Theatrical release poster by John Alvin
|Directed by||Ron Howard|
|Produced by||George Lucas
|Screenplay by||Bob Dolman|
|Story by||George Lucas|
|Music by||James Horner|
|Edited by||Daniel P. Hanley
|Box office||$57.3 million|
Willow is a 1988 American high fantasy film directed by Ron Howard, produced and with a story by George Lucas, and starring Warwick Davis, Val Kilmer, Joanne Whalley, Jean Marsh, and Billy Barty. Davis plays the eponymous lead character and hero: a reluctant farmer who plays a critical role in protecting a special baby from a tyrannical queen who vows to destroy her and take over the world in a high fantasy setting.
Lucas conceived the idea for the film in 1972, approaching Howard to direct during the post-production phase of Cocoon in 1985. Bob Dolman was brought in to write the screenplay, coming up with seven drafts before finishing in late 1986. It was then set up at Metro-Goldwyn-Mayer and principal photography began in April 1987, finishing the following October. The majority of filming took place at Elstree Studios in Hertfordshire, England, as well as Wales and New Zealand. Industrial Light & Magic created the visual effects sequences, which led to a revolutionary breakthrough with digital morphing technology. The film was released in 1988 to mixed reviews from critics, but was a modest financial success, received two Academy Award nominations, and has developed a cult following amongst fantasy fans.
When a prophecy states that a female child with a special birthmark will herald the downfall of the evil sorceress Queen Bavmorda, she imprisons all pregnant women in her realm to prevent its fulfillment. When the child is born, the mother begs the midwife to hide the infant and smuggle her to safety. The midwife reluctantly accepts and leaves Nockmaar Castle unnoticed. The mother is executed; the midwife is hunted down and eventually found. Knowing she cannot escape, the midwife sets the baby on a makeshift raft of grass and sends her down a river before being killed by Nockmaar hounds. Bavmorda, furious about the escape, sends her daughter Sorsha and her army's commander, General Kael, to find the baby.
The baby drifts downriver to a village of Nelwyn (dwarves). She comes into the care of Willow Ufgood, a kind farmer and conjurer with hopes to become a real sorcerer. His wife Kaiya and his children fall in love with the baby immediately, and Willow, after some resistance, quickly grows to love her as well. The village is attacked by a lone Nockmaar hound; after being killed by the village warriors, they deduce it was after a baby. Willow reveals the baby to the High Aldwin, the village sorcerer. He declares the child special and that she must be taken back to the Daikini (humans). Willow, due to his love for the child, is selected to accompany the party of volunteers in returning the baby. At the Daikini Crossroads, they find a human warrior named Madmartigan trapped in a crow's cage. While the rest of the party want to give the baby to Madmartigan and go home immediately, Willow and his friend Meegosh refuse, so the others leave. After spending the night at the crossroads and meeting an army led by Airk Thaughbaer, an old friend of Madmartigan's marching against Bavmorda, Willow reluctantly decides to free Madmartigan and hand the baby over to him.
As Meegosh and Willow are headed home, they find the baby was stolen by a group of Brownies. They chase the Brownies and are trapped, but are rescued by the Fairy Queen Cherlindrea. Cherlindrea tells Willow that the baby is Elora Danan, the future empress of Tir Asleen, and Bavmorda's bane. She gives Willow her wand and assigns him the task of helping Elora fulfill her destiny. Willow sends Meegosh home and two of the Brownies, Franjean and Rool, are assigned to help Willow find the sorceress Fin Raziel. The three of them find Madmartigan at a tavern, where he is disguised as a woman to hide from Lug, a cuckolded husband. Sorsha arrives and reveals his identity; Lug, furious upon the realization that Madmartigan is not a woman, starts a brawl, allowing Willow, Madmartigan, and the brownies to escape. Madmartigan guides them to the lake where Raziel lives before departing.
They find Raziel, but discover she has been transformed into a possum by Bavmorda. Willow and his party return with her to shore but encounter Sorsha, who already has Madmartigan in custody. They are taken to a snowbound mountain camp of the Nockmaar army where Willow tries to restore Raziel, but turns her into a rook instead. Madmartigan is accidentally dosed with love dust by the Brownies during their escape and winds up declares his undying love for Sorsha, much to her disbelief. The prisoners escape with the baby and reach a village at the foot of the mountain. While hiding, they again encounter Airk and what remains of his army, recently defeated by Bavmorda's forces. Madmartigan proclaims his loyalty to the Nelwyn and promises to protect Willow and Elora.
They take Sorsha hostage, but she escapes to tell Kael where they are going. They arrive at the castle of Tir Asleen only to discover that it is now overrun by trolls and the inhabitants have all been cursed by Bavmorda. Madmartigan finds armor and weapons as he prepares for the assault from Kael and Sorsha. During the fighting, Sorsha realizes she has feelings for Madmartigan and decides to join him and Willow in opposing her mother. Willow accidentally turns a troll into an eborsisk, a massive, fire-breathing, two-headed dragon-like monster that begins attacking everything it sees. Airk arrives with his army, turning the tide of battle. Kael kidnaps Elora and escapes to Nockmaar where he reports Sorsha's betrayal to Bavmorda. She orders the preparation of the ritual to banish Elora's soul.
Airk's army, Willow, and the others arrive at Nockmaar to lay siege, but Bavmorda turns most of them into pigs. Willow escapes when Raziel has him use a spell to avoid transformation. He succeeds in turning Raziel human again, and she removes Bavmorda's spell from the army. They trick their way into the castle and, in the ensuing battle, Airk is killed by Kael, who is in turn slain by Madmartigan after a lengthy sword duel. Sorsha leads Willow and Raziel to the ritual chamber, interrupting Elora's sacrifice. Bavmorda incapacitates Sorsha and then duels magically with Raziel; Raziel loses but is only knocked out. Willow uses an "old disappearing pig trick" to fool Bavmorda into thinking that Elora has been sent to a dimension beyond her reach; enraged, Bavmorda accidentally triggers the final part of the ritual, banishing her own soul instead.
Willow is rewarded with a magic book to aid him in becoming a sorcerer, and Sorsha and Madmartigan remain in a restored Tir Asleen to raise Elora together. Willow returns home to a hero's welcome and performs a true magic trick, much to the delight of the High Aldwin, before being happily reunited with his family.
George Lucas conceived the idea for the film (originally titled Munchkins) in 1972. Similar in intent to Star Wars, he created "a number of well-known mythological situations for a young audience". During the production of Return of the Jedi in 1982, Lucas approached Warwick Davis, who was portraying Wicket the Ewok, about playing Willow Ufgood. Five years passed before he was actually cast in the role. Lucas "thought it would be great to use a little person in a lead role. A lot of my movies are about a little guy against the system, and this was just a more literal interpretation of that idea."
Lucas explained that he had to wait until the mid-1980s to make the film because visual effects technology was finally advanced enough to execute his vision. Meanwhile, actor-turned-director Ron Howard was looking to do a fantasy film. He was at Industrial Light & Magic during the post-production phase of Cocoon, when he was first approached by Lucas to direct Willow. He had previously starred in Lucas's American Graffiti, and Lucas felt that he and Howard shared a symbiotic relationship similar to the one he enjoyed with Steven Spielberg. Howard nominated Bob Dolman to write the screenplay based on Lucas's story. Dolman had worked with him on a 1983 television pilot called Little Shots that had not resulted in a series, and Lucas admired Dolman's work on the sitcom WKRP in Cincinnati.
Dolman joined Howard and Lucas at Skywalker Ranch for a series of lengthy story conferences, and wrote seven drafts of his script between the spring and fall of 1986. Pre-production began in late 1986. Various major film studios turned down the chance to distribute and co-finance it with Lucasfilm because they believed the fantasy genre was unsuccessful. This was largely due to films such as Krull, Legend, Dragonslayer, and Labyrinth. Lucas took it to Metro-Goldwyn-Mayer (MGM), which was headed by Alan Ladd Jr. Ladd and Lucas shared a relationship as far back as the mid-1970s, when Ladd, running 20th Century Fox, greenlighted Lucas's idea for Star Wars. However, in 1986, MGM was facing financial troubles, and major investment in a fantasy film was perceived as a risk. Ladd advanced half the $35 million budget for it in return for theatrical and television rights, leaving Lucasfilm with home video and pay television rights to offer in exchange for the other half. RCA/Columbia Pictures Home Video paid $15 million to Lucas in exchange for the video rights.
Lucas based the character of General Kael (Pat Roach) on the film critic Pauline Kael, a fact that was not lost on Kael in her printed review of the film. She referred to General Kael as an "homage a moi". Similarly, the two-headed dragon was called an "Eborsisk" after film critics Gene Siskel and Roger Ebert.
Principal photography began on April 2, 1987 and ended that following October. Interior footage took place at Elstree Studios in Hertfordshire, England, while location shooting took place in Wales and New Zealand. Lucas initially visualized shooting the film similar to Return of the Jedi, with studio scenes at Elstree and locations in Northern California, but the idea eventually faded. However, some exteriors were done around Skywalker Ranch and on location at Burney Falls, near Mount Shasta. The Chinese government refused Lucas the chance for a brief location shoot. He then sent a group of photographers to South China to photograph specific scenery, which was then used for background blue screen footage. Tongariro National Park in New Zealand was chosen to house Bavmorda's castle.
Lucasfilm's Industrial Light & Magic (ILM) created the visual effects sequences. The script called for Willow to restore Fin Raziel (Patricia Hayes) from a goat to her human form. Willow recites what he thinks is the appropriate spell, but turns the goat into an ostrich, a peacock, a tortoise and, finally, a tiger, before returning her to normal. ILM supervisor Dennis Muren considered using stop motion animation for the scene. He also explained that another traditional and practical way in the late 1980s to execute this sequence would have been through the use of an optical dissolve with cutaways at various stages.
Muren found both stop motion and optical effects to be too technically challenging and decided that the transformation scene would be a perfect opportunity for ILM to create advances with digital morphing technology. He proposed filming each animal, and the actress doubling for Hayes, and then feeding the images into a computer program developed by Doug Smythe. The program would then create a smooth transition from one stage to another before outputting the result back onto film. Smythe began development of the necessary software in September 1987. By March 1988, the impressive result Muren and fellow designer David Allen achieved what would represent a breakthrough for computer-generated imagery (CGI). The techniques developed for the sequence were later utilized by ILM for Indiana Jones and the Last Crusade, Terminator 2: Judgment Day, and Star Trek VI: The Undiscovered Country.
|Soundtrack album by James Horner|
|Producer||James Horner, Shawn Murphy|
"I am a musicologist, a doctor of music. Therefore I listened to, studied and analysed a lot of music. I also enjoy metaphors, the art of quoting and of cycles. The harmonic draft of the Willow score, and most particularly its spiritual side, came from such a cycle, from such mythology and music history that I was taught, and that I myself convey with my own emotions and compositions."
Eclectic influences on the score include Leos Janacek's Glagolitic Mass, Mozart's "Requiem", "The Nine Splendid Stags" from Béla Bartók, Edvard Grieg's "Arabian Dance" for the theater play Peer Gynt, and compositions by Sergei Prokofiev.
"Willow's Theme" purposefully (see Horner's quote above) contains a reworking/alteration of part of the theme of the first movement ("Lebhaft") of Robert Schumann's Symphony No. 3 referencing it, while "Elora Danan's Theme" shows a reference to the Bulgarian folk song "Mir Stanke Le" (Мир Станке ле), also known as the "Harvest Song from Thrace".
The film was shown and promoted at the 1988 Cannes Film Festival. It was released on May 20, 1988 in 1,209 theaters, earning $8,300,169 in its opening weekend, placing number one at the weekend box office. Lucas had hoped it would earn as much money as E.T. the Extra-Terrestrial, but the film faced early competition with Crocodile Dundee II, Big and Rambo III. Making over $57 million at the North American box office, it was not the blockbuster hit insiders had anticipated. It was not, however, a financial flop either, as it made a profit because of strong international, home video, and television sales.
The film was released to mixed reviews from critics. As of May 2018, based on 31 reviews collected by Rotten Tomatoes, 52% of the critics gave the film a positive review with an average score of 5.6/10.
Janet Maslin from The New York Times praised Lucas's storytelling, but was critical of Ron Howard's direction. "Howard appears to have had his hands full in simply harnessing the special effects," Maslin said.
Desson Thomson writing in The Washington Post, explained "Rob Reiner's similar fairytale adventure The Princess Bride (which the cinematographer Adrian Biddle also shot) managed to evoke volumes more without razzle-dazzle. It's a sad thing to be faulting Lucas, maker of the Star Wars trilogy and Raiders of the Lost Ark, for forgetting the tricks of entertainment." Mike Clark in USA Today wrote that "the rainstorm wrap-up, in which Good edges Evil is like Led Zeppelin Meets The Wild Bunch. The film is probably too much for young children and possibly too much of the same for cynics. But any 6–13-year-old who sees this may be bitten by the "movie bug" for life."
At the Academy Awards, the film was nominated for Sound Effects Editing and Visual Effects, but lost both to Who Framed Roger Rabbit, which was similarly done by Industrial Light & Magic. It won Best Costume Design at the Saturn Awards, where it was also nominated for Warwick Davis for Best Performance by a Younger Actor (lost to Fred Savage for Vice Versa) and Jean Marsh for Best Supporting Actress (lost to Sylvia Sidney for Beetlejuice). It also lost Best Fantasy Film and the Hugo Award for Best Dramatic Presentation to Who Framed Roger Rabbit. It was also nominated for two Golden Raspberry Awards including Worst Screenplay, which lost to Cocktail and Worst Supporting Actor for Billy Barty, who lost to Dan Aykroyd for Caddyshack II.
The film was released on DVD as a "special edition" in November 2001 by 20th Century Fox Home Entertainment. The release included an audio commentary by Warwick Davis and two "making of" featurettes. In the commentary, Davis confirms that there were a number of "lost scenes" previously rumored to have been deleted from it including a battle in the valley, Willow battling a boy who transforms into a shark in a lake while retrieving Fin Raziel, and an extended sorceress duel at the climax. 20th Century Fox Home Entertainment released the film on Blu-ray Disc on March 12, 2013, with an all-new transfer supervised by George Lucas.
Three video games based on the film were released. Mindscape published an action game in 1988 for Amiga, Atari ST, Commodore 64, and DOS. Capcom published two different games in 1989, a platform game for the arcades and a role-playing game for the Nintendo Entertainment System.
Wayland Drew adapted Lucas's story into a film novel, providing additional background information to several major characters and various additional scenes, including an encounter with a lake monster near Razel's island which was filmed, but ultimately not used in the movie. A segment of that scene's filmed material can be found in the DVD's "Making of Willow" documentary.
Lucas outlined the Chronicles of the Shadow War trilogy to follow the film and hired comic book writer/novelist Chris Claremont to adapt them into a series of books. They take place about fifteen years after the original film and feature the teenage Elora Danan as a central character.
In April 2005, Lucas and Davis commented that a television series acting as a sequel was under consideration. In June 2008, Davis reiterated his hopes to return for a theatrically-released second installment of the film. On February 15, 2013 Val Kilmer posted a photo via Twitter implying that it was "Right around the corner!". However, this coincided with a Life's Too Short mockumentary featuring Davis and Kilmer, and is likely to have been a hoax. In March 2013, Davis indicated an interest in seeing a sequel (perhaps as a TV series), but gave no indication that any development was ongoing. In September 2016, Warwick Davis went on record again in stating that he would not like to see a remake of Willow, but he would like to see a sequel that explores if Willow became a sorcerer or not and what happened to Elora Danan when she grew up. In 2018 talks surfaced again about some type of sequel. “I don't want to give away too much, but there is a little talk of Willow,’’ Howard told ComicBook.com. ‘’We wouldn't call it Willow 2, I think it would focus a lot on Elora Danan, although Willow would have to be significantly involved.’’
Kilmer tweeted in 2018 ‘’You just can’t keep a good thing down. There’s TOP SECRET SCRIPT DISCUSSIONS ABOUT TOP POPULAR TOP FUN action packed films that can’t be discussed, and Bob Dylan wants a prequel to TOMBSTONE, and so do I, I finally started writing it, and now there’s official talk of a sequel to WILLOW. Dear sweet George Lucas has always defended Willow and often compared it to the megasmashes of the HOBBIT trilogy and beyond. Ive kept in touch with Warwick all thru the years and it would be a joy to get back into that world after all these years. Or twirling guns BEFORE ol Doc hooks up with the Earps... Even tho someone brings up Doc Holliday virtually every day I’m in public, I actually get more people wanting a sequel to THE SAINT. That one was really set up for it. I’ve got a great outline for that one- more fun characters and situations like cold fusion, that aren’t so science fiction as they were 20 years ago. This could be a lot of fun?’’
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