| Unforgiven | |
|---|---|
Film poster by Bill Gold |
|
| Directed by | Clint Eastwood |
| Produced by | Clint Eastwood |
| Written by | David Webb Peoples |
| Starring | Clint Eastwood Gene Hackman Morgan Freeman Richard Harris |
| Music by | Lennie Niehaus |
| Cinematography | Jack N. Green |
| Editing by | Joel Cox |
| Studio | Malpaso Productions |
| Distributed by | Warner Bros. |
| Release date(s) |
|
| Running time | 131 minutes |
| Country | United States |
| Language | English |
| Budget | $14.4 million[1] |
| Box office | $159,157,447 |
Unforgiven is a 1992 American Western film produced and directed by Clint Eastwood with a screenplay written by David Webb Peoples. The film portrays William Munny, an aging outlaw and killer who takes on one more job years after he had turned to farming. A dark Western that deals frankly with the uglier aspects of violence and the myth of the Old West, it stars Eastwood in the lead role, with Gene Hackman, Morgan Freeman, and Richard Harris. Eastwood has stated that the film will be his final Western film.
Eastwood dedicated the movie to deceased directors and mentors Don Siegel and Sergio Leone. The film won four Academy Awards, including Best Picture, Best Director, Best Actor in a Supporting Role (Hackman), and Best Film Editing. Eastwood was nominated for the Academy Award for Best Actor for his performance, but he lost to Al Pacino for Scent of a Woman. In 2004, Unforgiven was added to the United States National Film Registry as being deemed "culturally, historically, or aesthetically significant".
The film was the third western to win the Oscar for Best Picture, following Cimarron (1931) and Dances With Wolves (1990).
Contents |
A group of prostitutes in Big Whiskey, Wyoming, led by Strawberry Alice (Frances Fisher), offers a $1,000 reward to whoever can kill Quick Mike (Mucci) and "Davey-Boy" Bunting (Campbell), two cowboys who disfigured Delilah Fitzgerald (Levine), one of their own. The local sheriff, Little Bill Daggett (Gene Hackman), a former gunfighter and keeper of the peace, is worried about their incentive, as he does not allow guns or criminals in his town. Little Bill had given the two men leniency, despite their crime.
Miles away in Kansas, the Schofield Kid (Woolvett), a boastful young man, visits the pig farm of William Munny (Eastwood), seeking to recruit him to kill the cowboys. In his youth, Munny was a bandit notorious as a cold-blooded murderer. Now a repentant widower raising two children, he has sworn off alcohol and killing. Though Munny initially refuses to help with the execution, his farm is failing, putting his children's future in jeopardy. Munny reconsiders a few days later and sets off to catch up with the Kid. On his way, Munny recruits Ned Logan (Morgan Freeman), another retired gunfighter, who reluctantly leaves his wife (Cardinal) to go along.
Back in Wyoming, gunfighter English Bob (Richard Harris) and his biographer, W. W. Beauchamp (Rubinek), arrive in Big Whiskey, also seeking the reward. Little Bill and his deputies disarm Bob, and Bill beats him savagely, hoping to discourage other would-be killers. The next morning he ejects Bob from town, but Beauchamp decides to stay and write about Bill. He has impressed the biographer with his tales of old gunfights and seeming knowledge of the inner workings of a gunfighter's psyche.
Munny, Logan and the Kid arrive later during a rain storm; they go to the saloon/whorehouse to discover the cowboys' location. With a bad fever after riding in the rain, Munny is sitting alone in the saloon when Little Bill and his deputies arrive to confront him. With no idea of Munny's past, Little Bill beats him and kicks him out of the saloon after finding a pistol on him. Logan and the Kid, upstairs getting "advances" on their payment from the prostitutes, escape out a back window. The three regroup at a barn outside of town, where they nurse Munny back to health.
Three days later, they ambush a group of cowboys and kill Bunting. Logan and Munny no longer have much stomach for murder. Logan decides to return home while Munny and the Kid head to the cowboys' ranch, where the Kid ambushes Quick Mike in an outhouse and kills him. After they escape, a distraught Kid confesses he had never killed anyone before. He renounces life as a gunfighter.
When Little Sue (Frederick) meets the two men to give them the reward, they learn that Logan was captured by Little Bill's men and tortured to death. He revealed the names of his two accomplices. The Kid heads back to Kansas to deliver the reward money to Munny and Logan's families. Munny drinks half a bottle of whisky and heads into town to take revenge on Bill.
That night, Logan's corpse is displayed in a coffin outside the saloon. Inside, Little Bill has assembled a posse to pursue Munny and the Kid. Munny walks in alone and kills Skinny Dubois (James), the saloon owner and pimp. After some tense dialogue, a gunfight ensues, leaving Bill wounded and several of his deputies dead. Munny orders everyone out before stopping Little Bill from reaching for his pistol. Bill curses Munny before the latter finishes him with a final gunshot. Munny threatens the townsfolk before finally leaving town, warning that he will return if Logan is not buried properly or if any prostitutes are further harmed.
A brief epilogue states that Munny was rumored to have moved to San Francisco, where he prospered in dry goods.
The film was written by David Webb Peoples, who had written the Oscar-nominated film The Day After Trinity and co-wrote Blade Runner.[2] The concept for the film dated to 1976, when it was developed under the titles The Cut-Whore Killings and The William Munny Killings.[2] Eastwood delayed the project, partly because he wanted to wait until he was old enough to play the lead and to savor it as the last of his western films. At the time, some critics[who?] thought this was to be Eastwood's last film as director and actor, but he has continued in both roles.
Much of the cinematography for the film was shot in Alberta, Canada in August 1991 by director of photography Jack Green.[3] Filming took place over 52 days between September and October 1991.[4] Production designer Henry Bumstead, who had worked with Eastwood on High Plains Drifter, was hired to create the "drained, wintry look" of the western.[3]
Unforgiven received near-universal acclaim. Review aggregator Rotten Tomatoes registers a "Certified Fresh" 97% approval rating among reviews. Many critics acclaimed the film for its noir-ish moral ambiguity and atmosphere. They also acclaimed it as a fitting eulogy to the western genre. Jack Methews of the Los Angeles Times described it as "The finest classical western to come along since perhaps John Ford's 1956 The Searchers." Richard Corliss in Time wrote that the film was "Eastwood's meditation on age, repute, courage, heroism – on all those burdens he has been carrying with such grace for decades."[5]
Gene Siskel and Roger Ebert criticized the work; though the latter gave it a positive vote, both criticized the picture for being too long and having too many superfluous characters (such as Harris' English Bob, who enters and leaves without meeting the protagonists). Despite his reservations, Ebert eventually included the film in his "Great Movies" list.[6]
Unforgiven was released on Blu-ray Book on February 21, 2012. Special features include an audio commentary by the Clint Eastwood biographer, Richard Schickel; four documentaries including "All on Accounta Pullin' a Trigger", "Eastwood & Co.: Making Unforgiven", "Eastwood...A Star," and "Eastwood on Eastwood", and more.[7]
The film debuted at the top position in its opening weekend.[8][9] Its earnings of more than $13 million on its opening weekend was the best ever opening for an Eastwood film.[5] Unforgiven eventually earned $160 million worldwide in ticket sales, $101 million in the United States alone.[10]
In June 2008, Unforgiven was listed as the fourth best American film in the western genre (behind The Searchers, High Noon, and Shane) in the American Film Institute's "AFI's 10 Top 10" list.[12][13]
The film is listed in AFI's 100 Years... 100 Movies. In 2005, Time named it one of the 100 best movies of the last 80 years. It was also admitted to the National Film Registry in 2004.
The music for the Unforgiven film trailer, which appeared in theatres and on some of the DVDs, was composed by Randy J. Shams and Tim Stithem in 1992.
In 1992, the film poster designer, longtime Eastwood collaborator Bill Gold, won the prestigious Key Art award from The Hollywood Reporter.[14]
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