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17 May 1974 |
|Alma mater||Rey Juan Carlos University|
|Title||Artistic director, English National Ballet|
Tamara Rojo CBE (born 17 May 1974) is a Spanish ballet dancer. She is the artistic director of the English National Ballet, as well as a lead principal dancer. She was previously a principal dancer with The Royal Ballet, and continues to perform with the company as a guest artist.
Rojo was born in Montreal, Canada, to Spanish parents who moved back to Spain when she was four months old.
Rojo started taking local dance classes at the age of 5 in Spain. By the time she reached age 11, Rojo became a full-time student at the Madrid Royal Conservatory of Dance Real Conservatorio Profesional de Danza Mariemma, studying under Victor Ullate and Karemia Moreno. Though her parents were thrilled at her talent, they insisted that Rojo also complete an academic education. Therefore, after studio rehearsals every day, Rojo would attend evening classes. When Rojo was 16, she graduated from the Conservatory and had only two more years until her completion of regular school studies.
Rojo began her professional career as a dancer with the Ballet de la Comunidad de Madrid, under the direction of Victor Ullate. In 1994, she became notable after winning the Gold Medal at the Paris International Dance competition and a Special Jury Award given by Natalia Makarova, Vladimir Vassiliev, and Galina Samsova, a judging panel consisting of some of the most outstanding figures of the ballet world.
In 1996, Rojo was invited by Galina Samsova to join the Scottish National Ballet. While there, she performed the principal roles in Swan Lake, The Nutcracker, La Sylphide, and Cranko's Romeo and Juliet. In 1997, she joined the English National Ballet, and danced principal roles in Swan Lake, Paquita, Coppelia, Glen Tetley's The Sphinx and Voluntaries, and Michael Corder’s Cinderella. Artistic director Derek Deane of the English National Ballet created the roles of Juliet in Romeo and Juliet and Clara in The Nutcracker for her. Rojo was named "Dance Revelation of the Year" in 1997 after her performance as Clara, breaking attendance records at the London Coliseum.
After receiving praise from both critics and audience, Rojo was officially invited to become a principal dancer of the Royal Ballet in 2000. She has been working with the company extensively ever since. After joining The Royal Ballet, she took on principal roles in Dowell’s Swan Lake, Makarova’s The Sleeping Beauty and La Bayadere, Mason´s The Sleeping Beauty, Nureyev´s Don Quixote and Wright´s The Nutcracker. She has performed many roles in Sir Kenneth MacMillan's works, recreated for her by Deborah MacMillan, including the title roles in Isadora, Romeo and Juliet, Manon, Mary Vetsera in Mayerling, The Woman in Song of the Earth, The Chosen One in Rite of Spring, Masha & Olga in Winter Dreams, Requiem, My Brother My Sisters, and Danses Concertantes. In addition, her repertoire includes Cinderella, Ondine, Marguerite and Armand, Five Brahms Waltzes in the Manner of Isadora Duncan, Homage to the Queen and A Wedding Bouquet. She danced in the world premiere of Snow White created for her by choreographer Richardo Cue.
In 2000 Rojo approached Royal Ballet director Anthony Dowell, having researched and decided that this company was one she would flourish with. "I'd have taken a corps de ballet contract, anything, but there wasn't one," she told Jann Parry, who was at that time the Observer's dance critic. Later that year, though, a principal contract came up and Rojo was recommended. Then later that year Rojo was asked to replace an injured Darcey Bussell in Giselle. Ignoring her own sprained ankle and the short notice, she learned the role in two weeks and went on to receive rave reviews In 2002, while dancing as Clara in the Nutcracker, Rojo started shaking on stage. After the show, she was sent to a private hospital where they determined that her appendix had burst and she stayed there to heal for 6 weeks. However, two weeks later she was back dancing and she was forced to go to a hospital again. Rojo admitted that it was “completely wrong [to continue dancing while injured or ill] and I do not feel that anyone should do this. It really is not worth it.” In 2003, while preparing for the Royal Ballet’s Australian tour, Rojo was once again plagued with another setback when she suffered an infected bunion that became so bad that her foot swelled to the size of a tennis ball. Doctors determined that Rojo needed to have it drained and to have surgery on her foot – a potentially career-ending operation. Nevertheless, she knew that this operation was a necessary step to take if she were ever to walk, let alone dance, again. A mere twenty-four hours after her operation, an Ambassador from Spain called to inform her that she had been honoured with an award and needed to be in Cadiz the next week. The King of Spain presented her with the Royal Gold Medal of Fine Arts, a prestigious honour that few can say they have achieved. Months later, and after countless hours of rehabilitation, she returned to dancing and said that the injury changed her perspective on life, her body, and dance. She felt that she valued each and every day more and learned that nothing in life should be taken for granted.
In April 2012 it was announced that Rojo would become the artistic director of English National Ballet, replacing Wayne Eagling, whose departure from the role had been announced in February. Tamara Rojo;The Woman Who Has Transformed English National Ballet By Roslyn Sulcasnov. Nov. 18, 2016.
Tamara Rojo’s commitment to keeping the classics relevant, led her to offer the creative challenge of a lifetime to award-winning choreographer Akram Khan. In September 2016 at the Palace Theatre, Manchester, was premiered by the English National Ballet, with remarkable success, a brand new version of the iconic romantic ballet Giselle, choreographed by Akram Khan, adapted from Adolphe Adam original by composer Vincenzo Lamagna, Academy-Award winning designer Tim Yip, best known for the artistic and commercially successful movie, Crouching Tiger, Hidden Dragon, created the impressive set and superb costumes of this production. The amazing light design belongs to Mark Henderson. Orchestra score by English National Ballet Philharmonic Music director; Gavin Sutherland.
Tamara Rojo said: "When I decided I wanted to bring Giselle, one of the most traditional pieces of the classical repertoire, into the 21st Century there was only one choreographer I believe had both the knowledge of tradition and creativity necessary for this task. I am incredibly excited that Akram accepted this challenge. I believe this will be a very important step for the whole art form and I hope it will make this beautiful classic relevant to new audiences".
Under the direction of Tamara Rojo, the English National Ballet was, for the first time in history, invited to dance from 21 to 25 June 2016 at the Paris Opera Palais Garnier, the most famous ballets in its repertoire: Marius Petipa and Konstantin Sergeyev's version of Le Corsaire in a revival by Anna-Marie Holmes. A roaring success!
The following is a list of repertoire of Tamara Rojo's performance in various ballet company.
|Les Sylphides||Michel Fokine||B.B.Com.Madrid, Royal Ballet|
|Clara (Nutcracker)||Wayne Eagling||English National Ballet|
|Theme and Variations||G. Balanchine||B.C.Madrid-Ullate, Royal Ballet|
|Allegro Brillante||G. Balanchine||B.Com.Madrid-Ullate|
|Grossa Fuga||Hans Van Manen||B.Com.Madrid-Ullate|
|In the Future||Glen Tetley||B.Com.Madrid-Ullate|
|Three Cornered Hat||Léonide/Massine||Bal.Opera de Nice|
|Le Beau Danube||Léonide Massine||Bal.Opera de Nice|
|Rite of Spring||Kenneth MacMillan||E.N.B., Royal Ballet|
|Clara (Nutcracker)||Derek Deane||English Nat. Ballet|
|Paquita||Petipa||English Nat. Ballet|
|Juliet (Romeo and Juliet)||Derek Deane||English Nat. Ballet|
|Cinderella||Ben Stevenson||English Nat. Ballet|
|Three Preludes||Hans Van Manen||English Nat. Ballet|
|Nascita di Orfeo||Luca Veggetti||E. P. Arena de Verona|
|Odette/Odile (Swan Lake)||Deane/Makarova/M.Mason/Nureyev||Kirov Ballet|
|Blancanieves||Ricardo Cue||Music: E. Aragón – Teatro Arriaga|
|Odette/Odile (Swan Lake)||Petipa - Ivanov||ENB/Scottish Ballet|
|Consolations & Liebestraum||Christopher Bruce||ROH2|
|Tatiana (Onegin)||John Cranko||Royal Ballet|
|Juliet (Romeo and Juliet)||Kenneth MacMillan||Royal Ballet|
|Isadora||Kenneth MacMillan||Royal Ballet|
|Mary Vetsera (Mayerling)||Kenneth MacMillan||Royal Ballet|
|Manon||Kenneth MacMillan||Royal Ballet|
|Song of the Earth||Kenneth MacMillan||Royal Ballet|
|Requiem||Kenneth MacMillan||Royal Ballet|
|Winter Dreams||Kenneth MacMillan||Royal Ballet|
|My Brother, My Sisters||Kenneth MacMillan||Royal Ballet|
|Symphony in C||Balanchine||Royal Ballet|
|Dances at a Gathering||Jerome Robbins||Royal Ballet|
|Rushes||Wayne McGregor||Royal Ballet|
|Chroma||Wayne McGregor||Royal Ballet|
|Kitri (Don Quixote)||Vladimir Vasiliev||Ballet Alla Escala|
|Sugar Plum Fairy (Nutcracker)||Peter Wright||Royal Ballet, E.N.B.|
|Juliet (Romeo and Juliet)||Cranko||Scottish Ballet|
|La Sylphide||Bournonville/Sorella Englund J.Covalli/J.Perrot||Scottish Ballet, Royal Ballet|
|Giselle||Petipa /Deane/A. Dowell/||Royal Ballet, Ullate,B.N.Cuba|
|Kitri (Don Quixote)||D. Deane/Petipa/Ashton/Nureyev||Royal, ENB, Tokyo Ballet|
|Aurora (The Sleeping Beauty)||Kenneth MacMillan||R.B & English National Ballet|
|Medora (Le Corsaire)||A-M Holmes after Petipa and Sergeyev||English National Ballet|