|Sir Thomas Browne|
|Born||19 October 1605
|Died||19 October 1682
|Alma mater||Pembroke College, Oxford, University of Padua, University of Leiden|
|Known for||Religio Medici, Urne-Burial and The Garden of Cyrus, Pseudodoxia Epidemica, Christian Morals|
|Influences||Francis Bacon, Kepler, Paracelsus, Montaigne, Athanasius Kircher, Della Porta|
|Influenced||Samuel Johnson, Charles Lamb, Samuel Taylor Coleridge, Thomas De Quincey, Herman Melville, William Osler, Jorge Luis Borges, W. G. Sebald|
Sir Thomas Browne (//; 19 October 1605 – 19 October 1682) was an English polymath and author of varied works which reveal his wide learning in diverse fields including science and medicine, religion and the esoteric. Browne's writings display a deep curiosity towards the natural world, influenced by the scientific revolution of Baconian enquiry, while his Christian faith exuded tolerance and goodwill towards humanity in an often intolerant era.
A consummate literary craftsman, Browne's works are permeated by frequent references to Classical and Biblical sources as well as the idiosyncrasies of his own personality. His literary style varies according to genre, resulting in a rich, unusual prose that ranges from rough notebook observations to the highest Baroque eloquence. Although often described as suffering from melancholia, Browne's writings are also characterised by wit and subtle humour.
The son of a silk merchant from Upton, Cheshire, he was born in the parish of St Michael, Cheapside, in London on 19 October 1605. His father died while he was still young and he was sent to school at Winchester College. In 1623 Browne went to Oxford University. He graduated from Pembroke College, Oxford in 1626, after which he studied medicine at Padua and Montpellier universities, completing his studies at Leiden, where he received a medical degree in 1633. He settled in Norwich in 1637, where he practiced medicine and lived until his death in 1682.
Browne's first literary work was Religio Medici (The Religion of a Physician). This work was circulated as a manuscript among his friends and it caused him some surprise when an unauthorised edition appeared in 1642, since the work contained a number of religious speculations that might be considered unorthodox. An authorised text, with some of the controversial matter removed, appeared in 1643. The expurgation did not end the controversy: in 1645, Alexander Ross attacked Religio Medici in his Medicus Medicatus (The Doctor, Doctored) and, in common with much Protestant literature, the book was placed upon the Papal List of Prohibited Books in the same year.
In 1646, Browne published his encyclopaedia, Pseudodoxia Epidemica, or, Enquiries into Very many Received Tenets, and commonly Presumed Truths, whose title refers to the prevalence of false beliefs and "vulgar errors". A sceptical work that debunks a number of legends circulating at the time in a paradoxical and witty manner, it displays the Baconian side of Browne—the side that was unafraid of what at the time was still called "the new learning". The book is significant in the history of science, because it promoted an awareness of up-to-date scientific journalism, it cast doubt, for example, on the widely believed hypothesis of spontaneous generation.
Browne's last publication during his lifetime, in 1658, were two philosophical Discourses which are intrinsically related to each other. The first, Hydriotaphia, Urn Burial, or a Brief Discourse of the Sepulchral Urns lately found in Norfolk, was occasioned by the discovery of some Bronze Age burials in earthenware vessels found in Norfolk which inspired him to meditate upon the funerary customs of the world, the fleetingness of earthly fame and death. The other discourse in the diptych, antithetical in style, subject-matter and imagery, is The Garden of Cyrus, or, The Quincunciall Lozenge, or Network Plantations of the Ancients, Artificially, Naturally, and Mystically Considered, whose subject is the quincunx, the arrangement of five units (as with the "five-spot" in dice), which Browne uses to demonstrate evidence of the Platonic forms in Nature, growth and generation.
In Religio Medici, Browne confirmed his belief, in accordance with the vast majority of 17th century European society, in the existence of angels and witchcraft. He attended the 1662 Bury St. Edmunds witch trial, where his citation of a similar trial in Denmark may have influenced the jury's minds of the guilt of two accused women, who were subsequently executed for the crime of witchcraft.
In 1671 King Charles II, accompanied by the Court, visited Norwich. The courtier John Evelyn, who had occasionally corresponded with Browne, took good use of the royal visit to call upon "the learned doctor" of European fame and wrote of his visit, "His whole house and garden is a paradise and Cabinet of rarities and that of the best collection, amongst Medails, books, Plants, natural things".
During his visit, Charles visited Browne's home. A banquet was held in the Civic Hall St. Andrews for the Royal visit. Obliged to honour a notable local, the name of the Mayor of Norwich was proposed to the King for knighthood. The Mayor, however, declined the honour and proposed Browne's name instead.
Sir Thomas Browne died on 19 October 1682, on his 77th birthday. His Library was held in the care of his eldest son Edward until 1708. The auction of Browne and his son Edward's libraries in January 1711 was attended by Hans Sloane. Editions from Sir Thomas Browne's Library subsequently became included in the founding collection of the British Library.
His missing skull became the subject of dispute when in 1840 his lead coffin was accidentally re-opened by workmen. It was not re-interred until 4 July 1922 when it was registered in the church of Saint Peter Mancroft as aged 317 years. Browne's coffin-plate, which was also stolen the same time as his skull, was eventually recovered, broken into two halves, one of which is on display at St. Peter Mancroft Church. Alluding to the commonplace opus of alchemy it reads- Amplissimus Vir,....hoc Loculo indormiens, Corporis spagyrici pulvere plumbum in aurum Convertit - loosely translated from Latin reads -
Great Virtues,... sleeping here the dust of his spagyric body converts the lead to gold.
The coffin-plate verse's author was, in all probability, either Browne himself or his eldest son, Edward Browne. The origin of the invented word spagyrici from the Greek: Spao to tear open, + ageiro to collect, is from a neologism coined by Paracelsus to define his spagyric type of medicine-oriented alchemy; the origins of iatrochemistry no less, being first advanced by the Swiss physician. This coffin-plate verse along with numerous Paracelsian authors in his library are evidence that Browne was a follower, albeit, critically, of Paracelsus. Like Paracelsus he also subscribed to a belief in palingenesis, physiognomy, alchemy and astrology.
Browne is widely considered one of the most original writers in the English language. The freshness and ingenuity of his mind invested everything he touched with interest; while on more important subjects his style, if frequently rugged and pedantic, often rises to the highest pitch of stately eloquence. His paradoxical place in the history of ideas, as both a promoter of the new inductive science, as an adherent of ancient esoteric learning as well as a devout Christian have greatly contributed to his ambiguity in the history of ideas. For these reasons, the literary critic Robert Sencourt succinctly assessed him as "an instance of scientific reason lit up by mysticism in the Church of England". However, the complexity of Browne's labyrinthine thought, his ornate language, along with his many allusions to the Bible, Classical learning and to a variety of esoteric authors are also factors which combine to account for why he remains obscure, little-read and much-misunderstood.
Browne appears at No. 70 in the Oxford English Dictionary's list of top cited sources. He has 803 entries in the OED, quoted in 3636 entries and is given as the first source for more than 100 English words. Examples of his coinages, many of which are of a scientific or medical nature include 'ambidextrous', 'analogous', 'approximate, 'ascetic', 'anomalous', 'carnivorous', 'coexistence' 'coma', 'compensate', 'computer', 'cryptography', 'cylindrical', 'disruption', 'electricity', 'exhaustion', 'ferocious', 'follicle', 'generator', 'gymnastic', 'herbaceous', 'insecurity', 'indigenous', 'jocularity', 'literary', 'locomotion', 'medical', 'migrant', 'mucous', 'prairie', 'prostate', 'polarity', 'precocious', 'pubescent', 'therapeutic', 'suicide', 'ulterior', 'ultimate' and 'veterinarian'.
The influence of his literary style spans four centuries.
"His style is, indeed, a tissue of many languages; a mixture of heterogeneous words, brought together from distant regions, with terms originally appropriated to one art, and drawn by violence into the service of another. He must, however, be confessed to have augmented our philosophical diction; and, in defence of his uncommon words and expressions, we must consider, that he had uncommon sentiments, and was not content to express, in many words, that idea for which any language could supply a single term".
In the 20th century those who have admired the English man of letters include:
He described Browne as "the best prose writer in the English language". Such was his admiration of Browne as a literary stylist and thinker that late in his life (Interview 25 April 1980) he stated of himself, alluding to his self-portrait in "Tlön, Uqbar, Orbis Tertius" (1940):
|“||I am merely a word for Chesterton, for Kafka, and Sir Thomas Browne — I love him. I translated him into 17th century Spanish and it worked very well. We took a chapter out of Urne Buriall and we did that into Quevedo's Spanish and it went very well.||”|
In 1932 the English painter Paul Nash was invited to illustrate a book of his own choice, Nash choose Sir Thomas Browne's Urn Burial and The Garden of Cyrus, providing the publisher with a set of 32 illustrations to accompany Browne's Discourses. A pencil drawing by Nash called "Urne Buriall: Teeth, Bones and Hair" is held by Birmingham Museums Trust.
The National Portrait Gallery in London has a fine contemporary portrait by Joan Carlile of Sir Thomas Browne and his wife Dorothy, Lady Browne (née Mileham). More recent sculptural portraits include Henry Albert Pegram's statue of Sir Thomas contemplating with urn in Norwich. This statue occupies the central position in the Haymarket beside St. Peter Mancroft, not far from the site of his house. It was erected in 1905 and moved from its original position in 1973. In 2005 Robert Mileham's small standing figure in silver and bronze was commissioned for the 400th anniversary of Browne's birth.
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