dholak, tabla and dhantaaal.
In the 1970s, he began experimenting with calypso by blending it with other genres, as evident in his smash hit "Sweet Music" the forerunner to Soca music.
Shorty was the first to really define his music and with "Indrani" in 1973 and "Endless Vibration" (not just the song but the entire album) in 1975, calypso music really took off in another direction. Later in 1975 Shorty visited his good friend Maestro in Dominica where he stayed (at Maestro's house) for a month while they visited and worked with local cadence artists. You had Maestro experimenting with calypso and cadence ("cadence-lypso"). Sadly a year later Maestro would die in an accident in Dominica and his loss was palpably felt by Shorty, who penned "Higher World" as a tribute.
In Dominicah, Shorty had attended an Exile One performance of cadence-lypso, and collaborated with Dominica's 1969 Calypso King, Lord Tokyo and two calypso lyricists, Chris Seraphine and Pat Aaron in the early 1970s, who wrote him some creole lyrics. Soon after Shorty released a song, "Ou Petit", with words like "Ou dee moin ou petit Shorty" (meaning "you told me you are small Shorty"), a combination of calypso, cadence and kwéyòl. Shorty's 1974 Endless Vibrations and Soul of Calypso brought soca to its peak of international fame.
Soca developed in the late 1960s and grew in popularity in the early 1970s. Soca’s development as a musical genre included its fusion with calypso, cadence, and Indian musical instruments—particularly the dholak, tabla and dhantal—as demonstrated in Lord Shorty's classic compositions "Ïndrani" and "Shanti Om".
Traditionally, Trinidad and Tobago Carnival is associated with calypso music; however, recently soca has replaced calypso as the most celebrated type of music.
During the 80's, the fast tempo zouk style popularized by the French Antilles band Kassav' had a major influence on the development of soca music. Unlike the traditional calypso which had revolutionary lyrics which contained social commentary, soca music's message can be found in its rhythms, the fast paced beats allow the young people to escape from the words, which they see as the empty promises of the older generations.
Soca has grown since its inception to incorporate elements of rap, reggae, zouk, and dance music genres, and continues to blend in contemporary music styles and trends. Soca has also been experimented with in Bollywood films, Bhangra, in new Punjabi pop, and in disco music in the United States.
Soca simply means the 'Soul of Calypso', but the name has nothing much to do with the fusion of Soul music and Calypso. Soca's history is as multi-faceted as the music is infectious. Regarding its name, Lord Shorty initially referred to his musical hybrid as "sokah", stating in an 1979 interview with Carnival Magazine that "I came up with the name soca. I invented soca. And I never spelt it s-o-c-a. It was s-o-k-a-h to reflect the East Indian influence." Many[who?] say the name represents the true "soul of calypso", later changed to "soca" by a music journalist[who?], and suggest that the name "soca" was a combination of the first two letters of "SOul" and "CAlypso".
Soca music has evolved like all other music over the years, with calypsonians experimenting with other Caribbean rhythms.
Some examples are the following:
Chutney soca: Original soca performed with a more chutney styled form; mainly performed by chutney musicians.
Ragga soca: A fusion of Jamaican ragga and soca. It replaced chutney music with dancehall music so it is dancehall and contemporary calypso, which is an uptempo beat with moderate bass and electronic instruments. A Barbadian form of performing dancehall and reggae. It did not replace chutney. In fact, Chutney music grew worldwide through the National Chutney Foundation of TT via an Act of Parliament ( Act 6 of 2000)
Steelband-soca: Steel pans are types of a drum often used in soca and calypso music; it became so popular that it became its own musical genre. The Steel pan originated in the Republic of Trinidad and Tobago. Steel pans are handmade, bowl-like metal drums crafted so that different drum sections produce different notes when struck. Steelbands are groups of musicians who play songs entirely on steel drums. There are many types of steel pans, each with its own set of pitches.
Bouyon soca:, sometimes referred to as Jump up soca, is a fusion-genre that typically blends old bouyon rhythms from the '90s and soca music. Bouyon soca, is a term coined by non-Dominican producers and musicians who wish to attribute the current suucess of bouyon music to other islands. In its native Dominica, the concept of bouyon soca is pretty much unheard of. Bouyon is a very specific and original genre and is very much distinguishable from its "colleague" Soca.
While there may have been the occasional fusion, Bouyon has always maintained a very clear, recognisable and obviously different style from soca. This style of bouyon music was originated in Dominica, but is also very popular in Saint Lucia, Guadeloupe and Martinique.
Groovy soca: Created by Robin Imamshah with his composition "Frenchman", this growing style focuses on melody in soca, partly because of criticism of soca's ubiquitous 'jump and wave'-only lyrical and musical content. It features sensual vocals over mid-tempo soca rhythms, and very often elements of zouk and ragga soca.
Soca music is based on a strong rhythmic section that is often recorded using synthesized drum sounds and then sequenced inside computers; however, for live shows, the live human drummer emulates the recorded version, often using electronic drums to trigger drum samples. The drum and percussion are often loud in this genre of music and are sometimes the only instruments to back up the vocal. Soca is indeed defined by its loud, fast percussion beats. Synthesizers are used often in modern soca and have replaced the once typical horn section at 'smaller' shows. Electric and bass guitars are found very often and are always found in a live soca band. A horn section is found occasionally in live soca bands mostly for the 'bigger' shows. It usually consist of two trumpets and a trombone, with saxophones being part of the section from time to time. Invariably other metal instruments may include cowbell or automobile break rotor.
While the Trinidad-born steel drum is known as the official instrument of the Caribbean, its waning presence in soca music, along with its coopting by other nations, has many soca and calypso purists concerned. It has since enjoyed a slow resurgence, appearing more in soca music, as well as in the slowed-down, melodic Groovy Soca and production-focused Rockso genres.
International Soca Monarch Competition
The International Soca Monarch Competition is a highly anticipated Soca music award show that is held annually in Trinidad and Tobago’s capital, Port of Spain. This competition is the most well-known event for the life of Soca artists and Soca lovers all around the world. The International Soca Monarch Competition was originally developed by a cultural benefactor named William Munro who aspired to create a new, unique and exhilarating experience where Soca artists from all the different Caribbean islands could let their talents shine through to billions of people worldwide. A colleague of Munro’s, Gregory Fernandez was the first person to invest in The International Soca Monarch Competition by contributing TT$35,000 to get the show where Munro wanted it to be. After much conflict, debate and planning, the first show took place in 1993 at The Spectrum in Port of Spain where the first place winners were awarded a considerable sum of TT$25,000. This was possible thanks to Trinidad and Tobago’s official Government and their undying support of the International Soca Monarch Competition. Renowned Soca artists such as Machel Montano, Kerwin Du Bois, Patrice Roberts, Superblue and Destra Garcia have all performed and won Groovy Soca Monarch and Power Soca Monarch awards in the past. The 2014 International Soca Monarch Competition awarded Machel Montano the first place prize in the Power Soca category after a highly enthusiastic and energetic performance of his huge hit “Ministry of Road”. Kerwin Du Bois came in first in the Groovy Soca Monarch category, becoming the first artist in many years to dethrone Machel Montano from his superior reign of first place in that category. Today, the extremely competitive event awards first place winners with $2 million, provided by various sponsors as well as the Trinidad and Tobago Government. Corporations and organizations such as KFC, Ford, Monsters Energy Drink, Caribbean Airlines and the Hyatt Regency and many more are all sponsors for Soca competition. With the intention to “take culture to a brand new level”, the International Soca Monarch Competition gives a chance for many talented Soca artists to display their gifts and showcase the work they have been putting together for the past year. These artists are able to widen their fan-base and achieve extreme amounts of fame by showcasing their songs and talents through such a widespread event that is becoming more and more popular as time goes on. The Soca Monarch Foundation is now starting to be recognized by many people of different cultural backgrounds rather than just Caribbean backgrounds, which gives hope to the idea that Soca music is quickly becoming universal. Even though The International Soca Monarch Competition is located in a place where Soca music was birthed and continues to be most popular, it not only attracts a lot of attention from people who live in Trinidad and Tobago but has expanded to peak the interests in Westernized countries such as Canada and America.
The competition has recently gained so much worldwide attention that the concept of “Soca Tourism” has emerged. This newly developed “Soca Tourism” phenomenon is greatly supported by the Trinidadian government. Every year, the competition is aired on the televisions of those living in Trinidad and Tobago and is streamed live through various websites, making it easier for people all across the world to watch live as the most important moments in Soca history take place. As the Soca Monarch Foundation continues to expand their ideas, the next innovative idea is to develop a Pay-Per-View notion that will allow people to receive good quality live streaming of the show on their televisions and not only on computer screens, tablets and smart phones. Since many individuals do not have the luxury to easily travel to Trinidad and Tobago during the year, the feature of being able to watch the Soca Monarch Competition on televisions at home will be a huge success since Soca music is becoming more prevalent in the lives of a diverse amount of people today.